Описание: Following on from the 50th anniversary of the birth of Theatre in Education in Britain in 2015, this is an essential and timely companion to the story of TIE. It contextualizes it within the political and educational landscape of the last fifty years and examines its legacy today. Through this, Roger Wooster offers insights into future possibilities and applications in the field of Applied Theatre, drama in schools and pedagogical theory. With examples and analysis of international developments in TIE, and a foreword by Philip Taylor (NYU, USA), the volume provides a wide-ranging account of past and current practice. Across its three sections the volume examines the origins, work and legacy of TIE, considering for the first time its practical details. Each section features an Afterword by a leading practitioner reflecting on the work (including Warwick Dobson, Chris Vine and Anthony Jackson), and chapters draw on case studies and interviews with key practitioners. Chapter summaries and a companion website further enhance the text as a valuable teaching resource for theatre educators.
Автор: Fallon Robert Название: Messiaen Perspectives 2: Techniques, Influence and Reception ISBN: 1409426963 ISBN-13(EAN): 9781409426967 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen`s compositional approach and the repercussions of his music. The first part scrutinizes his compositional technique, while the second charts ways in which Messiaen`s influence is manifest in the music and careers of Ohana, Xenakis, Murail and Quebecois composers.
Автор: Fallon Название: Messiaen Perspectives 2: Techniques, Influence and Reception ISBN: 1138269654 ISBN-13(EAN): 9781138269651 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Focusing on Messiaen’s relation to history - both his own and the history he engendered - the Messiaen Perspectives volumes convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen’s music. Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen’s compositional approach and the repercussions of his music. While each book offers a coherent collection in itself, together these complementary volumes elucidate how powerfully Messiaen was embedded in his time and place, and how his music resonates ever more today. Messiaen Perspectives 2: Techniques, Influence and Reception explores Messiaen’s imprint on recent musical life. The first part scrutinizes his compositional technique in terms of counterpoint, spectralism and later piano music, while the second charts ways in which Messiaen’s influence is manifest in the music and careers of Ohana, Xenakis, Murail and Quebecois composers. The third part includes case studies of Messiaen’s reception in Italy, Spain and the USA. The volume also includes an ornithological catalogue of Messiaen’s birds, collates information on the numerous ’tombeaux’ pieces he inspired, and concludes with a Critical Catalogue of Messiaen’s Musical Works.
Описание: This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Blues records by African American artists were released in the United States in substantial numbers between 1920 and the late 1930s, but were sold primarily to black consumers in large urban centres and the rural south. How, then, in an era before globalization, when multinational record releases were rare, did English teenagers in the early 1960s encounter the music of Robert Johnson, Blind Boy Fuller, Memphis Minnie, and Barbecue Bob? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties. How did the blues, largely banned from the BBC until the mid 1960s, become popular enough to create a demand for re-released material by American artists? When did the British blues subculture begin, and how did it develop? Most significantly, how did the music become a part of the popular consciousness, and how did it change music and expectations? The way that the blues, and various blues styles, were received by critics is a central concern of the book, as their writings greatly affected which artists and recordings were distributed and reified, particularly in the early years of the revival. 'Hot' cultural issues such as authenticity, assimilation, appropriation, and cultural transgression were also part of the revival; these topics and more were interrogated in music periodicals by critics and fans alike, even as English musicians began incorporating elements of the blues into their common musical language. The vinyl record itself, under-represented in previous studies, plays a major part in the story of the blues in Britain. Not only did recordings shape perceptions and listening habits, but which artists were available at any given time also had an enormous impact on the British blues. Schwartz maps the influences on British blues and blues-rock performers and thereby illuminates the stylistic evolution of many genres of British popular music.
Описание: Bringing together work by many noted scholars and writers of horror fiction, this book provides the first substantial critical consideration of the complex relationship between H.P. Lovecraft and Edgar Allan Poe`s work.
The so-called ‘people's power’ – the communists – tended to make Poles afraid. At first – afraid of the Anglo-Saxon imperialists, then of the German revisionists, Zionist 5th column and ‘Kuro? and Michnik walking on the CIA’s leash’. The creation of the atmosphere of fear featuring Germans and their alleged ‘return’ lasted until 1970. In his Fear Management Bruno Kami?ski reaches to the origins of this story. Based on a huge selection of sources this analytical study exhibits how in the first 15 postwar years Poles were threatened with the Western world. In the beginning, the Germans were chosen to play the role of the main enemy, dethroned later by the Americans. At the same time, the author proves that fear next to nationalism and ethnic hostility developed into one of the pillars legitimizing the communist system.
Marcin Zaremba, Polish Academy of Science, University of Warsaw
At the heart of the biblical myth of chosenness is the idea that God has blessed a people to be a blessing to others. It is a mission of solemn responsibility. The six British and American thinkers examined in this study embraced the myth of chosenness for their countries, believed that the liberties they enjoyed were inherently tied to their Protestant faith, and that it was their mission to protect and spread that faith, and its democratic fruit, at home and abroad.
Each theologian in this studyRobert William Dale, Hugh Price Hughes, and Brooke Foss Westcott in England; Walter Rauschenbusch, Henry Codman Potter, and Josiah Strong in the United Stateswanted, in Rauschenbusch's words, to Christianize the social order, seeking to evolve their countries into true Christian nations that would lead to an international kingdom of God. They were all products of their time, yet ahead of their time, and their pursuit of a true, free, national Christianity helped support the development of Western democratic values. However, their belief in chosenness also fueled imperialistic claims, neglected the rights of native peoples, led to anti-Catholicism, and hindered the religious liberties of others.
Описание: Drawing on new primary source evidence, this volume evaluates ancient Rome's influence on an English intellectual tradition from the 1850s to the 1920s as politicians, scientists, economists and social reformers addressed three fundamental debates of the period – Empire, Nation and City. These debates emerged as a result of political, economic and social change both in the Empire and Britain, and coalesced around issues of degeneracy, morality and community. As ideas of political freedom were subsumed by ideas of civilization, best preserved by technocratic governance, the political and historical focus on Republican Rome was gradually displaced by interest in the Imperial period of the Roman emperors. Moreover, as the spectre of the British Empire and Nation in decline increased towards the turn of the nineteenth century, the reception of Imperial Rome itself was transformed. By the 1920s, following the end of World War I, Imperial Rome was conjured into a new framework echoing that of the British Empire and appealing to the surging nationalistic mood.
Название: Music and Institutions in Nineteenth-Century Britain ISBN: 1138268232 ISBN-13(EAN): 9781138268234 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music's inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became 'musicalized'. Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the 'institutions of state'. Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction.
Описание: Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.
Автор: Martin Clarke Название: Music and Theology in Nineteenth-Century Britain ISBN: 1409409899 ISBN-13(EAN): 9781409409892 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain.
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