Boccaccio`s Fabliaux: Medieval Short Stories and the Function of Reversal, Katherine A. Brown
Автор: Lacy Norris J. Название: Reading Fabliaux ISBN: 113886420X ISBN-13(EAN): 9781138864207 Издательство: Taylor&Francis Рейтинг: Цена: 2142.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Автор: Gale Cengage Learning Название: A Study Guide for Giovanni Boccaccio`s Federigo`s Falcon ISBN: 1375379909 ISBN-13(EAN): 9781375379908 Издательство: Неизвестно Цена: 2014.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Grudin Название: Boccaccio`s Decameron and the Ciceronian Renaissance ISBN: 0230341128 ISBN-13(EAN): 9780230341128 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Boccaccio`s Decameron and the Ciceronian Renaissance demonstrates that Boccaccio`s puzzling masterpiece takes on organic consistency when viewed as an early modern adaptation of a pre-Christian, humanistic vision.
Автор: Munoz, Natalie Название: Disabusing women in the old french fabliaux ISBN: 1433126567 ISBN-13(EAN): 9781433126567 Издательство: Peter Lang Рейтинг: Цена: 12015.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Disabusing Women in the Old French Fabliaux provides a much-needed reevaluation of the role of women in the fabliaux. Spanning the late twelfth and thirteenth centuries, the fabliaux are short, ribald tales written in verse by mostly anonymous male authors. Their varied portrayals of female characters have traditionally been considered simply misogynistic. Despite recent scholarship contending that the fabliaux are not as anti-feminist as previously thought, there has been until now no full-length study of women in the fabliaux. Serving as critics of medieval institutions such as courtly love and knighthood, women in diverse roles affirm their agency as subjects through the manipulation of language. The depiction of these women asserting their subjectivity within medieval literary and cultural conventions often distorts the normal relations between the sexes, putting into question the very gender framework within which the fabliaux operate. Written by men for men, the closing moral frequently serves to reassert traditional male dominance, thereby reducing any uneasiness the audience may have felt. Thus the fabliaux cast women as powerful users of language all the while acknowledging the limits of their subversion.
Автор: Holmes Olivia, Stewart Dana Название: Reconsidering Boccaccio: Medieval Contexts and Global Intertexts ISBN: 1487501781 ISBN-13(EAN): 9781487501785 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13919.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Reconsidering Boccaccio explores the exceptional social, geographic, and intellectual range of the Florentine writer Giovanni Boccaccio, his dialogue with voices and traditions that surrounded him, and the way that his legacy illuminates the interconnectivity of numerous cultural networks.
Автор: Eisner Название: Boccaccio and the Invention of Italian Literature ISBN: 1316619699 ISBN-13(EAN): 9781316619698 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book provides a new perspective on the extraordinary emergence of the Italian literary tradition through the close investigation of a single codex, written entirely in Boccaccio`s hand, that preserves rare and unique texts of Dante, Petrarch and Cavalcanti. As such, it offers a major contribution to manuscript studies and a new portrait of Boccaccio.
Автор: James C. Kriesel Название: Boccaccio`s Corpus: Allegory, Ethics, and Vernacularity ISBN: 0268104492 ISBN-13(EAN): 9780268104498 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8151.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In Boccaccio’s Corpus, James C. Kriesel explores how medieval ideas about the body and gender inspired Boccaccio’s vernacular and Latin writings. Scholars have observed that Boccaccio distinguished himself from Dante and Petrarch by writing about women, erotic acts, and the sexualized body. On account of these facets of his texts, Boccaccio has often been heralded as a protorealist author who invented new literatures by eschewing medieval modes of writing. This study revises modern scholarship by showing that Boccaccio’s texts were informed by contemporary ideas about allegory, gender, and theology. Kriesel proposes that Boccaccio wrote about women to engage with debates concerning the dignity of what was coded as female in the Middle Ages. This encompassed varieties of mundane experiences, somatic spiritual expressions, and vernacular texts. Boccaccio championed the feminine to counter the diverse writers who thought that men, ascetic experiences, and Latin works had more dignity than women and female cultures. Emboldened by literary and religious ideas about the body, Boccaccio asserted that his “feminine” texts could signify as efficaciously as Dante’s Divine Comedy and Petrarch’s classicizing writings. Indeed, he claimed that they could even be more effective in moving an audience because of their affective nature— namely, their capacity to attract, entertain, and stimulate readers. Kriesel argues that Boccaccio drew on medieval traditions to highlight the symbolic utility of erotic literatures and to promote cultures associated with women.
Описание: The early modern and modern cultural world in the West would be unthinkable without Petrarch and Boccaccio. Despite this fact, there is still no scholarly contribution entirely devoted to analysing their intellectual revolution. Internationally renowned scholars are invited to discuss and rethink the historical, intellectual, and literary roles of Petrarch and Boccaccio between the great model of Dante’s encyclopedia and the ideas of a double or multifaceted culture in the era of Italian Renaissance Humanism. In his lyrical poems and Latin treatises, Petrarch created a cultural pattern that was both Christian and Classical, exercising immense influence on the Western World in the centuries to come. Boccaccio translated this pattern into his own vernacular narratives and erudite works, ultimately claiming as his own achievement the reconstructed unity of the Ancient Greek and Latin world in his contemporary age. The volume reconsiders Petrarch’s and Boccaccio’s heritages from different perspectives (philosophy, theology, history, philology, paleography, literature, theory), and investigates how these heritages shaped the cultural transition between the end of the Middle Ages and the early modern era, as well as European identity.
A Boccaccian Renaissance brings together essays written by internationally recognized scholars in diverse national traditions to respond to the largely unaddressed question of Boccaccio’s impact on early modern literature and culture in Italy and Europe. Martin Eisner and David Lummus co-edit the first comprehensive examination in English of Boccaccio’s impact on the Renaissance.
The essays investigate what it means to follow a Boccaccian model, in tandem with or in place of ancient authors such as Vergil or Cicero, or modern poets such as Dante or Petrarch. The book probes how deeply the Latin and vernacular works of Boccaccio spoke to the Renaissance humanists of the fifteenth century. It treats not only the literary legacy of Boccaccio’s works but also their paradoxical importance for the history of the Italian language and reception in theater and books of conduct.
While the geographical focus of many of the essays is on Italy, the volume concludes with three studies that open new inroads to understanding his influence on Spanish, French, and English writers across the sixteenth century. The book will appeal strongly to scholars and students of Boccaccio, the Italian and European Renaissance, and Italian literature.
Contributors: Jonathan Combs-Schilling, Rhiannon Daniels, Martin Eisner, Simon Gilson, James Hankins, Timothy Kircher, Victoria Kirkham, David Lummus, Ronald L. Martinez, Ignacio Navarrete, Brian Richardson, Marc Schachter, Michael Sherberg, and Janet Levarie Smarr
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