Автор: Bradley Catherine a. Название: Polyphony in Medieval Paris: The Art of Composing with Plainchant ISBN: 1108407579 ISBN-13(EAN): 9781108407571 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Presents new methodologies to explore medieval processes of musical and poetic creation, from plainchant and vernacular French songs to organa, motets and clausulae. Engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring authorship, originality, practices of quotation and reworking.
Автор: Fabrice Fitch Название: Renaissance Polyphony ISBN: 0521899338 ISBN-13(EAN): 9780521899338 Издательство: Cambridge Academ Рейтинг: Цена: 12830.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This engaging study introduces Renaissance polyphony to a modern audience. Combining a detailed, nuanced appreciation of musical style and practice and a sense of what lies beyond the notes, be they playful or profound. It will enhance the listening experience of students and listeners at all levels of expertise.
Автор: Kirkman, Professor Andrew Название: Cultural life of the early polyphonic mass ISBN: 1108794890 ISBN-13(EAN): 9781108794893 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The `cyclic` polyphonic Mass has long been seen as the pre-eminent musical genre of the late Middle Ages. This study explores its meaning both from the perspective of its contemporary composers and users, and from that of the modern age, enhancing our appreciation of the genre for today`s world.
Автор: Pangritz Andreas Название: The Polyphony of Life ISBN: 1532661525 ISBN-13(EAN): 9781532661525 Издательство: Неизвестно Рейтинг: Цена: 2345.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a different aspects of modality. The volume codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. For many music students and listeners, the language of the modes is a deep mystery, accustomed as we are to centuries of modern harmony. Wiering demystifies the modal world, showing how composers and performers were able to use this structure to create compelling and beautiful works. This book will be an invaluable source to scholars of early music and music theory. in early music through eight essays, each dealing with a different aspects of modality. It codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. This book will be an invaluable source to scholars of early music.
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