Описание: This book explores the practice and function of traumatic story telling as part of the South African Truth and Reconciliation Commission, and the role it played in the lives of Khulumani as victims of apartheid-era political violence.
Bodies of Truth offers an intimate account of how apartheid victims deal with the long-term effects of violence, focusing on the intertwined themes of embodiment, injury, victimhood, and memory. In 2002, victims of apartheid-era violence filed suit against multinational corporations, accusing them of aiding and abetting the security forces of the apartheid regime. While the litigation made its way through the U.S. courts, thousands of victims of gross human rights violations have had to cope with painful memories of violence. They have also confronted an official discourse claiming that the Truth and Reconciliation Commission of the 1990s sufficiently addressed past injuries. This book shows victims' attempts to emancipate from their experiences by participating in legal actions, but also by creating new forms of sociality among themselves and in relation to broader South African society.
Rita Kesselring's ethnography draws on long-term research with members of the victim support group Khulumani and critical analysis of legal proceedings related to apartheid-era injury. Using juridical intervention as an entry point into the question of subjectivity, Kesselring asks how victimhood is experienced in the everyday for the women and men living on the periphery of Cape Town and in other parts of the country. She argues that the everyday practices of the survivors must be taken up by the state and broader society to allow for inclusive social change in a post-conflict setting.
Описание: In Kwaito Bodies Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of kwaito, a style of electronic dance music that emerged following the end of apartheid. Drawing on fieldwork in Johannesburg's nightclubs and analyses of musical performances and recordings, Livermon applies a black queer and black feminist studies framework to kwaito. He shows how kwaito culture operates as an alternative politics that challenges the dominant constructions of gender and sexuality. Artists such as Lebo Mathosa and Mandoza rescripted notions of acceptable femininity and masculinity, while groups like Boom Shaka enunciated an Afrodiasporic politics. In these ways, kwaito culture recontextualizes practices and notions of freedom within the social constraints that the legacies of colonialism, apartheid, and economic inequality place on young South Africans. At the same time, kwaito speaks to the ways in which these legacies reverberate between cosmopolitan Johannesburg and the diaspora. In foregrounding this dynamic, Livermon demonstrates that kwaito culture operates as a site for understanding the triumphs, challenges, and politics of post-apartheid South Africa.
Bodies of Truth offers an intimate account of how apartheid victims deal with the long-term effects of violence, focusing on the intertwined themes of embodiment, injury, victimhood, and memory. In 2002, victims of apartheid-era violence filed suit against multinational corporations, accusing them of aiding and abetting the security forces of the apartheid regime. While the litigation made its way through the U.S. courts, thousands of victims of gross human rights violations have had to cope with painful memories of violence. They have also confronted an official discourse claiming that the Truth and Reconciliation Commission of the 1990s sufficiently addressed past injuries. This book shows victims' attempts to emancipate from their experiences by participating in legal actions, but also by creating new forms of sociality among themselves and in relation to broader South African society.
Rita Kesselring's ethnography draws on long-term research with members of the victim support group Khulumani and critical analysis of legal proceedings related to apartheid-era injury. Using juridical intervention as an entry point into the question of subjectivity, Kesselring asks how victimhood is experienced in the everyday for the women and men living on the periphery of Cape Town and in other parts of the country. She argues that the everyday practices of the survivors must be taken up by the state and broader society to allow for inclusive social change in a post-conflict setting.
Описание: Much has been made about South Africa's transition from histories of colonialism, slavery and apartheid. ?Memory? features prominently in the country's reckoning with its pasts. While there has been an outpouring of academic essays, anthologies and other full-length texts which study this transition, most have focused on the Truth and Reconciliation Commission (TRC). What is slavery to me? is the first full-length study of slave memory in the South African context, and examines the relevance and effects of slave memory for contemporary negotiations of South African gendered and racialised identities. It draws from feminist, postcolonial and memory studies and is therefore interdisciplinary in approach. It reads memory as one way of processing this past, and interprets a variety of cultural, literary and filmic texts to ascertain the particular experiences in relation to slave pasts being fashioned, processed and disseminated. Much of the material surveyed across disciplines attributes to memory, or ?popular history making?, a dialogue between past and present whilst ascribing sense to both the eras and their relationship. In this sense then, memory is active, entailing a personal relationship with the past which acts as mediator of reality on a day to day basis. The projects studies various negotiations of raced and gendered identities in creative and other public spaces in contemporary South Africa, by being particularly attentive to the encoding of consciousness about the country's slave past. This book extends memory studies in South Africa, provokes new lines of inquiry, and develops new frameworks through which to think about slavery and memory in South Africa.
Описание: In Kwaito Bodies Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of kwaito, a style of electronic dance music that emerged following the end of apartheid. Drawing on fieldwork in Johannesburg's nightclubs and analyses of musical performances and recordings, Livermon applies a black queer and black feminist studies framework to kwaito. He shows how kwaito culture operates as an alternative politics that challenges the dominant constructions of gender and sexuality. Artists such as Lebo Mathosa and Mandoza rescripted notions of acceptable femininity and masculinity, while groups like Boom Shaka enunciated an Afrodiasporic politics. In these ways, kwaito culture recontextualizes practices and notions of freedom within the social constraints that the legacies of colonialism, apartheid, and economic inequality place on young South Africans. At the same time, kwaito speaks to the ways in which these legacies reverberate between cosmopolitan Johannesburg and the diaspora. In foregrounding this dynamic, Livermon demonstrates that kwaito culture operates as a site for understanding the triumphs, challenges, and politics of post-apartheid South Africa.
Описание: Rifling through Nature analyzes landscape, hunting, identity, and belonging by examining the staging of biltong hunting on wildlife ranches in South Africa. It examines how hunting landscapes have become sites where formerly dominant white settler masculinity can perform rootedness and belonging vis-a-vis its loss of political power.
Автор: Noyoo, Ndangwa (university Of Cape Town, South Africa) Название: Social policy in post-apartheid south africa ISBN: 0367221594 ISBN-13(EAN): 9780367221591 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Поставка под заказ.
Описание: This book critically examines current social policy in post-apartheid South Africa and proposes an alternative social policy agenda to create a new development pathway for the country.
Описание: As Archbishop Desmond Tutu has noted, "AIDS is South Africa`s new apartheid." This title traces the historical shifts in health policy after apartheid and describes their effects, detailing, in particular, the changing relationship between biomedical and indigenous health care, both at the national and the local level.
The topic of South African Apartheid (1948-1994) is controversial, and the real-life stories featured in When Mourning Turned Into Dancing: An American's Journey of Discovery of Post-Apartheid South Africa are passionate, inspirational, and heart-wrenching. Within these pages, there is also violence, hatred, and racism. Under Apartheid, people were hurt, and many died. People disappeared, never to be heard from again. Others profited hugely from the spoils of institutionalized racism.
Now, South Africa is experiencing a period of unparalleled renewal and change. Non-Whites are looking through the uncertainty with new hope. Oppression is fading, and poverty is being slowly pushed back. Tethers have been broken, and justice is beginning to be restored.
When Mourning Turned Into Dancing is a candid look at life in South Africa after the fall of Apartheid. The personal stories told within weave a patchwork quilt of devastation, hope, and finally, rebirth--a poignant reminder that even in the absence of prosperity, there is still beauty, and where there is the seed of new hope, the gift of renewal will blossom and flourish.
Hope springs eternal in When Mourning Turned Into Dancing: Seed of Hope in Post-Apartheid South Africa, a collection of memoirs, interviews, and correspondence from author and youth minister Mark Simone's 16 trips to South Africa to aid the victims of Apartheid.
Описание: This book offers comparative constitutional lawyers, political scientists and historians a revisionary perspective on the South African Constitutional Court. It analyses for the first time the political underpinnings of the Court`s great cases and explains the underappreciated logic of intervention and restraint that runs through its work.
Автор: Falkof Название: Satanism and Family Murder in Late Apartheid South Africa ISBN: 1137503041 ISBN-13(EAN): 9781137503046 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book discusses two moral panics that appeared in the media in late apartheid South Africa: the Satanism scare and the so-called epidemic of white family murder. The analysis of these symptoms of social and political change reveals important truths about whiteness, gender, violence, history, nationalism and injustice in South Africa and beyond.
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