Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation, Waleed F. Mahdi
Автор: Lester Paul Название: Images That Injure: Pictorial Stereotypes in the Media ISBN: 0313378924 ISBN-13(EAN): 9780313378928 Издательство: Bloomsbury Цена: 8613.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This expanded collection of new and fully revised explorations of media content identifies the ways we all have been negatively stereotyped and demonstrates how careful analysis of media portrayals can create more beneficial alternatives. Not all damaging stereotypes are obvious.
Описание: In this innovative volume, Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted.
Автор: R. Emig Название: Stereotypes in Contemporary Anglo-German Relationships ISBN: 0333793412 ISBN-13(EAN): 9780333793411 Издательство: Springer Рейтинг: Цена: 19564.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Stereotypes continue to dominate contemporary Anglo-German relations. By assessing their impact on the personal sphere and that of communication, the media, business, and politics, this study aims to show that awareness of stereotypes can be part of a realistic assertion of identity.
Автор: Jennifer Mooney Название: Irish Stereotypes in Vaudeville, 1865-1905 ISBN: 1137482648 ISBN-13(EAN): 9781137482648 Издательство: Springer Рейтинг: Цена: 9362.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Vaudeville is often viewed as the source of some of the crude stereotypes that positioned the Irish immigrant in America as the antithesis of native-born American citizens. Using primary archival material, Mooney argues that the vaudeville stage was an important venue in which an Irish-American identity was constructed, negotiated, and refined.
Описание: Charts the development and shifting popularity of two stereotypes of black masculinity in popular American film: "the shaman" or "the scoundrel". Starting with colonial times, Williams identifies the origins of these roles in an America where black men were forced either to defy or to defer to their white masters.
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