Economic Transition In Eastern Europe And The Soviet Union, Kemme, David M
Автор: Deacon Bob, Atas Natalija, Stubbs Paul Название: Social Policy, Poverty, and Inequality in Central and Eastern Europe and the Former Soviet Union: Agency and Institutions in Flux ISBN: 3838213084 ISBN-13(EAN): 9783838213088 Издательство: Gazelle Book Services Рейтинг: Цена: 4655.00 р. 6650.00-30% Наличие на складе: Есть (1 шт.) Описание: This book takes stock of the diverse and divergent welfare trajectories of postsocialist countries across central, eastern, and southeastern Europe and the former Soviet Union. It traces the impacts in terms of poverty, well-being, and inequality of over two decades of transformation, addressing both the legacy effects of socialist welfare systems and the installation of new social, political, and economic structures and, in many cases, new independent nation-states. Authors from different disciplines address key aspects of social protection including health care, poverty reduction measures, active labor market policies, pension systems, and child welfare systems.
Описание: This discussion of the traditional system of management and the subsequent reforms of the early 1950s shows that their focus is on finding a proper combination of planning and market mechanism. The book attempts to show that success depends on restructuring the economy.
Описание: The author discusses the traditional system of management of the economy as it existed in the early 1950s in the USSR and goes on to deal with the reforms of the 1960s and of the 1980s, country by country.
Автор: Baker Catherine Название: Gender in Twentieth Century Eastern Europe and the USSR ISBN: 1137528028 ISBN-13(EAN): 9781137528025 Издательство: Springer Рейтинг: Цена: 4725.00 р. Наличие на складе: Поставка под заказ.
Описание: A concise and accessible introduction to the gender histories of eastern Europe and the Soviet Union in the twentieth century. These essays juxtapose established topics in gender history such as motherhood, masculinities, work and activism with newer areas, such as the history of imprisonment and the transnational history of sexuality. By collecting these essays in a single volume, Catherine Baker encourages historians to look at gender history across borders and time periods, emphasising that evidence and debates from Eastern Europe can inform broader approaches to contemporary gender history.
The ruling communist parties of the postwar Soviet Bloc possessed nearly unprecedented power to shape every level of society; perhaps in part because of this, they have been routinely depicted as monolithic, austere, and even opaque institutions. Communist Parties Revisited takes a markedly different approach, investigating everyday life within basic organizations to illuminate the inner workings of Eastern Bloc parties. Ranging across national and transnational contexts, the contributions assembled here reconstruct the rituals of party meetings, functionaries’ informal practices, intra-party power struggles, and the social production of ideology to give a detailed account of state socialist policymaking on a micro-historical scale.
Автор: Krueger, Marcel Название: Babushka`s journey ISBN: 1784538019 ISBN-13(EAN): 9781784538019 Издательство: Bloomsbury Academic Рейтинг: Цена: 3008.00 р. Наличие на складе: Нет в наличии.
Описание: An evocative blend of past and present on the road to Stalin`s labour camps
As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialist Realism. In The Voice of Technology: Soviet Cinema's Transition to Sound, 1928-1935, Lilya Kaganovsky explores the history, practice, technology, ideology, aesthetics, and politics of the transition to sound within the context of larger issues in Soviet media history. Industrialization and centralization of the cinema industry greatly altered the way movies in the Soviet Union were made, while the introduction of sound radically influenced the way these movies were received. Kaganovsky argues that the coming of sound changed the Soviet cinema industry by making audible, for the first time, the voice of State power, directly addressing the Soviet viewer. By exploring numerous examples of films from this transitional period, Kaganovsky demonstrates the importance of the new technology of sound in producing and imposing the "Soviet Voice."
In Knowledge and the Ends of Empire, Ian W. Campbell investigates the connections between knowledge production and policy formation on the Kazak steppes of the Russian Empire. Hoping to better govern the region, tsarist officials were desperate to obtain reliable information about an unfamiliar environment and population. This thirst for knowledge created opportunities for Kazak intermediaries to represent themselves and their landscape to the tsarist state. Because tsarist officials were uncertain of what the steppe was, and disagreed on what could be made of it, Kazaks were able to be part of these debates, at times influencing the policies that were pursued.Drawing on archival materials from Russia and Kazakhstan and a wide range of nineteenth-century periodicals in Russian and Kazak, Campbell tells a story that highlights the contingencies of and opportunities for cooperation with imperial rule. Kazak intermediaries were at first able to put forward their own idiosyncratic views on whether the steppe was to be Muslim or secular, whether it should be a center of stock-raising or of agriculture, and the extent to which local institutions needed to give way to imperial institutions. It was when the tsarist state was most confident in its knowledge of the steppe that it committed its gravest errors by alienating Kazak intermediaries and placing unbearable stresses on pastoral nomads. From the 1890s on, when the dominant visions in St. Petersburg were of large-scale peasant colonization of the steppe and its transformation into a hearth of sedentary agriculture, the same local knowledge that Kazaks had used to negotiate tsarist rule was transformed into a language of resistance.
As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialist Realism. In The Voice of Technology: Soviet Cinema's Transition to Sound, 1928-1935, Lilya Kaganovsky explores the history, practice, technology, ideology, aesthetics, and politics of the transition to sound within the context of larger issues in Soviet media history. Industrialization and centralization of the cinema industry greatly altered the way movies in the Soviet Union were made, while the introduction of sound radically influenced the way these movies were received. Kaganovsky argues that the coming of sound changed the Soviet cinema industry by making audible, for the first time, the voice of State power, directly addressing the Soviet viewer. By exploring numerous examples of films from this transitional period, Kaganovsky demonstrates the importance of the new technology of sound in producing and imposing the "Soviet Voice."
