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Petrarch and Boccaccio in the First Commentaries on Dante`s Commedia, Fiorentini, Luca


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Автор: Fiorentini, Luca
Название:  Petrarch and Boccaccio in the First Commentaries on Dante`s Commedia
ISBN: 9780367341992
Издательство: Taylor&Francis
Классификация:


ISBN-10: 0367341999
Обложка/Формат: Hardcover
Страницы: 152
Вес: 0.38 кг.
Дата издания: 19.05.2020
Серия: Young Feltrinelli Prize in the Moral Sciences
Язык: English
Размер: 223 x 141 x 15
Читательская аудитория: Postgraduate, research & scholarly
Основная тема: Early Modern/Renaissance Literature
Подзаголовок: A Literary Canon Before its Official Birth
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: This text proposes a reinterpretation of the history behind the canon of the Tre Corone (Three Crowns), which consists of the three great Italian authors of the 14th century - Dante, Petrarch, and Boccaccio. The conclusions of this work are of interest to scholars of Dante in particular.


Petrarch in Romantic England

Автор: Zuccato
Название: Petrarch in Romantic England
ISBN: 0230542603 ISBN-13(EAN): 9780230542600
Издательство: Springer
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Цена: 12577.00 р.
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Описание: The Petrarchan revival in Romantic England was a unique phenomenon which involved an impressive number of scholars, translators and poets. This book analyses the way Petrarch was read and re-written by Romantic figures. The result is a history of the Romantic-era sonnet and a new lens for understanding English Romantic poetry.

Commedia dell` arte and the mediterranean

Автор: Jaffe-berg, Professor Erith
Название: Commedia dell` arte and the mediterranean
ISBN: 147241814X ISBN-13(EAN): 9781472418142
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: Drawing on published collections and also manuscripts from Mantuan archives, Commedia dell' arte and the Mediterranean locates commedia dell' arte as a performance form reflective of its cultural crucible in the Mediterranean. The study provides a broad perspective on commedia dell’ arte as an expression of the various cultural, gender and language communities in Italy during the early-modern period, and explores the ways in which the art form offers a platform for reflection on power and cultural exchange. While highlighting the prevalence of Mediterranean crossings in the scenarios of commedia dell' arte, this book examines the way in which actors embodied characters from across the wider Mediterranean region. The presence of Mediterranean minority groups such as Arabs, Armenians, Jews and Turks within commedia dell' arte is marked on stage and 'backstage' where they were collaborators in the creative process. In addition, gendered performances by the first female actors participated in 'staging' the Mediterranean by using the female body as a canvas for cartographical imaginings. By focusing attention on the various communities involved in the making of theatre, a central preoccupation of the book is to question the dynamics of 'exchange' as it materialized within a spectrum inclusive of both cultural collaboration but also of taxation and coercion.


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