From Silence to Sound: Beethoven`s Beginnings 9781783274796

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Автор: Jeremy Yudkin
Название: From Silence to Sound: Beethoven`s Beginnings
ISBN: 9781783274796
Издательство: Boydell & Brewer
Классификация:

Теория музыки и музыковедение

ISBN-10: 1783274794
Обложка/Формат: Hardback
Страницы: 446
Вес: 0.67 кг.
Дата издания: 20.03.2020
Серия: Arts
Язык: English
Иллюстрации: 118 line drawings, black and white; 9 illustrations, black and white
Размер: 163 x 240 x 21
Читательская аудитория: Professional & vocational
Ключевые слова: Classical music (c 1750 to c 1830),Individual composers & musicians, specific bands & groups,Theory of music & musicology, MUSIC / History & Criticism,MUSIC / Instruction & Study / Composition
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Поставляется из: Англии
Описание: No classical composer put more drama or originality into his opening ideas than Beethoven, so this first special study of these musical beginnings is particularly welcome. LEWIS LOCKWOOD This book discusses the myriad ways in which Beethoven begins his works and the structural, rhetorical, and emotional implications of these beginnings for listeners. Examining the opening moments of nearly 200 compositions, it offers a new method of analysis of Beethovens music. At the same time, it sets Beethovens work in context through a close study of beginnings in the compositions of Haydn, Mozart, and many other, lesser-known composers of the Classical Era. The book opens by examining how a beginning works in musical and rhetorical theory and by looking at findings from neuroscience and psychology to show how a beginning is received by our brains. It then considers categories of beginnings in depth: their structure, sonority, texture, and dynamics; the establishment of a beginning as a storehouse or for wit or humor; beginnings as public statements, as attention getters, as sneaky fade-ins; beginnings that deceive, puzzle, or pretend; beginnings that are endings; and beginnings that nod to another composer. The author carefully and sensitively observes the strategies that Beethoven and others employed, enabling consideration of issues of originality, emulation, influence, competition, and cross-fertilization. Analysis of the composers manuscript scores shows how Beethoven can be seen in the process of refining his ideas of how to open a work. The book closes by examining the correlation between the psychology of listening and the creative ways composers of the eighteenth and early nineteenth centuries, especially Beethoven, crafted their opening gestures. It will appeal not only to Beethoven scholars but to all those interested in listening closely to music of the Classical Era. JEREMY YUDKIN is Professor of Music and Co-Director of the Center for Beethoven Research at Boston University.

From Silence to Sound: Beethoven`s Beginnings, Jeremy Yudkin