Описание: This book reconstructs and interprets the decorative appearance of one of the world`s greatest cities at the dawn of its golden age. For scholarly and general audiences, it focuses on the needs and interests of common people as a way of thinking about art within the broader context of history.
Автор: Reilly, Lisa (university Of Virginia) Название: Invention of norman visual culture ISBN: 1108488161 ISBN-13(EAN): 9781108488167 Издательство: Cambridge Academ Рейтинг: Цена: 14890.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is for those concerned with the study of cultural construction and identity politics. It explores iconic examples of Norman art including the Bayeux Embroidery (Tapestry), Durham Cathedral, the Cappella Palatina and St Etienne, Caen, establishing the commonalities of Norman visual culture across Normandy, England and Sicily.
Описание: With its specific focus on British representations of masculinity in relation to the trauma of the First World War and notions of national identity, class and sexuality, this book provides a much needed addition to the historiography of visual culture during the period. The study interrogates the complications arising out of issues of trauma, cultural expressions of sexuality and affect, as well as the ways in which these are encoded in diverse forms in visual culture and commemorative objects. Concentrating on masculinity and cultural memory, it investigates the ways in which these and the web of power relations that they entail worked during the interwar years in order to reconstruct the post-First World War British society. In the course of the narrative, the author looks at Bolshevism and the Returning Ex-Servicemen, the 1919 NUR Strike, the Central Labour College in conjunction with banners and revolution, as well as the Imperial War Graves, the Cenotaph, the London and North Western Railway memorial, the Machine Gun Corps Memorial and the establishment of the Imperial War Museum. He also excavates new archival material, particularly case studies of shell shock sufferers and film footage of male hysteria.
Описание: Revolutionary Europe is an original examination of radical political movements during Europe’s long 19th century. It employs both national and transnational contexts, incorporating new debates in Atlantic history, empire studies and cultural history to give a comprehensive narrative of the period from 1775 to 1922. Rather than assessing revolution as a purely theoretical, socially-driven force or a structural phenomenon, the book presents revolution as a process of community building and cultural identification born from instances of acute social and political crisis. Taking into account various moments of political upheaval during the 19th century, including the French, Russian and 1848 revolutions, it explores the ways in which political actors attempted to construct new definitions of sovereignty and social unity in a period characterized by vast social, economic and governmental change. In a wide-ranging text that covers Britain and much of continental Europe in detail, as well as reaching out to the Americas and Atlantic and Mediterranean Worlds, Gavin Murray-Miller provides an authoritative transnational study of revolution in the 19th-century age of high nationalism.
Описание: Revolutionary Europe is an original examination of radical political movements during Europe’s long 19th century. It employs both national and transnational contexts, incorporating new debates in Atlantic history, empire studies and cultural history to give a comprehensive narrative of the period from 1775 to 1922. Rather than assessing revolution as a purely theoretical, socially-driven force or a structural phenomenon, the book presents revolution as a process of community building and cultural identification born from instances of acute social and political crisis. Taking into account various moments of political upheaval during the 19th century, including the French, Russian and 1848 revolutions, it explores the ways in which political actors attempted to construct new definitions of sovereignty and social unity in a period characterized by vast social, economic and governmental change. In a wide-ranging text that covers Britain and much of continental Europe in detail, as well as reaching out to the Americas and Atlantic and Mediterranean Worlds, Gavin Murray-Miller provides an authoritative transnational study of revolution in the 19th-century age of high nationalism.
Recent scholarly and popular attempts to define the Enlightenment, account for its diversity, and evaluate its historical significance suffer from a surprising lack of consensus at a time when the social and political challenges of today cry out for a more comprehensive and serviceable understanding of its importance. This book argues that regnant notions of the Enlightenment, the Radical Enlightenment, and the multitude of regional and religious enlightenments proposed by scholars all share an entangled intellectual genealogy rooted in a broader revolutionary "culture of enlightening" that took shape over the long-arc of intellectual history from the waning of the sixteenth-century Reformations to the dawn of the Atlantic Revolutionary era. Generated in competition for a changing readership and forged in dialog and conflict, dynamic and diverse notions of what it meant to be enlightened constituted a broader culture of enlightening from which the more familiar strains of the Enlightenment emerged, often ironically and accidentally, from originally religious impulses and theological questioning.
By adapting, for the first time, methodological insights from the scholarship of historical entanglement (l'histoire crois?e) to the study of the Enlightenment, this book provides a new interpretation of the European republic of letters from the late 1600s through the 1700s by focusing on the lived experience of the long-neglected Catholic theologian, historian, and contributor to Diderot's Encyclop?die, Abb? Claude Yvon. The ambivalent historical memory of Yvon, as well as the eclectic and global array of his sources and endeavors, Burson argues, can serve as a gauge for evaluating historical transformations in the surprisingly diverse ways in which eighteenth-century individuals spoke about enlightening human reason, religion, and society. Ultimately, Burson provocatively claims that even the most radical fruits of the Enlightenment can be understood as the unintended offspring of a revolution in theology and the cultural history of religious experience.
In Poetry, Pictures, and Popular Publishing eminent Rossetti scholar Lorraine Janzen Kooistra demonstrates the cultural centrality of a neglected artifact: the Victorian illustrated gift book. Turning a critical lens on “drawing-room books” as both material objects and historical events, Kooistra reveals how the gift book’s visual/verbal form mediated “high” and popular art as well as book and periodical publication.
A composite text produced by many makers, the poetic gift book was designed for domestic space and a female audience; its mode of publication marks a significant moment in the history of authorship, reading, and publishing. With rigorous attention to the gift book’s aesthetic and ideological features, Kooistra analyzes the contributions of poets, artists, engravers, publishers, and readers and shows how its material form moved poetry into popular culture. Drawing on archival and periodical research, she offers new readings of Eliza Cook, Adelaide Procter, and Jean Ingelow and shows the transatlantic reach of their verses. Boldly resituating Tennyson’s works within the gift-book economy he dominated, Kooistra demonstrates how the conditions of corporate authorship shaped the production and receptionof the laureate’s verses at the peak of his popularity.
Poetry, Pictures, and Popular Publishing changes the map of poetry’s place—in all its senses—in Victorian everyday life and consumer culture.
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