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Why We Remake, Rosewarne, Lauren


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Автор: Rosewarne, Lauren
Название:  Why We Remake
ISBN: 9780367419134
Издательство: Taylor&Francis
Классификация:

ISBN-10: 0367419130
Обложка/Формат: Hardcover
Страницы: 376
Вес: 0.68 кг.
Дата издания: 11.03.2020
Серия: Routledge Advances in Film Studies
Язык: English
Размер: 162 x 241 x 28
Читательская аудитория: Undergraduate
Основная тема: Media & Film Studies
Подзаголовок: The Politics, Economics and Emotions of Film and TV Remakes
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: This examination of film and television remakes focuses explicitly on why - since the dawn of cinema - studios have remade films over and over again. Each chapter provides insight into the business of Hollywood, the motivations of filmmakers and also the pleasures for audiences, and offers a separate explanation for the whys of remaking.


Japanese Horror Films and Their American Remakes

Автор: Wee Valerie
Название: Japanese Horror Films and Their American Remakes
ISBN: 113865387X ISBN-13(EAN): 9781138653870
Издательство: Taylor&Francis
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Цена: 6583.00 р.
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Описание: This book examines Japanese horror films and their American remakes. Focusing on the textual transformations that occur when texts cross cultural boundaries, this study probes the underlying socio-cultural, aesthetic, thematic and narrative complexities that organize each culture`s representations of horror / the supernatural to encourage a richer appreciation of these films.

Remake, Remodel: Women`s Magazines in the Digital Age

Автор: Duffy Brooke Erin
Название: Remake, Remodel: Women`s Magazines in the Digital Age
ISBN: 0252079477 ISBN-13(EAN): 9780252079474
Издательство: Wiley EDC
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Цена: 3602.00 р.
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Описание:

What is a magazine? For decades, women's magazines were regularly published, print-bound guidebooks aimed at neatly defined segments of the female audience. Crisp pages, a well-composed visual aesthetic, an intimate tone, and a distinctive editorial voice were among the hallmarks of women's glossies up through the turn of this century. Yet amidst an era of convergent media technologies, participatory culture, and new demands from advertisers, questions about the identity of women's magazines have been cast up for reflection.
 
Remake, Remodel: Women's Magazines in the Digital Age offers a unique glimpse inside the industry and reveals how executives and content creators are remaking their roles, their audiences, and their products at this critical historic juncture. Through in-depth interviews with women's magazine producers, an examination of hundreds of trade press reports, and in-person observations at industry summits, Brooke Erin Duffy chronicles a fascinating shift in print culture and technology from the magazine as object to the magazine as brand. She draws on these findings to contribute to timely debates about media producers' labor conditions, workplace hierarchies, and creative processes in light of transformed technologies and media economies.
Transnational film remakes

Название: Transnational film remakes
ISBN: 1474407234 ISBN-13(EAN): 9781474407236
Издательство: Bloomsbury Academic
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Описание: An in-depth exploration of film remakes within global media culture

Bringing together a range of international scholars, Transnational Film Remakes is the first edited collection to specifically focus on the phenomenon of cross-cultural remakes. Using a variety of case studies, from Hong Kong remakes of Japanese cinema to Bollywood remakes of Australian television, this book provides an analysis of cinematic remaking that moves beyond Hollywood to address the truly global nature of this phenomenon. Looking at iconic contemporary titles such as The Girl with the Dragon Tattoo and Oldboy, as well as classics like La B te Humaine and La Chienne, this book interrogates the fluid and dynamic ways in which texts are adapted and reworked across national borders to provide a distinctive new model for understanding these global cultural borrowings.

Read the introduction for free (pdf)

Contributors
  • Carl R. Burgchardt, Colorado State University
  • Kenneth Chan, University of Northern Colorado
  • David Desser, University of Illinois
  • David Scott Diffrient, Colorado State University
  • Daniel Herbert, University of Michigan
  • Michael Lawrence, University of Sussex
  • Kathleen Loock, Freie Universit t Berlin
  • Daniel Martin, Korea Advanced Institute of Science and Technology (KAIST)
  • Lucy Mazdon, University of Southampton
  • R. Barton Palmer, Clemson University
  • Rashna Wadia Richards, Rhodes College
  • Iain Robert Smith, King's College London
  • Constantine Verevis, Monash University
  • Andy Willis, University of Salford
Case studies include:
  • The Girl with the Dragon Tattoo (2011 / 2009)
  • Scarlet Street (1945) / La Chienne (The Bitch, 1931)
  • Human Desire (1954) / La B te Humaine (The Human Beast, 1938)
  • Quarantine (2008) / REC] (2007)
  • Come Out and Play (2012) / Qui n puede matar a un ni o? (Who Can Kill a Child? 1976)
  • Drakula İstanbul'da (Dracula in Istanbul 1953) / El Vampiro (The Vampire 1957) / Zinda Laash (The Living Corpse 1967)
  • A Woman, a Gun and a Noodle Shop (2009) / Blood Simple (1984)
  • Khoon Bhari Maang (Blood-Smeared Forehead, 1988) / Return to Eden (1983)
  • Kaante (2002) / Reservoir Dogs (1992) / City on Fire (1987)
  • The Parent Trap (1961) / Das doppelte Lottchen (1950)
  • Le voyage du ballon rouge (Flight of the Red Balloon, 2007) / Le ballon rouge (The Red Balloon, 1956)
  • Kuang lian shi (Summer Heat, 1968) / Kurutta Kajitsu (Crazed Fruit, 1956)
  • Funny Games (2007 / 1997)
  • Oldboy (2013 / 2003)

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