In Colonial Complexions, historian Sharon Block examines how Anglo-Americans built racial ideologies out of descriptions of physical appearance. By analyzing more than 4,000 advertisements for fugitive servants and slaves in colonial newspapers alongside scores of trans-Atlantic sources, she reveals how colonists transformed observable characteristics into racist reality. Building on her expertise in digital humanities, Block re-repurposes these well-known historical sources to newly highlight how daily language called race and identity into being before the rise of scientific racism.
In the eighteenth century, a multitude of characteristics beyond skin color factored into racial assumptions, and complexion did not have a stable or singular meaning. Colonists justified a race-based slave labor system not by opposing black and white but by accumulating differences in the bodies they described: racism was made real by marking variation from a norm on some bodies, and variation as the norm on others. Such subtle systemizations of racism naturalized enslavement into bodily description, erased Native American heritage, and privileged life history as a crucial marker of free status only for people of European-based identities.
Colonial Complexions suggests alternative possibilities to modern formulations of racial identities and offers a precise historical analysis of the beliefs behind evolving notions of race-based differences in North American history.
Описание: Examines a critical part of Atlantic trade for a neglected corner of the Spanish Empire. Testimonies of smugglers, buyers, and royal officials found in Venezuelan prize court records reveal a colony enmeshed in covert commerce. Jesse Cromwell paints a vivid picture of the lives of littoral peoples who normalized their subversions of imperial law.
Patriotism and Public Spirit is an innovative study of the formative influences shaping the early writings of the Irish-English statesman Edmund Burke and an early case-study of the relationship between the business of bookselling and the politics of criticism and persuasion. Through a radical reassessment of the impact of Burke's "Irishness" and of his relationship with the London-based publisher Robert Dodsley, the book argues that Burke saw Patriotism as the best way to combine public spirit with the reinforcement of civil order and to combat the use of coded partisan thinking to achieve the dominance of one section of the population over another.
No other study has drawn so extensively on the literary and commercial network through which Burke's first writings were published to help explain them. By linking contemporary reinterpretations of the work of Patriot sympathizers and writers such as Alexander Pope and Lord Bolingbroke with generally neglected trends in religious and literary criticism in the Republic of Letters, this book provides new ways of understanding Burke's early publications. The results call into question fundamental assumptions about the course of "Enlightenment" thought and challenge currently dominant post-colonialist and Irish nationalist interpretations of the early Burke.
Описание: How do seemingly disparate arenas of Enlightenment philosophy, economic theories, boudoir etiquette, literary styles, and artistic modes coincide in the late eighteenth century? In this poetic essay on the evolution of the idea of luxury and art, R my G. Saisselin uses precise, witty examples to describe the development of our modern taste, the successor of the more spiritual and grand baroque go t. His analysis both illuminates and distinguishes between eighteenth-century and modern varieties of conspicuous consumption. This persuasive discourse depicts the rise of luxe as an escape from ennui and shows how, for the first time in European history, a large class of wealthy, leisured people emerged to make art, luxury, and the avoidance of boredom its preoccupation. Saisselin provides an original and lucid picture of the first phases in the emergence of a specifically bourgeois taste. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.
Описание: The World of the Salons is a revisionist study of the French salon of the eighteenth century, arguing that it was a place governed by social hierarchy, not equality, connected to the world of the Court, and not the fount of the Enlightenment as has traditionally been believed.
Автор: Black Jeremy M. Название: Plotting Power: Strategy in the Eighteenth Century ISBN: 0253026083 ISBN-13(EAN): 9780253026088 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5643.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: -Military strategy takes place as much on broad national and international stages as on battlefields. In a brilliant reimagining of the impetus and scope of eighteenth-century warfare, historian Jeremy Black takes us far and wide, from the battlefields and global maneuvers in North America and Europe to the military machinations and plotting of such Asian powers as China, Japan, Burma, Vietnam, and Siam. Europeans coined the term -strategy- only two centuries ago, but strategy as a concept has been practiced globally throughout history. Taking issue with traditional military historians, Black argues persuasively that strategy was as much political as battlefield tactics and that plotting power did not always involve outright warfare but also global considerations of alliance building, trade agreements, and intimidation.---Provided by publisher.
Автор: Morgan Edmund Sears Название: Virginians at Home: Family Life in the Eighteenth Century ISBN: 1258348322 ISBN-13(EAN): 9781258348328 Издательство: Неизвестно Цена: 4773.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Wilkinson Hazel Название: Edmund Spenser and the Eighteenth-Century Book ISBN: 1316648915 ISBN-13(EAN): 9781316648919 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is the first full-length study of the eighteenth-century response to the Elizabethan poet Edmund Spenser. Hazel Wilkinson discusses editions of Spenser`s work and the response of readers to them, exploring Spenser`s influence on the history of the book and shedding new light on eighteenth-century literature, art, architecture, and music.
Описание: Remembered today as an early cartographer and prolific religious artist, don Bernardo de Miera y Pacheco (1713-1785) engaged during his lifetime in a surprising array of other pursuits: engineer and militia captain on Indian campaigns, district officer, merchant, debt collector, metallurgist, luckless silver miner, presidial soldier, dam builder, and rancher. This long-overdue, richly illustrated biography recounts Miera's complex life in cinematic detail, from his birth in Cantabria, Spain, to his sudden and unexplained appearance at Janos, Chihuahua, and his death in Santa Fe at age seventy-one. In Miera y Pacheco, John L. Kessell explores each aspect of this Renaissance man's life in the colony. Beginning with his marriage to the young descendant of a once-prominent New Mexican family, we see Miera transformed by his varied experiences into the quintessential Hispanic New Mexican. As he traveled to every corner of the colony and beyond, Miera gathered not only geographical, social, and political data but also invaluable information about the Southwest's indigenous peoples. At the same time, Miera the artist was carving and painting statues and panels of the saints for the altar screens of the colony. Miera's most ambitious surviving map resulted from his five-month ordeal as cartographer on the Dominguez-Escalante expedition to the Great Basin in 1776. Two years later, with the arrival of famed Juan Bautista de Anza as governor of New Mexico, Miera became a trusted member of Anza's inner circle, advising him on civil, military, and Indian affairs. Miera's maps and his religious art, represented here, have long been considered essential to the cultural history of colonial New Mexico. Now Kessell's biography tells the rest of the story. Anyone with an interest in southwestern history, colonial New Mexico, or New Spain will welcome this study of Miera y Pacheco's eventful life and times.
Описание: This book questions assumptions about the Augustan era through an exploration of Jacobite ideology in canonical and non-canonical literature. The `four nations` literary history emerges, defined in terms of a struggle for control of the language of authority between Jacobite and Hanoverian writers.
Описание: Pagodas in Play examines the representation of China in nine Italian operas of the eighteenth century. It focuses specifically on libretti, analyzing them as texts produced in a variety of interpenetrating cultural contexts: the general European fascination with the Middle Kingdom; developments in Italian literary, theatrical, and operatic realms; Enlightenment ideologies; and the heterogeneity of the Italian states. With exemplary scholarship Adrienne Ward explores how Italians appropriated prevailing notions about the Celestial Empire and used them productively in a form of entertainment widely comprehensible in eighteenth-century Europe.
The Chinese characters, places, objects, and ideas staged in Italian heroic operas (opera serie) and comic operas (opera buffe) provide a rich picture of how such authors as Pietro Metastasio, Apostolo Zeno, Carlo Goldoni, Giambattista Lorenzi, and Domenico Lalli conceived of the Celestial Empire. Furthermore, the texts and performance practices tell a detailed story about China's versatile role in how Italians addressed local and transnational developments. Ward demonstrates how the fertile exploitation of perceptions of China in Settecento Italian opera challenges the idea that only in the twentieth century has Orientalism shifted from a geographical paradigm to one in which essentialist characteristics are deterritorialized and manipulated in the interests of competing new world elites.
Indeed, discrete conceptualizations of Chineseness were mobilized for local purposes, far removed from questions of actual East vs. West, and from nationalist and/or colonialist projects. Pagodas in Play will appeal to students and scholars of the Enlightenment, Orientalism, Italian Studies, and Opera Studies, as well as to historians of European sinology, who will be afforded a fascinating view onto a "stage" until now unrevealed.
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