Medieval English Theatre 41, Sarah Carpenter, Elisabeth Dutton, Gordon Kipling Meg Twycross
Автор: Amanda Eubanks Winkler Название: Music, Dance, and Drama in Early Modern English Schools ISBN: 1108490867 ISBN-13(EAN): 9781108490863 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is the first book to systematically analyze the role the performing arts played in English schools after the Reformation. Amanda Eubanks Winkler deploys an innovative methodology to understand school-based performance that combines rigorous archival research with phenomenological and performance studies approaches.
Автор: Richlin, Amy (university Of California, Los Angele Название: Slave theater in the roman republic ISBN: 1107152313 ISBN-13(EAN): 9781107152311 Издательство: Cambridge Academ Рейтинг: Цена: 22493.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: As war ravaged Italy in the 200s BCE, slave actors spoke truth to power. Based on the plays of Plautus, this book brings the voices of Roman slaves to the history of theater and illuminates a major body of evidence for the history of slavery. An inspiring story of resistance.
Автор: Sanders Название: The Cambridge Introduction to Early Modern Drama, 1576–1642 ISBN: 1107013569 ISBN-13(EAN): 9781107013568 Издательство: Cambridge Academ Рейтинг: Цена: 12830.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Engaging and stimulating, this Introduction provides a fresh vista of the theatrical landscape in the early modern era. Through special focus on commercial playhouses and their repertoires, the book revisits familiar territory from different angles and opens up new areas of investigation alongside the canonical and the known.
Автор: Simon Название: The Theatre of Medieval Europe ISBN: 0521089204 ISBN-13(EAN): 9780521089203 Издательство: Cambridge Academ Рейтинг: Цена: 6653.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Theatre of Medieval Europe brings together the work of thirteen internationally recognized scholars of early drama to give a comprehensive account of recent findings in the field. Whilst reflecting the large body of research on English drama, the book widens the focus of its survey to represent the continental theatre of the period.
Автор: Jeremy Lopez Название: Constructing the Canon of Early Modern Drama ISBN: 1316627462 ISBN-13(EAN): 9781316627464 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Constructing the Canon of Early Modern Drama provides the first ever history of the canon of Renaissance drama as it has evolved since the eighteenth century. Containing dozens of short, provocative readings of unfamiliar plays, this book will benefit professors and postgraduate researchers who seek a broader sense of the period`s dazzling array of forms.
This is a truly paradigm-shifting study that reads a key text in Latin Humanist studies as the culmination, rather than an early example, of a tradition in university drama. It persuasively argues against the common assumption that there was no "drama" in the medieval universities until the syllabus was influenced by humanist ideas, and posits a new way of reading the performative dimensions of fourteenth and fifteenth-century university education in, for example, Ciceronian tuition on epistolary delivery. David Bevington calls it "an impressively learned discussion" and commends the sophistication of its use of performativity theory.
Автор: Ross Название: Oscar Wilde and Ancient Greece ISBN: 1107020328 ISBN-13(EAN): 9781107020320 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A study of Oscar Wilde`s Hellenism and the influence it had on his life and works. It offers new perspectives on The Picture of Dorian Gray and The Importance of Being Earnest and delivers an insight into the source of Wilde`s inspirations and the intellectual currents that shaped him.
Описание: In this groundbreaking study, Mary Floyd-Wilson explores early modern occult beliefs and their relation to women and scientific knowledge in Renaissance drama, focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All`s Well that Ends Well, The Changeling and The Duchess of Malfi.
Описание: We know little about the nature of medieval performance and have generally been content to think of it in relation to more modern productions, not least because of the sparsity of existing evidence. Consequently, whilst much research has been undertaken into its contexts, there has been relatively little scholarly investigation into the conditions of perfomance itself. This book seeks to address this omission. It looks at such questions as the nature of performance in theatre/dance/puppetry/automata; the performed qualities of such events; the conventions of performed work; what took place in the act of performing; and the relationships between performers and witnesses, and what conditioned them. Philip Butterworth is Visiting Research Fellow in the Institute for Medieval Studies at the University of Leeds, where he was formerly Reader in Medieval Theatre and Dean for Research; Katie Normington is Senior Vice Principal (Academic) at Royal Holloway, University of London, where she is also Professor of Drama. Contributors: Kathryn Emily Dickason, Leanne Groeneveld, Max Harris, David Klausner, Femke Kramer, Jennifer Nevile, Nerida Newbigin, Tom Pettitt, Bart Ramakers, Claire Sponsler.
Автор: Preiss Название: Clowning and Authorship in Early Modern Theatre ISBN: 1107036577 ISBN-13(EAN): 9781107036574 Издательство: Cambridge Academ Рейтинг: Цена: 15206.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Richard Preiss presents a lively and provocative study of how the early modern stage clown defined - and changed - theatrical experience. Recovering the interactive entertainments with which comedians including Richard Tarlton, Will Kemp and Robert Armin engaged audiences, he draws new conclusions about how early modern theatre negotiated its own textuality.
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