This is the first comprehensive English-language field guide to the wildlife of Chile and its territories--Chilean Antarctica, Easter Island, Juan Fernandez, and San Felix y San Ambrosio. From bats to butterflies, lizards to llamas, and ferns to flamingos, "A Wildlife Guide to Chile" covers the country's common plants and animals. The color plates depict species in their natural environments with unmatched vividness and realism. The combination of detailed illustrations and engaging, succinct, and authoritative text make field identification quick, easy, and accurate. Maps, charts, and diagrams provide information about landforms, submarine topography, marine environment, climate, vegetation zones, and the best places to view wildlife. This is an essential guide to Chile's remarkable biodiversity. The only comprehensive English-language guide to Chile's common flora and fauna The first guide to cover Chile and its territories--Chilean Antarctica, Easter Island, Juan Fernandez, and San Felix y San Ambrosio 120 full-color plates allow quick identification of more than 800 species Accompanying text describes species size, shape, color, habitat, and range Descriptions list size, distribution, and English, Spanish, and scientific names Information on the best spots to view wildlife, including major national parks Compact and lightweight--a perfect field guide "
Описание: Investigating the global system of detention centers that imprison asylum seekers and conceal persistent human rights violations Remote detention centers confine tens of thousands of refugees, asylum seekers, and undocumented immigrants around the world, operating in a legal gray area that hides terrible human rights abuses from the international community. Built to temporarily house eight hundred migrants in transit, the immigrant “reception center” on the Italian island of Lampedusa has held thousands of North African refugees under inhumane conditions for weeks on end. Australia’s use of Christmas Island as a detention center for asylum seekers has enabled successive governments to imprison migrants from Asia and Africa, including the Sudanese human rights activist Abdul Aziz Muhamat, held there for five years. In The Death of Asylum, Alison Mountz traces the global chain of remote sites used by states of the Global North to confine migrants fleeing violence and poverty, using cruel measures that, if unchecked, will lead to the death of asylum as an ethical ideal. Through unprecedented access to offshore detention centers and immigrant-processing facilities, Mountz illustrates how authorities in the United States, the European Union, and Australia have created a new and shadowy geopolitical formation allowing them to externalize their borders to distant islands where harsh treatment and deadly force deprive migrants of basic human rights.Mountz details how states use the geographic inaccessibility of places like Christmas Island, almost a thousand miles off the Australian mainland, to isolate asylum seekers far from the scrutiny of humanitarian NGOs, human rights groups, journalists, and their own citizens. By focusing on borderlands and spaces of transit between regions, The Death of Asylum shows how remote detention centers effectively curtail the basic human right to seek asylum, forcing refugees to take more dangerous risks to escape war, famine, and oppression.
Автор: Yves Boquet Название: The Philippine Archipelago ISBN: 3319847791 ISBN-13(EAN): 9783319847795 Издательство: Springer Рейтинг: Цена: 25155.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Topics include typhoons, population growth, economic difficulties, agrarian reform, migration as an economic strategy, the growth of Manila, the Muslim question in Mindanao, the South China Sea tensions with China and the challenges of risk, vulnerability and sustainable development.
Описание: This book is the first comprehensive work on oriental Notodontidae (Lepidoptera) outside mainland Asia. In addition to the Indonesian territory, the investigated area includes Borneo Island, the Malayan Peninsula, entire New Guinea with adjacent islands and the Solomon Islands. All species are illustrated in both sexes with a total number of 1272 specimens on 51 colour plates. Genitalia photos of both sexes as well as detailed distribution maps are provided for each species. The book deals in the first volume with 298 species and contains descriptions of 99 new notodontid taxa. A second volume will treat with the remaining 160 species and include also a comprehensive biogeographic analysis.
Google Archipelago: The Digital Gulag and the Simulation of Freedom begins with familiar cultural politics as points of entry to the book's theme regarding the reach, penetration, and soon the ubiquity of the digital world. In a book about enormous sea changes brought about by digital technology, Google Archipelago begins and ends with the political, in particular with the objectives of the Big Digital conglomerates as global corporate monopoly capitalists or would-be-monopolies.
Google Archipelago argues that Big Digital technologies and their principals represent not only economic powerhouses but also new forms of governmental power. The technologies of Big Digital not only amplify, extend, and lend precision to the powers of the state, they may represent elements of a new corporate state power.
In contrast to academics who study digital media and bemoan such supposed horrors as digital exploitation, in Google Archipelago, Michael Rectenwald argues that the real danger posed by Big Digital is not digital capitalism as such, but leftist authoritarianism, a political outlook shared by academic leftists, who thus cannot recognize it in their object of study. Thus, while imagining that they are radical critics of Big Digital, academic digital media scholars (whom Rectenwald terms the digitalistas) actually serve as ideological smokescreens that obscure its real character.
Two chapters interrupt the book's genre as non-fiction prose. Part historical science fiction and part memoir, these chapters render the story of a Soviet Gulag survivor and defector, and the author's earlier digital self. Google Archipelago intentionally blurs the lines between argument and story, fact and artifact, the real and the imaginary. This is necessary, Rectenwald argues, because one cannot pretend to describe the Google Archipelago as if from without, as something apart from experience. In any case, soon one will no longer go on the Internet. The Internet and cyberspace will be everywhere, while humans and other agents will be digital artifacts within it.
The Google Archipelago represents the coextension of digitization and physical social space, the conversion of social space and its inhabitants into digital artifacts, and the potential to control populations to degrees unimagined by the likes of Stalin, Hitler, or Mao.
Google Archipelago: The Digital Gulag and the Simulation of Freedom begins with familiar cultural politics as points of entry to the book's theme regarding the reach, penetration, and soon the ubiquity of the digital world. In a book about enormous sea changes brought about by digital technology, Google Archipelago begins and ends with the political, in particular with the objectives of the Big Digital conglomerates as global corporate monopoly capitalists or would-be-monopolies.
Google Archipelago argues that Big Digital technologies and their principals represent not only economic powerhouses but also new forms of governmental power. The technologies of Big Digital not only amplify, extend, and lend precision to the powers of the state, they may represent elements of a new corporate state power.
In contrast to academics who study digital media and bemoan such supposed horrors as digital exploitation, in Google Archipelago, Michael Rectenwald argues that the real danger posed by Big Digital is not digital capitalism as such, but leftist authoritarianism, a political outlook shared by academic leftists, who thus cannot recognize it in their object of study. Thus, while imagining that they are radical critics of Big Digital, academic digital media scholars (whom Rectenwald terms the digitalistas) actually serve as ideological smokescreens that obscure its real character.
Two chapters interrupt the book's genre as non-fiction prose. Part historical science fiction and part memoir, these chapters render the story of a Soviet Gulag survivor and defector, and the author's earlier digital self. Google Archipelago intentionally blurs the lines between argument and story, fact and artifact, the real and the imaginary. This is necessary, Rectenwald argues, because one cannot pretend to describe the Google Archipelago as if from without, as something apart from experience. In any case, soon one will no longer go on the Internet. The Internet and cyberspace will be everywhere, while humans and other agents will be digital artifacts within it.
The Google Archipelago represents the coextension of digitization and physical social space, the conversion of social space and its inhabitants into digital artifacts, and the potential to control populations to degrees unimagined by the likes of Stalin, Hitler, or Mao.
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