Описание: The term "culture" has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable.
Автор: Elizabeth A. Monske, Kristine L. Blair Название: Handbook of Research on Writing and Composing in the Age of MOOCs ISBN: 1522517189 ISBN-13(EAN): 9781522517184 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 39362.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Provides an overview of the current state of larger scale online courses and the latest competencies for teaching writing online. This publication features comprehensive coverage across a range of perspectives on teaching in virtual classrooms, such as MOOC delivery models, digital participation, and user-centred instructional design.
Описание: Since the publication of Solomon Volkov's disputed memoirs of Dmitri Shostakovich, the composer and his music has been subject to heated debate concerning how the musical meaning of his works can be understood in relationship to the composer's life within the Soviet State. While much ink has been spilled, very little work has attempted to define how Shostakovich's music has remained so arresting not only to those within the Soviet culture, but also to Western audiences - even though such audiences are often largely ignorant of the compositional context or even the biography of the composer. This book offers a useful corrective: setting aside biographically grounded and traditional analytical modes of explication, Reichardt uncovers and explores the musical ambiguities of four of the composer’s middle string quartets, especially those ambiguities located in moments of rupture within the musical structure. The music is constantly collapsing, reversing, inverting and denying its own structural imperatives. Reichardt argues that such confrontation of the musical language with itself, though perhaps interpretable as Shostakovich's own unique version of double-speak, also poignantly articulates the fractured state of a more general form of modern subjectivity. Reichardt employs the framework of Lacanian psychoanalysis to offer a cogent explanation of this connection between disruptive musical process and modern subjectivity. The ruptures of Shostakovich's music become symptoms of the pathologies at the core of modern subjectivity. These symptoms, in turn, relate to the Lacanian concept of the real, which is the empty kernel around which the modern subject constructs reality. This framework proves invaluable in developing a powerful, original hermeneutic understanding of the music. Read through the lens of the real, the riddles written into the quartets reveal the arbitrary and contingent state of the musical subject's constructed reality, reflecting pathologies ende
Автор: Buch, Esteban Contreras Zubillaga, Mr. Igor Deniz Silva, Dr. Manuel Название: Composing for the state ISBN: 1472437497 ISBN-13(EAN): 9781472437495 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order.
This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State.
This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes.
Автор: Alistair Noble Название: Composing Ambiguity: The Early Music of Morton Feldman ISBN: 140945164X ISBN-13(EAN): 9781409451648 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Alistair Noble reveals key aspects of Morton Feldman`s musical language as it developed during a crucial period in the early 1950s. Drawing models from primary sources, he shows that Feldman worked deliberately within a two-dimensional frame, allowing a focus upon the fundamental materials of sounding pitch in time.
Автор: Bartig, Kevin Название: Composing for the Red Screen ISBN: 0190213280 ISBN-13(EAN): 9780190213282 Издательство: Oxford Academ Рейтинг: Цена: 4196.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career.
Описание: The chapters in this volume explore ways of thinking about sound historically, and seek to understand how people have understood and negotiated their relationships with the sounding world in Europe from the Middle Ages through to the early twentieth century.
Автор: Sarah Collins Название: Music and Victorian Liberalism: Composing the Liberal Subject ISBN: 1108480055 ISBN-13(EAN): 9781108480055 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Presents a new perspective on the aesthetic aspects of liberalism through examinations of music and ideas about music, including listening practices, performance contexts and modes of embodiment across elite and amateur spheres. This book will nuance current understanding, and will appeal to scholars of both Victorian literature and music.
Автор: Kelly, Elaine Название: Composing the Canon in the German Democratic Republic ISBN: 0199998094 ISBN-13(EAN): 9780199998098 Издательство: Oxford Academ Рейтинг: Цена: 7760.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Composing the Canon in the German Democratic Republic uses the reception of the Germanic musical heritage to chart the changing landscape of musical culture in the German Democratic Republic. Author Elaine Kelly demonstrates the nuances of musical thought in the state, revealing a model of societal ascent and decline that has implications that reach far beyond studies of the GDR itself.
Автор: Aronoff Название: Composing Cultures ISBN: 0813934834 ISBN-13(EAN): 9780813934839 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The term "culture" has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable.
Автор: Noble Название: Composing Ambiguity: The Early Music of Morton Feldman ISBN: 1138270539 ISBN-13(EAN): 9781138270534 Издательство: Taylor&Francis Рейтинг: Цена: 8726.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: American composer Morton Feldman is increasingly seen to have been one of the key figures in late-twentieth-century music, with his work exerting a powerful influence into the twenty-first century. At the same time, much about his music remains enigmatic, largely due to long-standing myths about supposedly intuitive or aleatoric working practices. In Composing Ambiguity, Alistair Noble reveals key aspects of Feldman's musical language as it developed during a crucial period in the early 1950s. Drawing models from primary sources, including Feldman's musical sketches, he shows that Feldman worked deliberately within a two-dimensional frame, allowing a focus upon the fundamental materials of sounding pitch in time. Beyond this, Feldman's work is revealed to be essentially concerned with the 12-tone chromatic field, and with the delineation of complexes of simple proportions in 'crystalline' forms. Through close reading of several important works from the early 1950s, Noble shows that there is a remarkable consistency of compositional method, despite the varied experimental notations used by Feldman at this time. Not only are there direct relations to be found between staff-notated works and grid scores, but much of the language developed by Feldman in this period was still in use even in his late works of the 1980s.
Автор: Andrzej Panufnik Название: Composing Myself and Other Texts: Collected Writings ISBN: 0907689906 ISBN-13(EAN): 9780907689904 Издательство: Boydell & Brewer Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First volume of a gripping collection of the writings of one of the twentieth century's finest composers, the Anglo-Polish Sir Andrzej Panufnik (1914-91), consisting of a new edition of his 1984 autobiography Composing Myself, his complete programme notes on his own compositions, his essays and articles and his interviews. Sir Andrzej Panufnik used to say that he communicated in music, not words. But his literary legacy is substantial, as this anthology demonstrates. Its first volume consists of a fully annotated new edition of Composing Myself, the autobiography he wrote in 1985, long since a collector's item. It provides a graphic account of an often dramatic life. Panufnik's early success in pre-World War II Poland was soon eclipsed by the horrors of the Nazi occupation. Composing Myself documents in striking detail the desperate circumstances in which Panufnik repeatedly found himself - and the personal courage with which he responded. Post-War Poland then progressed from the overt terrors of Nazism to the deadening hand of Communism, and Panufnik charts the methodical attempts of Party orthodoxy to stifle independent thought. In spite of the success he enjoyed as a conductor, Panufnik was unable to compose under such restrictions, feeling he was being suffocated. Though a patriot to his bones, he boldly decided that escape to the west was the only option, and his account of his defection - in 1954, at the height of the Cold War - reads like a le Carre thriller. Safe in England, he was able to rebuild his career, overcoming official neglect of his music to become one of Britain's best-respected composers - and to be greeted as a national hero when he finally managed to return to his beloved Poland, free at last.
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