Описание: Beginning in the 1950s, "Euro Horror" movies materialized in astonishing numbers from Italy, Spain, and France and popped up in the US at rural drive-ins and urban grindhouse theaters such as those that once dotted New York's Times Square. Gorier, sexier, and stranger than most American horror films of the time, they were embraced by hardcore fans and denounced by critics as the worst kind of cinematic trash. In this volume, Olney explores some of the most popular genres of Euro Horror cinema—including giallo films, named for the yellow covers of Italian pulp fiction, the S&M horror film, and cannibal and zombie films—and develops a theory that explains their renewed appeal to audiences today.
Автор: Josephine Dolan Название: Contemporary Cinema and `Old Age` ISBN: 1137584017 ISBN-13(EAN): 9781137584014 Издательство: Springer Рейтинг: Цена: 19564.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is the first to explore ‘old age’ in cinema at the intersection of gender, ageing, celebrity and genre studies. It takes its cue from the dual meanings of ‘silvering’ – economics and ageing – and explores shifting formulations of ‘old age’ and gender in contemporary cinema. Broad in its scope, the book establishes the importance of silver audiences to the survival of cinema exhibition while also forging connections between the pleasures of ‘old age’ films, consumer culture, the ‘economy of celebrity’ and the gendered silvering of stardom. The chapters examine gendered genres such as romantic comedies, action and heist movies, the prosthetics of costume, and CGI enabled age transformations. Through this analysis, Josephine Dolan teases out the different meanings of ageing masculinity and femininity offered in contemporary cinema. She identifies ageing femininity as the pathologised target of rejuvenation while masculine ageing is seen to enhance an enduring youthfulness. This book has interdisciplinary appeal and will engage scholars interested in ‘old age’ and gender representations in contemporary cinema.
Автор: Simpson James Название: Video Nasty Mayhem: The Inside Story of VIPCO ISBN: 1911121707 ISBN-13(EAN): 9781911121701 Издательство: Неизвестно Рейтинг: Цена: 5332.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Great Britain, the 1980s. VHS is rapidly becoming popular, and the more gory and violent the movies, the better. One company has latched on to this trend quickly - selling and renting controversial films to the public. It is called the Video Instant Picture Company, a.k.a. VIPCO.
Founded and run by Michael Lee - Mike to his friends - this small independent video distributor would swiftly grow into a money-making machine and become synonymous with the so-called 'Video Nasties' scandal. Indeed, as VIPCO grew, Mike would become a millionaire, find his company raided by the police, nearly go broke, then resurface to trade in on the memory of the Nasties during the nineties and beyond.
VIPCO would give the iconic Zombie Flesh Eaters its first-ever UK home video release, create the headline-grabbing artwork for The Driller Killer, and produce the outlandish Spookies, amongst other notable achievements. Later, the company would gain notoriety for re-releasing some of the Nasties on sub-par DVDs and offering titles with shoddy video sleeves.
VIPCO would disappear from retailer shelves in 2007. It has now been over a decade since the firm's closure, and many of VIPCO's former titles have found welcome homes with other horror genre distributors, but VIPCO is still shrouded in mystery...
James Simpson, a former writer for horror movie magazines and websites, reveals the real reason why the controversial VIPCO closed, as well as detailing its long and complex history. With insights from those who worked with Mike Lee, and those who worked for rival firms, Video Nasty Mayhem opens the vault on VIPCO and finds there are plenty of surprises. The book also reviews more than 60 of VIPCO's films, offers a standalone chapter on cult director Lucio Fulci, highlights Mike Lee's turn at producing movies, and more. For anyone interested in the history of British film and distribution, Video Nasties, plus horror, cannibal and zombie movies, Video Nasty Mayhem is a must-read
About the author.
Growing up in the aftermath of the Video Nasties, during the late eighties and early nineties, James Simpson is from a small town in the North East of England where talking about grisly horror flicks was the norm in his school playground. For the last few years, he has written about cult cinema for several magazines and websites as well as running his own-now-defunct site: Infernal Cinema. He has interviewed horror stars Emily Booth, Barbie Wilde, and the legendary Lloyd Kaufman, amongst others, during this time. He appears in the Jason Impey documentary: VIPCO: The Untold Story. This is his first book. His favourite VIPCO movie is Spookies.
Описание: Considers the technological, economic and aesthetic histories of the early British video industry as part of the broader global film industry.
Автор: Condee Nancy, Prokhorov Alexander, Prokhorova Elena Название: Cinemasaurus: Russian Film in Contemporary Context ISBN: 1644692708 ISBN-13(EAN): 9781644692707 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 14692.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse. Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered, the volume`s contributors examine issues in Russia`s transition.
Описание: Explores dramatic and filmic adaptations of the Faust legend from Marlowe`s Doctor Faustus and Goethe`s Faust to lesser known works. With detailed comparison and analysis tracing the development of the Faust topos, it will appeal to students of early modern drama, eighteenth- and nineteenth-century German literature, and film studies.
Описание: Fashion and Film explores the complex relationships between costume, fashion and popular film. Examining the ways in which costume and fashion are used to construct narrative and identity in contemporary film, this interdisciplinary study also explores how meanings flow on and off screen. What is the impact of celebrity and stardom on the audience's consumption of film? How does film costume interact with other media forms? Sarah Gilligan addresses these key questions using a cross-media analysis of film, advertising and digital media. Based around case studies such as Pirates of the Caribbean , Shakespeare in Love , The Great Gatsby , Save the Last Dance , The Matrix trilogy and The Hunger Games: Catching Fire , together with stars such as Daniel Craig, Gwyneth Paltrow and Emma Watson, this book explores a broad range of film genres and fashion garments, from corsets to flowing coats, cosplay to mobile phones. Using close textual analysis, complex issues of eroticism, fabric fetishism and haptic pleasure, and key themes of gender, celebrity and sexuality, are clearly mapped onto cinematic clothing and the body. Fashion and Film is essential reading for students of fashion, film and media, cultural and gender studies.
Автор: Lucy Bolton Название: Contemporary Cinema and the Philosophy of Iris Murdoch ISBN: 147441639X ISBN-13(EAN): 9781474416399 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Opens a dialogue between contemporary film and Iris Murdoch's thinking on art, goodness and existentialism
Iris Murdoch was not only one of post-war Britain's most celebrated and prolific novelists - she was also an influential philosopher, whose work was concerned with the question of the good and how we can see our moral worlds more clearly.
Murdoch believed that paying attention to art is a way for us to become less self-centred, and this book argues that cinema is the perfect form of art to enable us to do this. Bringing together Murdoch's moral philosophy and contemporary cinema to build a dialogue about vision, ethics and love, author Lucy Bolton encourages us to view cinema as a way of studying other worlds and moral journeys, and to reflect upon their ethical significance in the world of the film and in our daily lives.
Key features
Sets out the philosophical concerns of Iris Murdoch
Stages an encounter between Murdoch's moral philosophy and a range of international contemporary films
Furthers the discipline of film-philosophy by bringing Murdoch's thinking into relation with cinema in a sustained and detailed analysis
Описание: Explores the intermedial poetics of the post-communist cinemas of Eastern Europe and Russia
Provides in-depth and comparative analyses of films, with case studies covering fiction films, documentaries, avant-garde experiments, arthouse movies and mainstream cinema
Cinematic case studies are drawn from Romania, Hungary, Poland, the Czech Republic, Bosnia and Herzegovina and Russia
Discusses different strategies of intermediality and covers the analysis of a wide range of intermedial and inter-art phenomena, including the relationship between film and painting, film and sculpture, film and photography, cinema and the graphic novel, words and images and images and music
This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc.
As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society.
Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole.
Contributors
Melinda Blos-Jбni, Sapientia Hungarian University of Transylvania
Malgorzata Bugaj, University of Stirling and the University of Edinburgh
Fбtima Chinita, Lisbon Polytechnic Institute
Zsolt Gyenge, Moholy-Nagy University of Art and Design
Hajnal Kirбly, Eцtvцs Lorбnd University
Bence Krбnicz, Eцtvцs Lorбnd University
Gabriel Laverdiиre, from Laval University, Quebec
Бgnes Pethő, Sapientia Hungarian University of Transylvania
Judit Pieldner, Sapientia Hungarian University of Transylvania
Katalin Sбndor, Babeș-Bolyai University
Mareike Sera, Humboldt University of Berlin
Автор: Salys Rimgaila Название: The Russian Cinema Reader: Contemporary Russian Cinema (2005-2015) ISBN: 161811963X ISBN-13(EAN): 9781618119636 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 14692.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Provides an introduction to significant Russian films released between 2005 and 2016 that are also available with English subtitles. The twenty-one essays on individual films provide background information on directors` careers, detailed analyses of selected films, along with suggested further readings both in English and Russian.
Автор: Gwynne Joel Название: Postfeminism and Contemporary Hollywood Cinema ISBN: 1137306831 ISBN-13(EAN): 9781137306838 Издательство: Springer Рейтинг: Цена: 10760.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: By analyzing the negotiation of femininities and masculinities within contemporary Hollywood cinema, Postfeminism and Contemporary Hollywood Cinema presents diverse interrogations of popular cinema and illustrates the need for a renewed scholarly focus on contemporary film production.
Since the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadzihalilovi? and Ana Lily Amirpour, who put ‘a poetics of horror’ to new use in their work, expanding the range of gendered and racialised perspectives in the horror genre.
Exploring themes such as rage, trauma, sexuality, family ties and politics, New Blood in Contemporary Cinema takes on avenging women, bloody vampires, lustful witches, scary mothers, terrifying offspring and female Frankensteins. By following a red trail of blood, the book illuminates a new generation of women directors who have enlarged the general scope and stretched the emotional spectrum of the genre.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
