Modernism, Internationalism and the Russian Revolution, David Ayers
Автор: Ayers, Professor David (university Of Kent) Название: Modernism, internationalism and the russian revolution ISBN: 0748647333 ISBN-13(EAN): 9780748647330 Издательство: Bloomsbury Academic Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Modernism, Internationalism and the Russian Revolution` examines responses to the Russian Revolution and the formation of League of Nations in literature and journalism in the years following 1917.
Описание: Aarthi Vadde shows why modernist literary form is essential to understanding the aspirational and analytical force of internationalism in and beyond Europe. She explains how major writers use modernist strategies to reshape how readers think about the cohesion and interrelation of political communities in the wake of empire.
Автор: Sands-O`Connor Название: Internationalism in Children`s Series ISBN: 1137360305 ISBN-13(EAN): 9781137360304 Издательство: Springer Рейтинг: Цена: 9781.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Internationalism in Children`s Series brings together international children`s literature scholars who interpret `internationalism` through various cultural, historical and theoretical lenses. From imperialism to transnationalism, from Tom Swift to Harry Potter, this book addresses the unique ability of series to introduce children to the world.
Автор: Coghlan J.Michelle Название: Sensational Internationalism ISBN: 1474411207 ISBN-13(EAN): 9781474411202 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Remaps the borders of transatlantic feeling and resituates the role of international memory in U.S. culture in the long nineteenth century and beyond In refocusing attention on the Paris Commune as a key event in American political and cultural memory, Sensational Internationalism radically changes our understanding of the relationship between France and the United States in the long nineteenth century. It offers fascinating, remarkably accessible readings of a range of literary works, from periodical poetry and boys’ adventure fiction to radical pulp and the writings of Henry James, as well as a rich analysis of visual, print, and performance culture, from post-bellum illustrated weeklies and panoramas to agit-prop pamphlets and Coney Island pyrotechnic shows. This book will speak to readers looking to understand the affective, cultural, and aesthetic afterlives of revolt and revolution pre-and-post Occupy Wall Street, as well as those interested in space, gender, performance, and transatlantic print culture. Key Features Multi-disciplinary study of the cultural legacy of the Paris Commune in both mainstream and leftist U.S. memory Contributes to recent work on the global dimensions of pre-Popular front radical culture in the US Addresses a critical ongoing blind spot in American Studies by extending the borders of transatlantic affiliation beyond the confines of Anglo-American attachments Offers innovative readings of well-known and altogether neglected cultural texts
Описание: This collection of essays stems from the conference 'Internationalism and the Arts: Anglo-European Cultural Exchange at the Fin de Si cle' held at Magdalene College, Cambridge, in July 2006. The growth of internationalism in Europe at the fin de si cle encouraged confidence in the possibility of peace. A wartorn century later, it is easy to forget such optimism. Flanked by the Franco-Prussian war and the First World War, the late nineteenth and early twentieth centuries were marked by rising militarism. Themes of national consolidation and aggression have become key to any analysis of the period. Yet despite the drive towards political and cultural isolation, transnational networks gathered increasing support. This book examines the role played by artists, writers, musicians and intellectuals in promoting internationalism. It explores the range of individuals, media and movements involved, from cosmopolitan characters such as Walter Sickert and Henri La Fontaine, through internationalist art societies, to periodicals, performance, and the mobility of the Arts and Crafts Movement. The discussion takes in the geographical breadth of Europe, incorporating Belgium, Bohemia, Britain, France, Germany, Hungary, Italy, Norway, Poland, Russia and Slovakia. Drawing on the work of scholars from across Europe and America, the collection makes a statement about the complexity of European identities at the fin de si cle, as well as about the possibilities for interdisciplinary research in our own era.
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