Redeemer Nation in the Interregnum interrogates the polyvalent role that American exceptionalism continues to play after 9/11. Whereas American exceptionalism is often construed as a discredited Cold War–era belief structure, Spanos persuasively demonstrates how it operationalizes an apparatus of biopolitical capture that saturates the American body politic down to its capillaries. The exceptionalism that Redeemer Nation in the Interregnum renders starkly visible is not a corrigible ideological screen. It is a deeply structured ethos that functions simultaneously on ontological, moral, economic, racial, gendered, and political registers as the American Calling. Precisely by refusing to answer the American Calling, by rendering inoperative (in Agamben’s sense) its covenantal summons, Spanos enables us to imagine an alternative America. At once timely and personal, Spanos’s meditation acknowledges the priority of being. He emphasizes the dignity not simply of humanity but of all phenomena on the continuum of being, “the groundless ground of any political formation that would claim the name of democracy.”
How New York's Lower East Side inspired new ways of seeing America
New York City's Lower East Side, long viewed as the space of what Jacob Riis notoriously called the "other half," was also a crucible for experimentation in photography, film, literature, and visual technologies. Sara Blair traces the career of the Lower East Side as a place where image-makers, writers, and social reformers tested new techniques for apprehending America--and their subjects looked back, confronting the means used to represent them. This dynamic shaped the birth of American photojournalism, early cinema, and the changing life of print culture as well as the work of such figures as Stephen Crane, Henry Roth, Ben Shahn, Allen Ginsberg, Martha Rosler, and LeRoi Jones. How the Other Half Looks examines the practices of observation that emerged from this critical site of encounter, showing how they have informed changing narratives of America, its citizens, and its possible futures.
Описание: During the age of dictatorships, Latin American prisons became a symbol for the vanquishing of political opponents, many of whom were never seen again. Susana Draper uses the phenomenon of the \u201copening\u201d of prisons and detention centers to begin a dialog on conceptualizations of democracy and freedom in post-dictatorship Latin America.
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