Open Space New Media Documentary, Zimmermann, Patricia R. , De Michiel, Helen
Автор: Murray, Jonathan Название: Drawn from life ISBN: 0748694110 ISBN-13(EAN): 9780748694112 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collection looks at the ways in which cognition is explicitly or implicitly conceived of as distributed across brain, body and world in Enlightenment and Romantic science, medicine, philosophy, art, literature and drama.
Автор: Artis Anthony Название: Shut Up and Shoot Documentary Guide ISBN: 0240824156 ISBN-13(EAN): 9780240824154 Издательство: Taylor&Francis Рейтинг: Цена: 5266.00 р. 6583.00-20% Наличие на складе: Есть (1 шт.) Описание: Beginning documentary filmmakers haven`t had a resource until now
Автор: Ames, Eric (Author) Название: Ferocious Reality: Documentary According to Werner Herzog ( Visible Evidence (Hardcover) #27 ) ISBN: 0816677638 ISBN-13(EAN): 9780816677634 Издательство: NBN International Рейтинг: Цена: 8279.00 р. 11827.00-30% Наличие на складе: Есть (1 шт.) Описание: Over the course of his career Werner Herzog, known for such visionary masterpieces as Aguirre: The Wrath of God (1972) and The Enigma of Kaspar Hauser (1974), has directed almost sixty films, roughly half of which are documentaries. And yet, in a statement delivered during a public appearance in 1999, the filmmaker declared: \u201cThere are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization.\u201d Ferocious Reality is the first book to ask how this conviction, so hostile to the traditional tenets of documentary, can inform the work of one of the world\u2019s most provocative documentarians.Herzog, whose Cave of Forgotten Dreams was perhaps the most celebrated documentary of 2010, may be the most influential filmmaker missing from major studies and histories of documentary. Examining such notable films as Lessons of Darkness (1992) and Grizzly Man (2005), Eric Ames shows how Herzog dismisses documentary as a mode of filmmaking in order to creatively intervene and participate in it. In close, contextualized analysis of more than twenty-five films spanning Herzog\u2019s career, Ames makes a case for exploring documentary films in terms of performance and explains what it means to do so. Thus his book expands the field of cinema studies even as it offers an invaluable new perspective on a little studied but integral part of Werner Herzog\u2019s extraordinary oeuvre.
Описание: In Documentary Across Platforms, noted scholar of film and experimental media Patricia R. Zimmermann offers a glimpse into the ever-evolving constellation of practices known as "documentary" and the way in which they investigate, engage with, and interrogate the world. Collected here for the first time are her celebrated essays and speculations about documentary, experimental, and new media published outside of traditional scholarly venues. These essays envision documentary as a complex ecology composed of different technologies, sets of practices, and specific relationships to communities, engagement, politics, and social struggles. Through the lens of reverse engineering—the concept that ideas just like objects can be disassembled to learn how they work and then rebuilt into something new and better—Zimmermann explores how numerous small-scale documentary works present strategies of intervention into existing power structures. Adaptive to their context, modular, and unfixed, the documentary practices she explores exploit both sophisticated high-end professional and consumer-grade amateur technologies, moving through different political terrains, different platforms, and different exhibition contexts. Together these essays demonstrate documentary's role as a conceptual practice to think through how the world is organized and to imagine ways that it might be reorganized with actions, communities, and ideas.
Автор: Zimmermann, Patricia R. (ithaca College, Usa) De Michiel, Helen (university Of Colorado At Boulder, Usa) Название: Open space new media documentary ISBN: 1138720976 ISBN-13(EAN): 9781138720978 Издательство: Taylor&Francis Рейтинг: Цена: 9492.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Open Space New Media Documentary examines an emerging and significant area of documentary practice in the twenty-first century: community-based new media documentary projects that move across platforms and utilize participatory modalities.
Описание: This book explores the space of queer documentary through the modernist optic of Marcel Proust’s ‘lieu factice’ (artificial place), a perspective that problematizes the location of place in a post-postmodern world with a dispersed sense of the real. The practice of queer documentary in France and Italy, from the beginning of the new millennium onwards, is seen to re-write the coherence of ‘place’ through a range of emerging queer realities. Proposing the post-queer as a way of contending with the spatial dynamics of these contexts, analysis of key texts positions place as mourned, conceded and intersectional. The performance of place as agency is considered through the notional film, the radical archive of documentary, the enactment of politics, queer indeterminacy and a phenomenology of the object, the frame and queer mobility. The central themes of family, gender, dis/location, in/visibility and re/presentation question blind investment in the integrity of being emplaced.
Описание: This book explores the space of queer documentary through the modernist optic of Marcel Proust’s ‘lieu factice’ (artificial place), a perspective that problematizes the location of place in a post-postmodern world with a dispersed sense of the real. The practice of queer documentary in France and Italy, from the beginning of the new millennium onwards, is seen to re-write the coherence of ‘place’ through a range of emerging queer realities. Proposing the post-queer as a way of contending with the spatial dynamics of these contexts, analysis of key texts positions place as mourned, conceded and intersectional. The performance of place as agency is considered through the notional film, the radical archive of documentary, the enactment of politics, queer indeterminacy and a phenomenology of the object, the frame and queer mobility. The central themes of family, gender, dis/location, in/visibility and re/presentation question blind investment in the integrity of being emplaced.
Автор: Reid Darren R., Sanders Brett Название: Documentary Making for Digital Humanists ISBN: 1800641958 ISBN-13(EAN): 9781800641952 Издательство: Неизвестно Рейтинг: Цена: 10474.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This fluent and comprehensive field guide responds to increased interest, across the humanities, in the ways in which digital technologies can disrupt and open up new research and pedagogical avenues. It is designed to help scholars and students engage with their subjects using an audio-visual grammar, and to allow readers to efficiently gain the technical and theoretical skills necessary to create and disseminate their own trans-media projects.
Documentary Making for Digital Humanists sets out the fundamentals of filmmaking, explores academic discourse on digital documentaries and online distribution, and considers the place of this discourse in the evolving academic landscape. The book walks its readers through the intellectual and practical processes of creating digital media and documentary projects. It is further equipped with video elements, supplementing specific chapters and providing brief and accessible introductions to the key components of the filmmaking process.
This will be a valuable resource to humanist scholars and students seeking to embrace new media production and the digital landscape, and to those researchers interested in using means beyond the written word to disseminate their work. It constitutes a welcome contribution to the burgeoning field of digital humanities, as the first practical guide of its kind designed to facilitate humanist interactions with digital filmmaking, and to empower scholars and students alike to create and distribute new media audio-visual artefacts.
Автор: R. Reid Darren, Sanders Brett Название: Documentary Making for Digital Humanists ISBN: 180064194X ISBN-13(EAN): 9781800641945 Издательство: Неизвестно Рейтинг: Цена: 7532.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This fluent and comprehensive field guide responds to increased interest, across the humanities, in the ways in which digital technologies can disrupt and open up new research and pedagogical avenues. It is designed to help scholars and students engage with their subjects using an audio-visual grammar, and to allow readers to efficiently gain the technical and theoretical skills necessary to create and disseminate their own trans-media projects.
Documentary Making for Digital Humanists sets out the fundamentals of filmmaking, explores academic discourse on digital documentaries and online distribution, and considers the place of this discourse in the evolving academic landscape. The book walks its readers through the intellectual and practical processes of creating digital media and documentary projects. It is further equipped with video elements, supplementing specific chapters and providing brief and accessible introductions to the key components of the filmmaking process.
This will be a valuable resource to humanist scholars and students seeking to embrace new media production and the digital landscape, and to those researchers interested in using means beyond the written word to disseminate their work. It constitutes a welcome contribution to the burgeoning field of digital humanities, as the first practical guide of its kind designed to facilitate humanist interactions with digital filmmaking, and to empower scholars and students alike to create and distribute new media audio-visual artefacts.
Описание: With the ascendancy of neoliberalism in American culture beginning in the 1960s, the political structures governing private lives became more opaque and obscure. This book argues that a new style of documentary art emerged to articulate the fissures between individual experience and reality in the era of finance capitalism.
Автор: Musser Charles Название: Our Family Album: Essays-Script- Annotations- Images ISBN: 0861967410 ISBN-13(EAN): 9780861967414 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6270.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This literary counterpart to Charles Musser and Maria Threese Serana's documentary Our Family Album includes brief essays by those involved in its production as well as an annotated script with selected images from the film. The book, like the documentary, reflects on the construction, nature and meaning of family photography. In an era of globalization, the filmmakers move back and forth between two countries whose relationship was forged by war and a half century of colonization - the Philippines and the United States. How they and their son negotiate their lives between these two cultures is some of the work done by and through the family album. This intimate portrait moves outward to engage scholars, archivists, and fellow filmmakers who have different perspectives and even conflicting views on the nature of family photography and how they deploy it in their personal and professional lives. Commentators include Paolo Cherchi Usai, Lorna Johnson, Nick Deocampo, Vanessa Toulmin, Ashish Avikunthak and Thomas Elsaesser.
Reimagines The Family of Man for the 21st Century.
Описание: The US government launched the European Recovery Programme, otherwise known as the 'Marshall Plan', in order to save war-torn Europe from collapse in 1948. Yet while much is known about the economic side of the Marshall Plan, the extensive film campaign that accompanied it has been largely overlooked until now. The American Marshall Plan Film Campaign and the Europeans is the first book to explore the use of the Marshall Plan films and, importantly, their distribution and reception across Europe. The study examines every available film - the 170 that remain from the 200 estimated to have been made - and looks at how they were designed to instil hope, argue the case for economic restructuring and persuade the Europeans of the superiority of the liberal-capitalist system. The book goes on to reason that the films served as a powerful weapon in the cultural Cold War, but that the European audiences were by no means passive victims of the US propaganda effort.
Maria Fritsche discusses the Marshall Plan films in the context of countries across Western, Northern and Southern Europe, covering the majority of the 17 European countries that participated in the Plan in the process. The book incorporates 70 images and utilises a vast number of archival sources to explore the strategies the US adopted to sway the minds of the Europeans, the problems they encountered in the process and, not least, the varied responses of the European audiences.
It is a vital study for any scholar or student keen to know more about postwar recovery in Europe, the legacy of the Second World War or America's relationship with Europe in the 20th century.
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