Orlando Gibbons and the Gibbons Family of Musicians, Harley, John
Автор: Timothy J. McGee Название: Ceremonial Musicians of Late Medieval Florence ISBN: 0253353041 ISBN-13(EAN): 9780253353047 Издательство: Wiley EDC Рейтинг: Цена: 5320.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Ceremonial Musicians of Late Medieval Florence follows the development of Florentine musical ensembles, describing their duties and repertories, placing them in their political and social context, and tracing their changes through the years of the Florentine Republic. From the 13th through the 16th centuries, the city of Florence was the most powerful in Europe. It was a center of finance and trade, as well as art and music. The Republic employed musicians to perform for the enormous number of ceremonial events each year. These musicians were the most visible (and audible) symbols of Florence, playing a major role in displaying the majestic image of the city. Their story, repertory, high-profile involvement in the daily life of the city, and close involvement with the Medici add a new dimension to the history of late-medieval Florence.
Автор: Ita Beausang, Jennifer O`Connor-Madsen, Laura Watson Название: Women and Music in Ireland ISBN: 1783277556 ISBN-13(EAN): 9781783277551 Издательство: Boydell & Brewer Рейтинг: Цена: от 11712.00 р. Наличие на складе: Есть
Описание: Explores the world of women`s professional and amateur musical activity as it developed on and beyond the island of Ireland.
Автор: Mathew Название: The Invention of Beethoven and Rossini ISBN: 0521768055 ISBN-13(EAN): 9780521768054 Издательство: Cambridge Academ Рейтинг: Цена: 17266.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: More than a pair of famous composers, Beethoven and Rossini came to represent an opposition that cast a shadow over the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. In this book, leading scholars re-evaluate the great symbolic duo of early nineteenth-century music.
Автор: Joe Davies Название: The Gothic Imagination in the Music of Franz Schubert ISBN: 1837651620 ISBN-13(EAN): 9781837651627 Издательство: Boydell & Brewer Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Offers a major new contribution to understanding Schubert's creative approach and the gothic imagination more generally.This book illuminates Franz Schubert's engagement with gothic discourse at the intersection of music, literature and the visual arts. Ideas of the gothic provide a framework for contextualizing the myriad ways in which Schubert's music evokes the blurring of past and present, life and death, and for situating strangeness in relation to a cross-disciplinary phenomenon that captivated the imagination of the time.The study traces the gothic from Schubert's early songs, where its presence is well established, to the instrumental music of his final years. These dialogues speak to shifting associations across chronological boundaries; their traces undergo change, returning in altered contexts - from fleeting disturbances, a rhythmic shudder or a tremolo figuration, to prolonged outbursts and disjuncture. The gothic is at times linked explicitly to death, as in Schubert's graveyard settings, and at other times implied through doubles and distortion, nocturnal imagery, or hybridity and metamorphosis.The Gothic Imagination in the Music of Franz Schubert offers new interpretations, grounded in close reading of musical and poetic material, that move beyond the ghostly and macabre towards a world wherein death, the sublime and grotesquerie are intricately entwined. The book therefore provides for a major new contribution to understanding Schubert's creative approach and the gothic imagination more generally.
Автор: Harley, John Название: The World of William Byrd ISBN: 1409400883 ISBN-13(EAN): 9781409400882 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Gazit, Ofer (senior Lecturer In Music, Senior Lecturer In Music, Tel Aviv University) Название: Jazz migrations ISBN: 0197682782 ISBN-13(EAN): 9780197682784 Издательство: Oxford Academ Рейтинг: Цена: 3642.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Joe Davies Название: Clara Schumann Studies ISBN: 1108747671 ISBN-13(EAN): 9781108747677 Издательство: Cambridge Academ Рейтинг: Цена: 3958.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Since the 1980s, when she re-emerged from the peripheries into a more central position in music studies, Clara Schumann (1819–1896) has exerted an enduring fascination over the scholarly and popular imagination. Revisionist biographies, the uncovering of primary sources (diaries, letters, memorabilia), and filmic and literary depictions of Schumann have all brought into sharper focus the details and reception of her life, while simultaneously drawing attention to how much there is still to learn about her creativity. This book brings together a team of leading scholars to reappraise Clara Schumann in three particular respects: first, by delving deeper into her social and musical contexts; secondly, by offering fresh analytical perspectives on her songs and instrumental music; and thirdly, by reconsidering her legacy as a pianist and teacher. In doing so, the volume not only contributes to a rounded picture of Schumann's creative vision, but also opens up new pathways in the wider study of women in music.
Описание: Substantially revised and expanded edition that sheds new light on Stanford's career as composer, conductor and teacher, as well as promoter of opera in English and arranger of Irish folk music.The Anglo-Irish composer Charles Villiers Stanford (1852-1924) is often remembered as the teacher of many of Britain's first generation of twentieth-century composers. He was, however, a composer of great diversity. An enthusiastic composer for the theatre and opera house, he was a symphonist, songwriter, and composer of church music; his national, indeed, international reputation was also reflected in the many works he wrote for some of the most prominent virtuosi of the time. Driven by a strong sense of ambition, he sought to advance the cause of British music not only as a composer but as a university professor, practical musician and conductor. Pre-eminent in the 1880s and 90s, he was eclipsed by Elgar during the Edwardian years, but his creative powers continued unabated until the early 1920s. As the author of a wide range of musical works, which we are now able to experience through more live performances, broadcasts and recordings (the latter has expanded exponentially since the first edition of this book), we are now aware of the composer's greater musical achievements, particularly in the province of opera. This expanded and revised edition offers new musical and biographical discussion drawing on a wider range of primary and secondary sources. It brings new insights to Stanford's life as performer, conductor and teacher/author at Cambridge and the RCM, as well as an arranger and editor of Irish folk music. Another emphasis in this revised edition is Stanford's lifelong aspiration to promote opera in English and the establishment of an English National Opera in London. Stanford's politics, particularly his opposition to Gladstonian Liberalism and to Home Rule for Ireland, also receive rightful discussion within the context of his creative output.
Musicians of Asian descent enjoy unprecedented prominence in concert halls, conservatories, and classical music performance competitions. In the first book on the subject, Mari Yoshihara looks into the reasons for this phenomenon, starting with her own experience of learning to play piano in Japan at the age of three. Yoshihara shows how a confluence of culture, politics and commerce after the war made classical music a staple in middle-class households, established Yamaha as the world's largest producer of pianos and gave the Suzuki method of music training an international clientele. Soon, talented musicians from Japan, China and South Korea were flocking to the United States to study and establish careers, and Asian American families were enrolling toddlers in music classes.
Against this historical backdrop, Yoshihara interviews Asian and Asian American musicians, such as Cho-Liang Lin, Margaret Leng Tan, Kent Nagano, who have taken various routes into classical music careers. They offer their views about the connections of race and culture and discuss whether the music is really as universal as many claim it to be. Their personal histories and Yoshihara's observations present a snapshot of today's dynamic and revived classical music scene.
Musicians of Asian descent enjoy unprecedented prominence in concert halls, conservatories, and classical music performance competitions. In the first book on the subject, Mari Yoshihara looks into the reasons for this phenomenon, starting with her own experience of learning to play piano in Japan at the age of three. Yoshihara shows how a confluence of culture, politics and commerce after the war made classical music a staple in middle-class households, established Yamaha as the world's largest producer of pianos and gave the Suzuki method of music training an international clientele. Soon, talented musicians from Japan, China and South Korea were flocking to the United States to study and establish careers, and Asian American families were enrolling toddlers in music classes.
Against this historical backdrop, Yoshihara interviews Asian and Asian American musicians, such as Cho-Liang Lin, Margaret Leng Tan, Kent Nagano, who have taken various routes into classical music careers. They offer their views about the connections of race and culture and discuss whether the music is really as universal as many claim it to be. Their personal histories and Yoshihara's observations present a snapshot of today's dynamic and revived classical music scene.
Описание: Central to the repertoire of Western art music since the 1700s, the symphony has come to be regarded as one of the ultimate compositional challenges. In his series The Symphonic Repertoire, the late A. Peter Brown explored the symphony from its 18th century beginnings into the 21st century. In volume V, The Symphony in the Americas, Brown's former students and colleagues collaborate to complete the work he began on this critical period of development in symphonic history. The research and adds to an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. This volume presents current overviews of the status of research, deals with unique challenges for the development of the symphony in the United States and Latin America, illuminates the style of specific works and their contexts, and samples early writings on their reception. This much-anticipated fifth volume of The Symphonic Repertoire—The Symphony in the Americas—offers a user-friendly, comprehensive history of the symphony genre in the United States and Latin America.
Автор: Charles Youmans Название: Mahler and Strauss: In Dialogue ISBN: 0253021596 ISBN-13(EAN): 9780253021595 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5267.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A rare case among history's great music contemporaries, Gustav Mahler (1860-1911) and Richard Strauss (1864-1949) enjoyed a close friendship until Mahler's death in 1911. Unlike similar musical pairs (Bach and Handel, Haydn and Mozart, Schoenberg and Stravinsky), these two composers may have disagreed on the matters of musical taste and social comportment, but deeply respected one another's artistic talents, freely exchanging advice from the earliest days of professional apprenticeship through the security and aggravations of artistic fame. Using a wealth of documentary material, this book reconstructs the 24-year relationship between Mahler and Strauss through collage—"a meaning that arises from fragments," to borrow Adorno's characterization of Mahler's Sixth Symphony. Fourteen different topics, all of central importance to the life and work of the two composers, provide distinct vantage points from which to view both the professional and personal relationships. Some address musical concerns: Wagnerism, program music, intertextuality, and the craft of conducting. Others treat the connection of music to related disciplines (philosophy, literature), or to matters relevant to artists in general (autobiography, irony). And the most intimate dimensions of life—childhood, marriage, personal character—are the most extensively and colorfully documented, offering an abundance of comparative material. This integrated look at Mahler and Strauss discloses provocative revelations about the two greatest western composers at the turn of the 20th century.
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