Transgender and The Literary Imagination: Changing Gender in Twentieth-Century Writing, Rachel Carroll
Автор: Carroll, Rachel Название: Transgender and the literary imagination ISBN: 1474414664 ISBN-13(EAN): 9781474414661 Издательство: Bloomsbury Academic Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Transgender and the Literary Imagination` is the first full length study to revisit twentieth century narratives and their afterlives, examining the extent to which they have reflected, shaped or transformed changing understandings of gender.
Описание: In the history of the early twentieth-century Americas, visions of hemispheric unity flourished, and the notion of a transnational American identity was embraced by artists, intellectuals, and government institutions. In The Pan American Imagination, Stephen Park explores the work of several Pan American modernists who challenged the body of knowledge being produced about Latin America, crossing the disciplinary boundaries of academia as well as the formal boundaries of artistic expression - from literary texts and travel writing to photography, painting, and dance. Park invests in an interdisciplinary approach, which he frames as a politically resistant intellectual practice, using it not only to examine the historical phenomenon of Pan Americanism but also to explore the implications for current transnational scholarship.
Описание: In the history of the early twentieth-century Americas, visions of hemispheric unity flourished, and the notion of a transnational American identity was embraced by artists, intellectuals, and government institutions. In The Pan American Imagination, Stephen Park explores the work of several Pan American modernists who challenged the body of knowledge being produced about Latin America, crossing the disciplinary boundaries of academia as well as the formal boundaries of artistic expression - from literary texts and travel writing to photography, painting, and dance. Park invests in an interdisciplinary approach, which he frames as a politically resistant intellectual practice, using it not only to examine the historical phenomenon of Pan Americanism but also to explore the implications for current transnational scholarship.
Описание: Usually literary borrowings are so integrated into the new work as to be disguised; however, according to David Cowart, the last decades of the twentieth century saw an increasing number of texts that attached themselves to their sources in seemingly parasitic—but, more accurately, symbiotic—dependence. It is this kind of mutuality that Cowart examines in his wide-ranging and richly provocative study Literary Symbiosis..In works exhibiting literary symbiosis, Cowart notes, intertextuality surrenders its usual veil of near invisibility to become concrete and explicit—a phenomenon that Cowart sees as part of the postmodern tendency toward self-consciousness and self-reflexivity. He recognizes that literary symbiosis has some close cousins and so limits his compass to works that are genuine reinterpretations, writings that cast a new light on earlier works through ""some tangible measure of formal or thematic evolution, whether on the part of the guest alone or the host and guest together."" Proceeding from this intriguing premise, he offers detailed readings of texts that range from Auden's ""The Sea and the Mirror,"" based on The Tempest, to Valerie Martin's reworking of The Strange Case of Dr. Jekyll and Mr. Hyde as Mary Reilly, to various fictions based on Robinson Crusoe. He also considers, in Nabokov's Pale Fire, a compelling example of text and parasitic-text within a single work..Drawing on and responding to the ideas of disparate thinkers and critics—among them Freud, Lacan, Derrida, Harold Bloom, Hillis Miller, and Henry Louis Gates Jr.—Cowart discusses literary symbiosis as Oedipal drama, as reading and misreading, as deconstruction, as Signifying, and as epistemic dialogue. Although his main examples come from the contemporary period, he refers to works dating back to the classical era in a range of genres. The study of literary symbiosis, Cowart contends, can reveal much about the dynamics of literary renewal in every age. If all literature redeems the familiar, he suggests, literary symbiosis redeems the familiar in literature itself.
Описание: Hieroglyphic Modernisms` explores this conjunction of hieroglyphs and modernist fiction and film, revealing how the challenge of new media spurred a fertile interplay among practitioners of old and new media forms.
Описание: This book explores the aesthetic pleasures of eating and writing in the lives of M.F.K. Fisher, Alice B. Toklas, and Elizabeth David. Each of these women pioneered an idiosyncratic form of writing that challenged the rigidly gendered bounds of nineteenth-century food writing to establish a twentieth-century tradition that celebrates female appetite.
Автор: Zepeda Karla P. Название: Exile and Identity in Autobiographies of Twentieth-Century S ISBN: 1433114267 ISBN-13(EAN): 9781433114267 Издательство: Peter Lang Рейтинг: Цена: 11979.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Exile and Identity in Autobiographies of Twentieth-Century Spanish Women
Автор: Kinnahan Название: A History of Twentieth-Century American Women`s Poetry ISBN: 110713756X ISBN-13(EAN): 9781107137561 Издательство: Cambridge Academ Рейтинг: Цена: 14731.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A History of Twentieth-Century American Women`s Poetry explores the genealogy of modern American verse by women from the early twentieth century to the millennium. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes wide-ranging essays that illuminate the legacy of American women poets.
In the beginning there was . . . the beginning. And with the beginning came the power to tell a story. Few book-length studies of narrative beginnings exist, and not one takes a feminist perspective. Opening Acts reveals the important role of beginnings as moments of discursive authority with power and agency that have been appropriated by writers from historically marginalized groups. Catherine Romagnolo argues for a critical awareness of how social identity plays a role in the strategic use and critical interpretation of narrative beginnings.
The twentieth-century U.S. women writers whom Romagnolo studies—Edith Wharton, H.D., Toni Morrison, Julia Alvarez, and Amy Tan—have seized the power to disrupt conventional structures of authority and undermine historical master narratives of marriage, motherhood, U.S. nationhood, race, and citizenship. Using six of their novels as points of entry, Romagnolo illuminates the ways in which beginnings are potentially subversive, thereby disrupting the reinscription of hierarchically gendered and racialized conceptions of authorship and agency.
Автор: Morley Название: The Cambridge Companion to Creative Writing ISBN: 0521145368 ISBN-13(EAN): 9780521145367 Издательство: Cambridge Academ Рейтинг: Цена: 5346.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This Companion is designed for aspiring writers and teachers of creative writing. It engages with a complex art in an accessible manner, addressing concepts important to the rapidly growing discipline of creative writing, while maintaining a strong craft emphasis, analysing exemplary models of writing and providing related writing exercises.
Описание: It has been shown that the total number of women who published in German in the 18th and 19th centuries was approximately 3,500, but even by 1918 only a few of them were known. The reason for this lies in the selection processes to which the authors have been subjected, and it is this selection process that is the focus ofthe research here presented. The selection criteria have not simply been gender-based but have had much to do with the urgent quest for establishing a German Nation State in 1848 and beyond. Prutz, Gottschall, Krey?ig and others found it necessary to use literary historiography, which had been established by 1835, in order to construct an ideal of ‘Germanness’ at a time when a political unity remained absent, and they wove women writers into this plot. After unification in 1872, this kind of weaving seemed to have become less pressing, and other discourses came to the fore, especially those revolving round femininity vs. masculinity, and races. The study of the processes at work here will enhance current debates about the literary canon by tracing its evolution and identifying the factors which came to determine the visibility or obscurity of particular authors and texts. The focus will be on a number of case studies, but, instead of isolating questions of gender, Gender, Canon and Literary History will discuss the broader cultural context.
Figuring the Population Bomb traces the genealogy of twentieth-century demographic "facts" that created a mathematical panic about a looming population explosion. This narrative was popularized in the 1970s in Paul Ehrlich's best-selling book The Population Bomb, which pathologized population growth in the Global South by presenting a doomsday scenario of widespread starvation resulting from that growth.
Carole McCann uses an archive of foundational texts, disciplinary histories, participant reminiscences, and organizational records to reveal the gendered geopolitical grounds of the specialized mathematical culture, bureaucratic organization, and intertextual hierarchy that gave authority to the concept of population explosion. These demographic theories and measurement practices ignited the population "crisis" and moved nations to interfere in women's reproductive lives. Figuring the Population Bomb concludes that mid-twentieth-century demographic figures remain authoritative to this day in framing the context of transnational feminist activism for reproductive justice.
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