The Music of Leos Janácek: Motive, Rhythm, Structure, Zdenek Skoumal
Автор: Rehder Название: Stevens, Williams, Crane and the Motive for Metaphor ISBN: 0333510690 ISBN-13(EAN): 9780333510698 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Rehder`s study examines the use of metaphor in three of America`s greatest poets. Wallace Stevens, William Carlos Williams and Hart Crane are looked at in turn, their views on metaphor discussed and their use of metaphor in their poems analyzed.
Автор: Novak, John K. Название: Symphonic works of leos janacek ISBN: 3631670710 ISBN-13(EAN): 9783631670712 Издательство: Peter Lang Рейтинг: Цена: 11807.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book investigates the spectrum of meaning inherent in six orchestral works by Leo? Jan??ek. It codifies his compositional style, first through a thorough examination of its origins in folk music and speech-melody, then in discussions of the features of its melody and motivic techniques. His harmonic style and multiple organizations of tonality are examined in rich detail. The analysis section consists of the examination of each musical work’s musical elements, its affective and programmatic associations, as well as four narrative codes through which the listener discovers further meaning in the work: the hermeneutic code (which governs enigmas), the semic code of musical motives, the proairetic (formal) code, and the referential code (which draws on analogous passages from other pieces of music).
Автор: Janacek Leos Название: Intimate Letters: Leos Janacek to Kamila Stosslova ISBN: 0691608466 ISBN-13(EAN): 9780691608464 Издательство: Wiley Рейтинг: Цена: 9504.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
These are the letters of a great love story. In 1917, the Czech composer Leos Janacek met Kamila Stosslova while on holiday at Luhacovice, a spa resort in Moravia. He was sixty-three and locked in a loveless marriage; she was twenty-six, the wife of an antique dealer frequently away from home. After the holiday, Janacek began writing to Stosslova. Undeterred by her lack of interest in his work and her spasmodic replies, he continued to send her letters until his death eleven years later. An extraordinarily self-revealing portrait emerges of an isolated artist at the height of his creative powers and the beginning of his international fame. It is also a portrait of a lonely man who, as the years went by, came to fantasize about Stosslova as his true "wife"--the inspiration for many of the works of his old age.
Most of these letters were suppressed until changing conditions in Czechoslovakia allowed their full publication in 1990. John Tyrrell has edited and translated a comprehensive selection, concentrating on the almost daily letters of the final eighteen months. Supported by a diary of meetings between Janacek and Stosslova, a decoding of the erotic references in the letters, and a selection of mostly unknown photographs, this remarkable book breathes life into the story one of the greatest of operatic composers and provides vital clues to the nature of his creative genius.
Originally published in 1994.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905."
Описание: In Losing the Plot, well-known scholar and writer Leon de Kock offers a lively and wide-ranging analysis of postapartheid South African writing which, he contends, has morphed into a far more fl exible and multifaceted entity than its predecessor.If postapartheid literature’s founding moment was the ‘transition’ to democracy, writing over the ensuing years has viewed the Mandelan project with increasing doubt. Instead, Authors from all quarters are seen to be reporting, in different ways and from divergent points of view, on what is perceived to be a pathological public sphere in which the plot– the mapping and making of social betterment – appears to have been lost.The compulsion to forensically detect the actual causes of such loss of direction has resulted in the prominence of creative nonfi ction. A significant adjunct in the rise of this is the new media, which sets up a ‘wounded’ space within which a ‘cult of commiseration’ compulsively and repeatedly plays out the facts of the day on people’s screens; this, De Kock argues, is reproduced in much postapartheid writing. And, although fi ctional forms persist in genres such as crime fiction, with their tendency to overplot, more serious fi ction underplots, yielding to the imprint of real conditions to determine the narrative construction.
Автор: Mitchell James Leonard Название: Luk Thung: The Culture and Politics of Thailand`s Most Popular Music ISBN: 6162151069 ISBN-13(EAN): 9786162151064 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Since the 1960s, the hybrid popular music called luk thung has embodied the aspirations, frustrations, and sorrows of Thailand’s working class. Global scholarship, however, has been slow in examining this seminal genre. In this pioneering book, ethnomusicologist James Mitchell explores the many facets of luk thung through ethnographic research with singers, songwriters, fans, and other professionals. The groundbreaking final chapter refutes the widespread opinion that luk thung is an apolitical genre by examining its role in recent political turmoil and tracing currents of protest and sociopolitical commentary back to the music’s origins.
The book includes links to many songs online so that readers can hear for themselves the music that came to express the triumphs and hardships of everyday working Thais.
Описание: Leonard Bernstein was the quintessential American musician. Through his careers as conductor, pianist, teacher and television personality he became known across the US and the world, his flamboyance and theatricality making him a favourite with audiences, if not with critics. However, he is perhaps best remembered as a composer, particularly of the musical West Side Story, and for songs such as 'America', 'Tonight' and 'Somewhere'. Dr Helen Smith takes an in-depth look at all eight of Bernstein's musical theatre works, from the early On the Town written by the 26-year-old composer at the start of his career, to his second and last opera A Quiet Place in 1983; in between these two pieces he composed music for Trouble in Tahiti, Wonderful Town, Candide, West Side Story, Mass and 1600 Pennsylvania Avenue. These works are analysed and considered against a background of musical and social context, as well as looking at Bernstein's other orchestral, choral and chamber works. One important aspect examined is Bernstein's use of motifs in his theatre compositions, which takes them out of the realms of Broadway and into the sphere of symphonic writing. Smith provides an indispensable overview of the musical theatre works of an eclectic composer, and shows what it is that constitutes the Bernstein 'sound'.
Автор: Ellinwood Leonard, Snyder John L. Название: The "Musica " of Hermannus Contractus ISBN: 1580463908 ISBN-13(EAN): 9781580463904 Издательство: Boydell & Brewer Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The renowned treatise on music, by an eleventh-century monk, in a critical edition with annotated English translation, introduction, and detailed indexes.
Автор: Perlovsky, Leonid Название: Music, Passion, and Cognitive Function ISBN: 0128094613 ISBN-13(EAN): 9780128094617 Издательство: Elsevier Science Рейтинг: Цена: 7578.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Music, Passion, and Cognitive Function examines contemporary cognitive theories of music, why they cannot explain music's power over us, and the origin and evolution of music. The book presents experimental confirmations of the theory in psychological and neuroimaging research, discussing the parallel evolution of consciousness, musical styles, and cultures since Homer and King David.
In addition, it explains that 'in much wisdom is much grief' due to cognitive dissonances created by language that splits the inner world. Music enables us to survive in this sea of grief, overcomes discomforts and stresses of acquiring new knowledge, and unifies the soul, hence the power of music.
Автор: Daniel Abraham, Alicia Kopfstein-Penk, Andrew H. Weaver Название: Leonard Bernstein and Washington, DC: Works, Politics, Performances ISBN: 1580469736 ISBN-13(EAN): 9781580469739 Издательство: Boydell & Brewer Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Bold new essays demonstrate how Leonard Bernstein influenced American culture, society, and politics through his conducting, composing, political relationships, and activism.
Автор: Turner, Katherine Leonard Название: This is the sound of irony ISBN: 1472442598 ISBN-13(EAN): 9781472442598 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The use of irony in music is just beginning to be defined and critiqued, although it has been used, implied and decried by composers, performers, listeners and critics for centuries. Irony in popular music is especially worthy of study because it is pervasive, even fundamental to the music, the business of making music and the politics of messaging. Contributors to this collection address a variety of musical ironies found in the ’notes themselves,’ in the text or subtext, and through performance, reception and criticism. The chapters explore the linkages between irony and the comic, the tragic, the remembered, the forgotten, the co-opted, and the resistant. From the nineteenth to twenty-first centuries, through America, Europe and Asia, this provocative range of ironies course through issues of race, religion, class, the political left and right, country, punk, hip hop, folk, rock, easy listening, opera and the technologies that make possible our pop music experience. This interdisciplinary volume creates new methodologies and applies existing theories of irony to musical works that have made a cultural or political impact through the use of this most multifaceted of devices.
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