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Contemporary Group Theatre in Kolkata, India, Banerji, Arnab


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Автор: Banerji, Arnab
Название:  Contemporary Group Theatre in Kolkata, India
ISBN: 9780367496128
Издательство: Taylor&Francis
Классификация:




ISBN-10: 0367496127
Обложка/Формат: Paperback
Страницы: 192
Вес: 0.27 кг.
Дата издания: 09.06.2020
Серия: Routledge Advances in Theatre & Performance Studies
Язык: English
Иллюстрации: 11 halftones, black and white; 11 illustrations, black and white
Размер: 234 x 156 x 10
Читательская аудитория: Undergraduate
Основная тема: Regional Art
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: This book is the first of its kind offering a materialistic semiotic analysis of a non-Western theatre culture - the Bengali group theatre. The book shows a refreshing new perspective towards a theatre culture that frequently escapes the critical lens in spite of being one of the largest urban theatre cultures in the world.


Contemporary Group Theatre in Kolkata, India

Автор: Banerji, Arnab
Название: Contemporary Group Theatre in Kolkata, India
ISBN: 0367205130 ISBN-13(EAN): 9780367205133
Издательство: Taylor&Francis
Рейтинг:
Цена: 22202.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This book is the first of its kind offering a materialistic semiotic analysis of a non-Western theatre culture - the Bengali group theatre. The book shows a refreshing new perspective towards a theatre culture that frequently escapes the critical lens in spite of being one of the largest urban theatre cultures in the world.

Live Art in the UK: Contemporary Performances of Precarity

Автор: Maria Chatzichristodoulou
Название: Live Art in the UK: Contemporary Performances of Precarity
ISBN: 1474257712 ISBN-13(EAN): 9781474257718
Издательство: Bloomsbury Academic
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Цена: 3958.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance practices and approaches. This volume offers a contextual and critical introduction to the scene of contemporary Live Art in Britain. Focusing on the key artists, companies and organisations with a prolific body of work and which have been vital to the development of contemporary practice, this edited volume maps the landscape, illuminating the origins, concerns and aesthetics of Live Art in the UK today. In their Introduction to the volume, the editor situate Live Art in relation to other related areas of artistic practice such as Performance Art and Body Art, and explore Live Art as a British phenomenon, considering questions of cultural specificity, financial and institutional support, and social engagement. A Prologue further maps the context by tracing the work and impact of key organisations and frameworks on the Live Art scene in the UK, in particular the Live Art Development Agency, besides Artsadmin, Arts Catalyst and Spill festival. Across three sections leading scholars offer case studies exploring the practice of key artists: *Section One: Experiments In Life / Experiments In Art Anne Bean, Marisa Carnesky, and Julia Bardsley *Section Two: Performances Of Conflict And Resolution, Hurt And Healing Adrian Howells, Alastair MacLennan, and Kira O’Reilly *Section Three: Camp, Comedy And Laughs David Hoyle, Duckie Performance Collective, and Marcia Farquhar

New Music Theatre in Europe

Название: New Music Theatre in Europe
ISBN: 1138323012 ISBN-13(EAN): 9781138323018
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание:

The new music theatre of the third quarter of the twentieth century presents a research field of great richness. In these years, music theatre became one of the main preoccupations for (especially) young composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. Despite the importance of 'music theatre' in this period, many significant works are now almost forgotten, and very few regularly revived, often because of the inadequacies of surviving notations or the unusual demands of staging. New music theatre between 1955 and 1975 challenged accepted genre categories, but in so doing often failed to find a secure place in the repertory. The use of different national languages, and the close relationship with local trends in other kinds of theatre, also militated against the spread of works' reputations internationally.

The volume takes as a focus the idea of 'transformation', for instance, to historical approaches to the conjoining of music and staged action; to conceptions of music and musical performance; to the afterlives of theories of drama developed originally in the spoken theatre; to composers' conceptions of their relation to wider society; and to new music theatre itself as it developed through the twenty-year period that is the focus of this book. The volume presents new music theatre as a site of intense exchange - between practitioners of different art forms, across national borders, and with artistic institutions and changing consumer technologies. Suitably, the volume itself is the outcome of a process of international and intradisciplinary exchange between leading scholars with diverse competencies, offering new insights into a period of great significance within recent music history.

Live Art in the UK: Contemporary Performances of Precarity

Автор: Maria Chatzichristodoulou
Название: Live Art in the UK: Contemporary Performances of Precarity
ISBN: 1474257704 ISBN-13(EAN): 9781474257701
Издательство: Bloomsbury Academic
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Цена: 12672.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance practices and approaches. This volume offers a contextual and critical introduction to the scene of contemporary Live Art in Britain. Focusing on the key artists, companies and organisations with a prolific body of work and which have been vital to the development of contemporary practice, this edited volume maps the landscape, illuminating the origins, concerns and aesthetics of Live Art in the UK today. In their Introduction to the volume, the editor situate Live Art in relation to other related areas of artistic practice such as Performance Art and Body Art, and explore Live Art as a British phenomenon, considering questions of cultural specificity, financial and institutional support, and social engagement. A Prologue further maps the context by tracing the work and impact of key organisations and frameworks on the Live Art scene in the UK, in particular the Live Art Development Agency, besides Artsadmin, Arts Catalyst and Spill festival. Across three sections leading scholars offer case studies exploring the practice of key artists: *Section One: Experiments In Life / Experiments In Art Anne Bean, Marisa Carnesky, and Julia Bardsley *Section Two: Performances Of Conflict And Resolution, Hurt And Healing Adrian Howells, Alastair MacLennan, and Kira O’Reilly *Section Three: Camp, Comedy And Laughs David Hoyle, Duckie Performance Collective, and Marcia Farquhar

Acts of Transgression: Contemporary Live Art in South Africa

Автор: Jay Pather, Catherine Boulle
Название: Acts of Transgression: Contemporary Live Art in South Africa
ISBN: 1776142799 ISBN-13(EAN): 9781776142798
Издательство: Mare Nostrum (Eurospan)
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Цена: 6270.00 р.
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Описание: Fifteen writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa, focusing on a wide range of perspectives, personalities and theoretical concerns Contemporary South African society is chronologically 'post' apartheid, but it continues to grapple with material redress, land redistribution and systemic racism. Acts of Transgression represents the complexity of this moment in the rich potential of a performative art form that transcends disciplinary boundaries and aesthetic conventions. The contributors, who are all significantly involved in the discipline of performance art, probe its intersection with crisis and socio-political turbulence, shifting notions of identity and belonging, embodied trauma and loss. Narratives of the past and visions for the future are interrogated through memory and the archive, thus destabilising entrenched colonial systems. Collectively analysing the work of more than 25 contemporary South African artists, including Athi-Patra Ruga, Mohau Modisakeng, Steven Cohen, Dean Hutton, Mikhael Subotzsky, Tracey Rose and Donna Kukama, among others, the analysis is accompanied by a visual record of more than 50 photographs. For those working in the fields of theatre, performance studies and art, this is a must-have collection of critical essays on a burgeoning and exciting field of contemporary South African research.


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