Humour and Humanism in the Renaissance, Bowen, Barbara C.
Автор: Lewis Название: The Discarded Image ISBN: 1107604702 ISBN-13(EAN): 9781107604704 Издательство: Cambridge Academ Рейтинг: Цена: 2533.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Paints a lucid picture of the medieval world view, providing the historical and cultural background to the literature of the Middle Ages and Renaissance. This, Lewis`s last book, has been hailed as `the final memorial to the work of a great scholar and teacher and a wise and noble mind`.
Автор: Marcus-sells, Ariela (elon University) Название: Paradise lost: a poem written in ten books ISBN: 0271095458 ISBN-13(EAN): 9780271095455 Издательство: Неизвестно Рейтинг: Цена: 9185.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. This reference work provides insightful and often revisionary readings of core texts in the English literary canon. Richly informative analyses are framed by the biographical, historical and intellectual context for each author.
Volume 1 begins by discussing Anglo-Saxon literature before focusing on the three major Middle English poets of the late fourteenth century: Gower, Langland and Chaucer. It then engages with the sixteenth-century prose romances of Sidney, the epic and lyrical poetry of Spenser, and Donne’s love and religious poems. Full coverage is devoted to the legendary fifty-year blossoming of the Elizabethan theatre (excluding Shakespeare, the object of Volume 2), from Kyd and Marlowe up to Jonson, Webster, Middleton, Ford and Shirley. The final part addresses the sixteenth-century prose works of Lyly, Greene and Nashe, homiletics by Hooker and others, and Elizabethan travel literature and historiography.
Автор: Gilson, Simon A. (university Of Warwick) Название: Reading dante in renaissance italy ISBN: 1107196558 ISBN-13(EAN): 9781107196551 Издательство: Cambridge Academ Рейтинг: Цена: 16790.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The first comprehensive account of the critical and editorial reception in Renaissance Italy of the work of Dante Alighieri (1265-1321), investigating a range of responses to his work. The book covers significant topics including arguments surrounding Dante`s authority as a `classic` poet, and contemporary developments in philology, theology, science and printing.
Описание: Which famous poet treasured his copy of Homer, but could never learn Greek? What prompted diplomats to circulate a speech by Demosthenes – in Latin translation – when the Turks threatened to invade Europe? Why would enthusiastic Florentines crowd a lecture on the Roman Neoplatonist Plotinus, but underestimate the importance of Plato himself? Having all but disappeared during the Middle Ages, classical Greek would recover a position of importance – eventually equal to that of classical Latin - only after a series of surprising failures, chance encounters, and false starts. This important study of the rediscovery and growing influence of classical Greek scholarship in Italy from the 14th to the early 16th centuries is brought up to date in a new edition that reflects on the recent developments in the field of classical reception studies, and contains fully up-to-date references to aid students and scholars. From a leading authority on Greek palaeography in the English-speaking world, here is a complete account of the historic rediscovery of Greek philosophy, language and literature during the Renaissance, brought up-to-date for a modern audience of classicists, historians, and students and scholars of reception studies and the Classical Tradition.
Автор: Mcsheffrey, Shannon (contributor) Putter, Ad Название: Dutch hatmakers of late medieval and tudor london ISBN: 1837650802 ISBN-13(EAN): 9781837650804 Издательство: Boydell & Brewer Рейтинг: Цена: 3166.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: At the end of the Middle Ages, a group of hatmakers from the Low Countries migrated across the North Sea to London. These men brought with them new skills and technologies, unknown to English artisans, becoming the first to manufacture brimmed felts hats in England. However, though their wares were immediately popular with English consumers, from courtiers to ordinary people, they faced an economic environment in London that restricted and sometimes completely disallowed the production and retail of their goods. In the early years of the sixteenth century, the hatmakers' desire to remain independent from regulation and governance by London civic guilds led to their formation of a craft association of their own. The Hatmakers' fraternity of St James operated for about a decade, until in 1511 the royal council mandated their amalgamation with and subordination to the powerful London Haberdashers' Company. In their short period of independence, the Hatmakers' guild wrote bilingual ordinances, in English and Dutch, regulating the craft of hatmaking in London. The small parchment booklet in which they wrote the ordinances, now housed in the London Guildhall Library, contains more than a simple list of craft rules: it reveals how these Dutch craftsmen negotiated their immigrant lives in both the specifics of their artisanal practice and the broader social and linguistic realities of their daily interactions. This book, uniting historical and philological approaches, uncovers the remarkable lives and writings of these tradesmen, showing how they adapted to their new environment and reacted to the challenges they faced. It also presents a modern edition of the texts of the Hatmakers' guild book.Open Access to this volume will be available under the Creative Commons License: CC BY-NC-ND
Описание: This volume examines the topic and treatment of conspiracy in fifteenth-century Italian literature. It situates the theme of conspiracy within the literary and historical contexts of the period, examines its representation within four key texts, and reflects on the legacy of these literary-historical works over the following century.
In both past and modern societies the concepts of memory and identity have been inextricably intertwined. Memory, through its power of recollection and reflection, is perceived as a central and necessary pathway for self-discovery, self-expression, and self-knowledge crucial to an understanding of the physical and spiritual world. Memory, in this way, becomes fundamental to identity itself, as it is through the complex process of both group and individual recollection and commemoration that cultural, political, national, religious, and gender identities are not only imagined but constructed, reconstructed, and represented.
Taking as its focus this complex interplay of memory and identity in the medieval and early modern European context, this volume of essays presents its findings under five thematic headings: ««The Poetics of Memory and Heroic Identity», «Cultural Memory and National Identities», «Emotional Identities», «Nota Bene: The Craft of Memory and Corrective Instruction» and «Memorialising Protestant Identities in Early Modern England». Contributions examine constructions of memory and identity in such key works as the Old English Soliloquies; the Old Norse kings’ sagas Morkinskinna and Heimskringla; medieval Serbian hagiographies; Havelok the Dane; Sir Gawain and the Green Knight; Chaucer’s Book of the Duchess, Troilus and Criseyde and Adam Scriveyn; Elizabethan translations of the Psalms; John Stearne’s Confirmation and Discovery of Witchcraft; seventeenth-century portraiture. The research presented here offers valuable insights into the centrality of memory to medieval and early modern constructions of political, religious, and national identities and points up future avenues for scholarly investigation.
Описание: Can ecstatic experiences be studied with the academic instruments of rational investigation? What kinds of religious illumination are experienced by academically minded people? And what is the specific nature of the knowledge of God that university theologians of the Middle Ages enjoyed compared with other modes of knowing God, such as rapture, prophecy, the beatific vision, or simple faith? Ecstasy in the Classroom explores the interface between academic theology and ecstatic experience in the first half of the thirteenth century, formative years in the history of the University of Paris, medieval Europe’s “fountain of knowledge.” It considers little-known texts by William of Auxerre, Philip the Chancellor, William of Auvergne, Alexander of Hales, and other theologians of this community, thus creating a group portrait of a scholarly discourse. It seeks to do three things. The first is to map and analyze the scholastic discourse about rapture and other modes of cognition in the first half of the thirteenth century. The second is to explicate the perception of the self that these modes imply: the possibility of transformation and the complex structure of the soul and its habits. The third is to read these discussions as a window on the predicaments of a newborn community of medieval professionals and thereby elucidate foundational tensions in the emergent academic culture and its social and cultural context. Juxtaposing scholastic questions with scenes of contemporary courtly romances and reading Aristotle’s Analytics alongside hagiographical anecdotes, Ecstasy in the Classroom challenges the often rigid historiographical boundaries between scholastic thought and its institutional and cultural context.
Описание: This book explores the ways in which Aristotle's legacy was appropriated and reshaped by vernacular readers in Medieval and Renaissance Italy. It considers translation in a broad sense, looking at commentaries, compendia, rewritings, and abridgments alongside vernacular versions of Aristotle's works. Translation is thus taken as quintessential to the very notion of reception, with a focus on the dynamics - cultural, social, material - that informed the appropriation and reshaping of the 'master of those who know' on the part of vernacular readers between 1250 and 1500. By looking at the proactive and transformative nature of reception, this book challenges traditional narratives about the period and identifies the theory and practice of translation as a liminal space that facilitated the interaction between lay readers and the academic context while fostering the legitimation of the vernacular as a language suitable for philosophical discourse.
Автор: Diana Wyatt, John McKinnell Название: Early Performers and Performance in the Northeast of England ISBN: 1641893443 ISBN-13(EAN): 9781641893442 Издательство: NBN International Рейтинг: Цена: 25133.00 р. Наличие на складе: Нет в наличии.
Описание: This collection explores the evidence for a wide variety of performance traditions up to 1642 in the northeast region of England which was among those most remote from London. While noble and religious houses in the northeast often patronized visiting performers and might be aware of developments in the capital, the region also had lively performance traditions of its own, on every level of society, from the wedding revels, sporting activities, and household fools of major noble families, through civic plays and processions, to the customary annual performances of hunters and ploughmen. The book considers the political, economic, religious, and psychological impulses that affected these traditions, and its closing chapter addresses their possible relevance to the culture of the region today.
Автор: Gregory, Rabia Название: Marrying Jesus in Medieval and Early Modern Northern Europe ISBN: 1138379972 ISBN-13(EAN): 9781138379978 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Analyzing understudied vernacular sources from the late medieval period - including sermons, early printed books, spiritual diaries, letters, songs, and hagiographies - Rabia Gregory shows how marrying Jesus was central to late medieval lay piety, and how the 'chaste' bride of Christ developed out of sixteenth-century religious disputes. She explains how this metaphor, initially devised for a religious elite, became integral to the laity's pursuit of salvation.
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