The Trinitarian Theology of Hans Urs von Balthasar: An Introduction, Brendan McInerny
Автор: Carpenter Anne M. Название: Theo-Poetics: Hans Urs Von Balthasar and Thet Risk of Art and Being ISBN: 0268023786 ISBN-13(EAN): 9780268023782 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4013.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Swiss theologian Hans Urs von Balthasar (1905–1988) originated much of twentieth- and twenty-first-century theology's renewed interest in aesthetics. Von Balthasar's theology is both poetic and philosophical, and while this combination is often recognized, it calls for an explanation. In Theo-Poetics: Hans Urs von Balthasar and the Risk of Art and Being, Anne M. Carpenter explores von Balthasar's use of poetry and poetic language, and she offers a detailed analysis of his philosophical presuppositions. Carpenter argues that von Balthasar uses poets and poetic language to make theological arguments because this poetic way of speaking expresses metaphysical truth without reducing one to the other.
Carpenter begins with von Balthasar's very early interests in music, literature, and philosophy, in particular his work, Apocalypse of the German Soul. She explores Glory of the Lord and the trilogy, moving through his despair over the possibility of reconciling art and theology. She uncovers the major characteristics of von Balthasar's metaphysical thinking, discussing his interactions with Thomas Aquinas, Karl Barth, and Martin Heidegger to firmly link Christology, metaphysics, and the expressiveness of language. The book concludes by marshaling its themes into a focused evaluation of von Balthasar's "redeemed" theo-poetic as it comes to expression in the poetry of G. M. Hopkins. Carpenter resituates and reevaluates Hopkins's poetry in a new context, placing him in the school of Aquinas rather than Scotus, and shows us how metaphysics is necessary for a vigorous understanding of language.
Автор: Oglesby, Les Название: C.g. jung and hans urs von balthasar ISBN: 0415791782 ISBN-13(EAN): 9780415791786 Издательство: Taylor&Francis Рейтинг: Цена: 7654.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book brings together the work of Carl Gustav Jung and Hans Urs von Balthasar, two of the most creative thinkers in psychology and theology in the twentieth century, to critically compare their ideas on the perennial question of God`s involvement with evil.
Описание: This book brings together the work of Carl Gustav Jung and Hans Urs von Balthasar, two of the most creative thinkers in psychology and theology in the twentieth century, to critically compare their ideas on the perennial question of God`s involvement with evil.
Описание: although Hans Urs von Balthasar’s earliest publication is from 1925, and although he was a mature forty years old in 1945, there is a deficiency in the secondary literature regarding his early literature, its historical backgrounds and non-theological sources. In this study Balthasar is presented in relation to the various contexts in which he was both drawing upon and responding to from the 1920s to the 1940s. The major contexts analyzed here are the broad central European Germanophone cultural context, the Germanophone Catholic cultural context, the German studies context, the French Catholic renewal literature and theology of the early 20th-century, the popular journal Stimmen der Zeit, Neo-Scholasticism, early 20th-century French Catholic culture, Swiss fascism, National Socialist literature, the Renouveau Catholique, the George-Kreis and many others. Balthasar’s early anti-Semitism and some of the problematic aspects of his early work are also addressed in this study. His understanding of the modern age, his relationships with some key intellectual figures and his later reflections on his early work are also introduced. The book offers a comprehensive study of Balthasar’s early intellectual development.
In Hans Urs von Balthasar and the Critical Appropriation of Russian Religious Thought, Jennifer Newsome Martin offers the first systematic treatment and evaluation of the Swiss Catholic theologian’s complex relation to modern speculative Russian religious philosophy. Her constructive analysis proceeds through Balthasar’s critical reception of Vladimir Soloviev, Nicholai Berdyaev, and Sergei Bulgakov with respect to theological aesthetics, myth, eschatology, and Trinitarian discourse and examines how Balthasar adjudicates both the possibilities and the limits of theological appropriation, especially considering the degree to which these Russian thinkers have been influenced by German Idealism and Romanticism.
Martin argues that Balthasar’s creative reception and modulation of the thought of these Russian philosophers is indicative of a broad speculative tendency in his work that deserves further attention. In this respect, Martin consciously challenges the prevailing view of Balthasar as a fundamentally conservative or nostalgic thinker. In her discussion of the relation between tradition and theological speculation, Martin also draws upon the understudied relation between Balthasar and F. W. J. Schelling, especially as Schelling's form of Idealism was passed down through the Russian thinkers. In doing so, she persuasively recasts Balthasar as an ecumenical, creatively anti-nostalgic theologian hospitable to the richness of contributions from extra-magisterial and non-Catholic sources.
Описание: What role do novels, drama, and tragedy play within Christian thought and living? The twentieth century Catholic theologian Hans Urs von Balthasar addressed these questions using tragic drama. For him, Christ was the true tragic hero of the world who exceeded all tragic literature and experience. Balthasar demonstrated how ancient, pre-Christian tragedy and Renaissance works contained important Christian concepts, but he critiqued modern novels as failing to be either truly tragic or Christian. By examining the tragic novels of Thomas Hardy on their own terms, we have an important counterpoint to Balthasar's argument that the novel is too prosaic for theological reflection. Hardy's novels are an apt pairing for examination and critique, as they are both classically and biblically influenced, as well as contemporary.The larger implication for Balthasar's theology is that his innovations in theological aesthetics and tragedy must be expanded in the light of modernity and the tragic novel.
Описание: Pope John Paul II and Joseph Ratzinger (now Pope Emeritus Benedict XVI) both held Hans Urs von Balthasar in high regard. Many assume that their praise of Balthasar implies approval of his theology of Holy Saturday, but this book by Lyra Pitstick shows that conclusion to be far from accurate. Pitstick looks at what John Paul II, Joseph Ratzinger, and Hans Urs von Balthasar have said regarding the creedal affirmation that Christ descended into hell, and she shows that there are radical differences in their conclusions. She then addresses some important questions that follow from these differences: If they disagree, who is right? If John Paul II and Benedict XVI have lauded someone with whom they disagreed, are there implications for papal infallibility? Finally, whose theology best expresses the Catholic doctrine of Christ s descent into hell and how can we know? This careful, concise exploration of what three of the twentieth century s most famous Catholic theologians had to say about Christ s descent into hell provides an accessible take on a difficult point of theological debate. "
Numerous contemporary theologians depict divine glory as overwhelming to or competitive with human agency. In effect, this makes humanity a threat to God's glory, and causes God's glory to remain opaque to human enquiry and foreign to human life.
Karl Barth and Hans Urs von Balthasar have avoided this tendency, instead depicting God's glory as enabling people to participate in glorifying God. Nevertheless both accounts fall short of their initial promise by giving one-dimensional accounts of human obedience to God within largely conventional divine command accounts of ethics. The form of human obedience they present as compatible with divine glory does not actively overwhelm the human, but rather brackets out her agency as inappropriate in the face of divine revelation or command. And so, ironically, on these accounts God's glory remains opaque to human enquiry and foreign to human life.
This study builds a case for seeing divine glory as intrinsically relational, creating a sociality which allows for a human agency transfigured by God's glory. Moving beyond Barth and von Balthasar, this work turns to theological exegesis of Scripture to construct an alternative account of divine glory. This glory is worked out in the act of glorifying: first in God, then in divine glorifying of humans, creating a responsive human glorifying of God; and finally in processes of honouring or glorifying among humans. Divine glory is shown to be consistent with a responsive and creative human obedience to God, and shown to constitute human agency which is creaturely and dependent yet not overwhelmed.
Numerous contemporary theologians depict divine glory as overwhelming to or competitive with human agency. In effect, this makes humanity a threat to God's glory, and causes God's glory to remain opaque to human enquiry and foreign to human life.
Karl Barth and Hans Urs von Balthasar have avoided this tendency, instead depicting God's glory as enabling people to participate in glorifying God. Nevertheless both accounts fall short of their initial promise by giving one-dimensional accounts of human obedience to God within largely conventional divine command accounts of ethics. The form of human obedience they present as compatible with divine glory does not actively overwhelm the human, but rather brackets out her agency as inappropriate in the face of divine revelation or command. And so, ironically, on these accounts God's glory remains opaque to human enquiry and foreign to human life.
This study builds a case for seeing divine glory as intrinsically relational, creating a sociality which allows for a human agency transfigured by God's glory. Moving beyond Barth and von Balthasar, this work turns to theological exegesis of Scripture to construct an alternative account of divine glory. This glory is worked out in the act of glorifying: first in God, then in divine glorifying of humans, creating a responsive human glorifying of God; and finally in processes of honouring or glorifying among humans. Divine glory is shown to be consistent with a responsive and creative human obedience to God, and shown to constitute human agency which is creaturely and dependent yet not overwhelmed.
Описание: What role do novels, drama, and tragedy play within Christian thought and living? The twentieth century Catholic theologian Hans Urs von Balthasar addressed these questions using tragic drama. For him, Christ was the true tragic hero of the world who exceeded all tragic literature and experience. Balthasar demonstrated how ancient, pre-Christian tragedy and Renaissance works contained important Christian concepts, but he critiqued modern novels as failing to be either truly tragic or Christian. By examining the tragic novels of Thomas Hardy on their own terms, we have an important counterpoint to Balthasar's argument that the novel is too prosaic for theological reflection. Hardy's novels are an apt pairing for examination and critique, as they are both classically and biblically influenced, as well as contemporary.The larger implication for Balthasar's theology is that his innovations in theological aesthetics and tragedy must be expanded in the light of modernity and the tragic novel.
Many scholars believe that Friedrich Schleiermacher relegates the doctrine of the Trinity to an appendix at the end of his magnum opus, The Christian Faith (1830/31); his alleged disregard for the Trinity is the supposed death knell for serious consideration of his work within the history of Christian thought.
This volume argues that Schleiermacher not only calls for the doctrine's revitalization, but also makes it the centrepiece of Protestant Christianity. Following Schleiermacher's own thought experiment, Poe presents his doctrine of God in reverse order of its original presentation. Her examination centres on the Trinity, treating it as the keystone of the entire work, while analysing the divine attributes: love and wisdom, justice and holiness, eternity, omniscience, omnipotence, and omnipresence. When viewed from the standpoint of the conclusion, the Trinitarian shape of Schleiermacher's theology comes to the fore. What emerges is a middle way between merely economic Trinitarianism and a full-fledged development of immanent Trinitarianism, examining divine personhood and the union of the divine with humanity.
The central thesis of this work runs boldly counter to the prevailing academic account of Schleiermacher's doctrine of the Trinity, and offers an innovative and constructive reading. Readers will be privy to a fresh look at Schleiermacher's doctrine of God and its importance for contemporary theology.
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