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Decision on the Mincio: The Battle of Solferino, 1859, Bruno Dotto


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Автор: Bruno Dotto
Название:  Decision on the Mincio: The Battle of Solferino, 1859
ISBN: 9781910777077
Издательство: Marston Book Services
Классификация:





ISBN-10: 1910777072
Обложка/Формат: Hardback
Страницы: 392
Вес: 0.98 кг.
Дата издания: 31.01.2020
Серия: History
Язык: English
Иллюстрации: C 60 ills, 15 maps
Размер: H 245 X W 170
Читательская аудитория: Professional and scholarly
Ключевые слова: Modern history to 20th century: c 1700 to c 1900
Подзаголовок: The battle of solferino, 1859
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Поставляется из: Англии
Описание: Solferino was the largest battle fought on Italian soil before the First World War, and the culmination of the 1859 campaign in northern Italy. Chiefly remembered today as the catalyst for Henri Dunant establishing the Red Cross, an up-to-date military account of the campaign is badly needed. In this tremendously detailed study the author, a lifelong student of the battle, reassesses the evidence based on an enormous amount of original archival research. Rather than relying on official reports and histories, which were often politically-driven, the author has gone back to the archives, and uncovered, for instance, the role played by cavalry and artillery during the campaign. Decision on the Mincio is supported by an array of illustrations, highly detailed maps and orders of battle.


History of Cinema Without Names/4 Exposing the Moving Image: The Cinematic Medium Across World Fairs, Art Museums and Cultural Exhibitions

Автор: Diego Cavallotti, Simone Dotto, Andrea Mariani
Название: History of Cinema Without Names/4 Exposing the Moving Image: The Cinematic Medium Across World Fairs, Art Museums and Cultural Exhibitions
ISBN: 8869772306 ISBN-13(EAN): 9788869772306
Издательство: Marston Book Services
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Цена: 6138.00 р.
Наличие на складе: Поставка под заказ.

Описание: The XXV FilmForum Cinematic Medium Across World Fairs, Art Museums, and Cultural Exhibitions conference has been devoted to exploring the interrelations between moving images, the cinematic medium and other arts and media as seen through global exhibiting events, such as the Large International Exhibitions, the Universal Expositions and the world fairs throughout the 19th, 20th, and 21st centuries. The general aim has been to shed light on the meaningful interrelations between moving images, media and arts throughout modernity and postmodernity – which means encompassing the pre-cinema, cinema and post-cinema eras, with a specific focus on Universal Expositions. In fact, the Universal Expositions proved to be a crucial and privileged field of excavation and investigation on the emergence as well as on the fluctuant re-configurations of the moving images within the broad media environment of the modern era.


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