En vez de una distancia racionalista ante el objeto de su estudio, este libro ensaya ciertos procedimientos formales que se alan una toma de posici n. Aqu no se trata de las im genes en 2666: m s bien, se interrogan las dimensiones subyacentes a lo visual -su car cter sist mico, su din mica deformadora, su infiltraci n en la materia textual- intuyendo en ello el locus de una subversi n suave frente a la representaci n mim tica, arraigada en el pensamiento jer rquico de la mismidad. As la est tica deviene tica, y las min sculas desgarraduras en el tejido representacional parecen anunciar la urgencia de superar nuestro posicionamiento habitual frente al mundo.
Anna Kraus se doctor en Letras hisp nicas en la Universidad de Lund. Es autora de varias traducciones literarias del castellano, franc s, sueco y noruego al polaco, entre ellas las de Nocturno de Chile y Monsieur Pain de Roberto Bola o.
Автор: Linden Ari Название: Karl Kraus and the Discourse of Modernity ISBN: 0810141620 ISBN-13(EAN): 9780810141629 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5010.00 р. Наличие на складе: Нет в наличии.
Описание: Ari Linden's Karl Kraus and the Discourse of Modernity reconsiders the literary works of the Viennese satirist, journalist, and playwright Karl Kraus (1874-1936). Linden reads Kraus's work both on its own terms and alongside philosophy and critical theory, yielding a portrait of Kraus as an irrepressible figure in the modernist tradition. In doing so, Linden draws a more robust image of German modernism itself. Combining close readings with intellectual history, Linden shows how Kraus's two major literary achievements ( The Last Days of Mankind and The Third Walpurgis Night ) and a lesser-known play ( Cloudcuckooland ) address the political catastrophes of the first third of Europe's twentieth century-from World War I to the rise of fascism. Kraus's central insight, Linden argues, is that the medial representations of such events have produced less an informed audience than one increasingly unmoved by mass violence. In the second part of the book, Linden explores this insight as he sees it inflected in SØren Kierkegaard, Walter Benjamin, and Theodor Adorno. This hidden dialogue, Linden argues, offers us a richer understanding of the often neglected relationship between satire and critical theory writ large.
Автор: Kathy M. Krause Название: Reassessing the Heroine in Medieval French Literature ISBN: 0813064147 ISBN-13(EAN): 9780813064147 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 2502.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: These essays explore the various manifestations of the heroine in medieval French literature and her multiple relationships with discourse, both medieval and modern. From a discussion of 12th-century saints' lives to an examination of 15th-century farce, they span the Middle Ages, both chronologically and generically. Focused yet considering a wide range of texts, they shine new light on the heroine and how she behaves, including how she herself uses discourse.
Описание: Many scholars have treated Spain`s philosophical loyalties as being anchored in the Middle Ages. Aiming to debunk this oversimplification, Soufas, Jr. examines Spanish attitudes to modernity through key literary and artistic figures such as Don Quijote, Don Juan, Velazquez, and Goya.
Автор: Fugelso Karl, Davies Joshua, Salih Sarah Название: Studies in Medievalism XXV: Medievalism and Modernity ISBN: 1843844370 ISBN-13(EAN): 9781843844372 Издательство: Boydell & Brewer Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Essays examining the complex intertwining and effect of medievalism on modernity - and vice versa.
Karl Philipp Moritz (d. 1793) was one of the most innovative writers of the late Enlightenment in Germany. A novelist, travel writer, editor, and teacher he is probably best known today for his autobiographical novel Anton Reiser (1785–90) and for his treatises on aesthetics, foremost among them ?ber die bildende Nachahmung des Sch?nen (On the Formative Imitation of the Beautiful) (1788). In this treatise, Moritz develops the concept of aesthetic autonomy, which became widely known after Goethe included a lengthy excerpt of it in his own Italian Journey (1816–17). It was one of the foundational texts of Weimar classicism, and it became pivotal for the development of early Romanticism.
In The Topography of Modernity, Elliott Schreiber gives Moritz the credit he deserves as an important thinker beyond his contributions to aesthetic theory. Indeed, he sees Moritz as an incisive early observer and theorist of modernity. Considering a wide range of Moritz’s work including his novels, his writings on mythology, prosody, and pedagogy, and his political philosophy and psychology, Schreiber shows how Moritz’s thinking developed in response to the intellectual climate of the Enlightenment and paved the way for later social theorists to conceive of modern society as differentiated into multiple, competing value spheres.
Karl Philipp Moritz (d. 1793) was one of the most innovative writers of the late Enlightenment in Germany. A novelist, travel writer, editor, and teacher he is probably best known today for his autobiographical novel Anton Reiser (1785–90) and for his treatises on aesthetics, foremost among them ?ber die bildende Nachahmung des Sch?nen (On the Formative Imitation of the Beautiful) (1788). In this treatise, Moritz develops the concept of aesthetic autonomy, which became widely known after Goethe included a lengthy excerpt of it in his own Italian Journey (1816–17). It was one of the foundational texts of Weimar classicism, and it became pivotal for the development of early Romanticism.
In The Topography of Modernity, Elliott Schreiber gives Moritz the credit he deserves as an important thinker beyond his contributions to aesthetic theory. Indeed, he sees Moritz as an incisive early observer and theorist of modernity. Considering a wide range of Moritz’s work including his novels, his writings on mythology, prosody, and pedagogy, and his political philosophy and psychology, Schreiber shows how Moritz’s thinking developed in response to the intellectual climate of the Enlightenment and paved the way for later social theorists to conceive of modern society as differentiated into multiple, competing value spheres.
Автор: Melanie V. Dawson and Meredith L. Goldsmith Название: American literary history and the turn toward modernity ISBN: 0813056047 ISBN-13(EAN): 9780813056043 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10659.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The years between 1880 and 1930 are usually seen as a time in which American writers replaced values and traditions of the Victorian era with wholly new works of modernist literature, and the turn of the century is typically used as a dividing line between the old and the new. Challenging this periodization, this volume argues that this entire time span should instead be studied as a coherent and complex literary field.The essays in this volume show that these were years of experimentation, negotiation of boundaries, and hybridity?resulting in a true literature of transition. Contributors offer new readings of authors including Jack London, Edith Wharton, and Theodore Dreiser in light of their ties to both the nineteenth-century past and the emerging modernity of the twentieth century. Emphasizing the diversity of the literature of this time, contributors also examine poetry written by and for Native American students in a Westernized boarding school, the changing attitudes of authors toward marriage, turn-of-the-century feminism, dime novels, anthologies edited by late-nineteenth-century female literary historians, and fiction of the Harlem Renaissance.Calling for readers to look both forward and backward at the cultural contexts of these works and to be mindful of the elastic categories of this era, this volume demonstrates the plurality and the tensions characteristic of American literature during the century’s long turn.
Автор: Guerrero Название: Confronting History and Modernity in Mexican Narrative ISBN: 0230606377 ISBN-13(EAN): 9780230606371 Издательство: Springer Рейтинг: Цена: 11878.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Guerrero focuses on a selection of Mexican historical novels that are particularly revealing of literary trends during the last three decades. The study addresses the balancing act of Mexican writers as they trace a national identity in the face of globalization and respond to modernization on their own terms.
Автор: James Dorson, Florian Sedlmeier, MaryAnn Snyder-Korber, Birte Wege Название: Anecdotal Modernity: Making and Unmaking History ISBN: 3110629534 ISBN-13(EAN): 9783110629538 Издательство: Walter de Gruyter Цена: 18586.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Anglia Book Series (ANGB) offers a selection of high quality work on all areas and aspects of English philology. It publishes book-length studies and essay collections on English language and linguistics, on English and American literature and culture from the Middle Ages to the present, on the new English literatures, as well as on general and comparative literary studies, including aspects of cultural and literary theory.
Автор: Maria C. Gaztambide Название: El Techo de la Ballena: Retro-Modernity in Venezuela ISBN: 1683400704 ISBN-13(EAN): 9781683400707 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 14137.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The work of the 1960s Caracas-based art collective El Techo de la Ballena (The Roof of the Whale) was called "subversive" and "art terrorism" and seen as a threat to Venezuela`s national image as an emerging industrial power. This volume details the historical and social contexts that shaped the collective, exploring its anti-art aesthetic.
Описание: Develops a new, "spectral" theory of world literature, and a comparative understanding of the history and current practice of the novel in the Middle East
Addresses the problematic of world literature from the perspective of a Derridean theory of spectrality
Provides an original account of the origins, rise and spread of the novel in the comparative Middle East
Pursues innovative analyses of major novelists from Egypt, Turkey and Iran
Includes readings of novels and other literary works including Cities of Salt by Abdelrahman Munif, Arabian Nights and Days and Morning and Evening Talk by Naguib Mahfouz, The Black Book by Orhan Pamuk, Reading Lolita in Tehran by Azar Nafisi, The Saffron Kitchen by Yasmin Crowther and Persepolis by Marjane Satrapi
Contextualizes its primary texts with reference to classic statements of world literature from Goethe and Marx to the present, the discourse of the modern novel as initiated by Cervantes and landmarks of Middle Eastern literary history such as the Mu'allaqāt and Alf Layla wa Layla
This book draws on Edward Said, Aamir Mufti, Jacques Derrida, and world-systems theory to address the institutionalized construct of "world literature" from its origins in Goethe and Marx to the present day. It argues that through its history, this construct has served to incorporate if not annul local literatures and the concept of "local literature" itself, and to universalize the novel, the lyric poem, and the stage play as the only literary forms appropriate to modernity. It demonstrates this thesis through a comparative reading of the reinscription of the classical Arabic-Islamic concept of "adab" as "literature" in the modern, European sense in Egypt, Turkey, and Iran in the 19th to mid-20th centuries. It then turns to the Middle Eastern novel in the global contexts of its production, translation, circulation, and reception today. Through new readings of novels and other literary works by Abdelrahman Munif, Naguib Mahfouz, Orhan Pamuk, Azar Nafisi, Yasmin Crowther, and Marjane Satrapi, and with reference to landmarks of Middle Eastern and world literary history ranging from the Mu'allaqāt and Alf Layla wa Layla to Don Quixote, it argues that these texts--like "world literature" itself--are constitutively haunted by specters of the literary forms and traditions, of the life-worlds that they expressed, cast aside by modernity. In the case of the Middle Eastern novel, it is adab and all that it encompassed in the classical Arab-Islamic world that is suppressed or othered, but that spectral, yet returns in new, genuinely worldly constellations of form.
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