Aesthetics, Imagination and the Unity of Experience, Elliott, R.K. , Crowther, edited by Paul
Автор: Andy Amato Название: The Ethical Imagination in Shakespeare and Heidegger ISBN: 1350177997 ISBN-13(EAN): 9781350177994 Издательство: Bloomsbury Academic Рейтинг: Цена: 5226.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: While large bodies of scholarship exist on the plays of Shakespeare and the philosophy of Heidegger, this book is the first to read these two influential figures alongside one another, and to reveal how they can help us develop a creative and contemplative sense of ethics, or an 'ethical imagination'. Following the increased interest in reading Shakespeare philosophically, it seems only fitting that an encounter take place between the English language’s most prominent poet and the philosopher widely considered to be central to continental philosophy. Interpreting the plays of Shakespeare through the writings of Heidegger and vice versa, each chapter pairs a select play with a select work of philosophy. In these pairings the themes, events, and arguments of each work are first carefully unpacked, and then key passages and concepts are taken up and read against and through one another. As these hermeneutic engagements and cross-readings unfold we find that the words and deeds of Shakespeare’s characters uniquely illuminate, and are uniquely illuminated by, Heidegger’s phenomenological analyses of being, language, and art.
Описание: Under what conditions does 'sensation' become 'sensational'?
In the early nineteenth century murder was a staple of the sensationalizing popular press and gruesome descriptions were deployed to make a direct impact on the sensations of the reader. By the end of the century, public concern with the thrills, spills, and shocks of modern life was increasingly articulated in the language of sensation. Media sensationalism contributed to this process and magnified its impact, just as sensation was, in turn, taken up by literature, art and film. In the contemporary world the dramatization of these experiences in an era of media panics over terrorism and paedophilia has taken an overtly melodramatic form, in which battles of good and evil play out across the landscapes of our lives.
Sensational Subjectsdevelops an innovative, interdisciplinary approach to exploring these themes, their impact and their implications for understanding the modern world.
A companion volume, Sympathetic Sentiments: Affect, Emotion and Spectacle in the Modern World is published simultaneously by Bloomsbury.
Much current theorizing about literature involves efforts to renew our sense of aesthetic values in reading. Such is the case with new formalism as well as recent appeals to the notion of "surface reading." While sympathetic to these efforts, Charles Altieri believes they ultimately fall short because too often they fail to account for the values that engage literary texts in the social world. In Reckoning with the Imagination, Altieri argues for a reconsideration of the Kantian tradition of Idealist ethics, which he believes can restore much of the power of the arguments for the role of aesthetics in art. Altieri finds a perspective for that restoration in a reading of Wittgenstein’s later work that stresses Wittgenstein’s parallel criticisms of the spirit of empiricism. Altieri begins by offering a phenomenology of imagination, because we cannot fully honor art if we do not link it to a distinctive, socially productive force. That force emerges in two quite different but equally powerful realizations in his reading of John Ashbery’s "Instruction Manual," which explicitly establishes a model for a postromantic view of imagination, and William Butler Yeats’s "Leda and the Swan." He then turns to Wittgenstein with chapters on the role of display as critique of Enlightenment thinking, the honoring of qualities like sensitivity and the ability to attune to the actions of others, the role of expression in the building of models, and the contrast between ethical and confessional modes of judgment. Finally, Altieri produces his own model of aesthetic experience as participatory valuation and makes an extended argument for the social significance of appreciation as a way to escape the patterns of resentment fundamental to our current mode of politics. A masterful work by one of our foremost literary and philosophical theorists, Reckoning with the Imagination will breathe new life into ongoing debates over the value of aesthetic experience.
Much current theorizing about literature involves efforts to renew our sense of aesthetic values in reading. Such is the case with new formalism as well as recent appeals to the notion of "surface reading." While sympathetic to these efforts, Charles Altieri believes they ultimately fall short because too often they fail to account for the values that engage literary texts in the social world. In Reckoning with the Imagination, Altieri argues for a reconsideration of the Kantian tradition of Idealist ethics, which he believes can restore much of the power of the arguments for the role of aesthetics in art. Altieri finds a perspective for that restoration in a reading of Wittgenstein’s later work that stresses Wittgenstein’s parallel criticisms of the spirit of empiricism. Altieri begins by offering a phenomenology of imagination, because we cannot fully honor art if we do not link it to a distinctive, socially productive force. That force emerges in two quite different but equally powerful realizations in his reading of John Ashbery’s "Instruction Manual," which explicitly establishes a model for a postromantic view of imagination, and William Butler Yeats’s "Leda and the Swan." He then turns to Wittgenstein with chapters on the role of display as critique of Enlightenment thinking, the honoring of qualities like sensitivity and the ability to attune to the actions of others, the role of expression in the building of models, and the contrast between ethical and confessional modes of judgment. Finally, Altieri produces his own model of aesthetic experience as participatory valuation and makes an extended argument for the social significance of appreciation as a way to escape the patterns of resentment fundamental to our current mode of politics. A masterful work by one of our foremost literary and philosophical theorists, Reckoning with the Imagination will breathe new life into ongoing debates over the value of aesthetic experience.
Описание: An authoritative study of Casey`s major themes and ideas, exploring and confirming his contribution to contemporary philosophy. Structured into four major parts, the volume reflects key concerns of Casey`s writings: phenomenological and psychoanalytic foundations; the philosophy of place; painting and scapes, and edges, glances, and voices.
Автор: Christopher Yates Название: The Poetic Imagination in Heidegger and Schelling ISBN: 1472508882 ISBN-13(EAN): 9781472508881 Издательство: Bloomsbury Academic Рейтинг: Цена: 20592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: By investigating the importance of the imagination in the thought of Schelling and Heidegger, Yate`s study argues that Heidegger`s later, more poetic, philosophy cannot be understood properly without appreciating Schelling`s central importance for him.
Автор: Charles Taliaferro, Jil Evans Название: The Image in Mind: Theism, Naturalism, and the Imagination ISBN: 144116779X ISBN-13(EAN): 9781441167798 Издательство: Bloomsbury Academic Рейтинг: Цена: 5226.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A philosophical inquiry into the strengths and weaknesses of theism and naturalism in accounting for the emergence of consciousness, the visual imagination and aesthetic values. The authors begin by offering an account of modern scientific practice which gives a central place to the visual imagination and aesthetic values. They then move to test the explanatory power of naturalism and theism in accounting for consciousness and the very visual imagination and aesthetic values that lie behind and define modern science. Taliaferro and Evans argue that evolutionary biology alone is insufficient to account for consciousness, the visual imagination and aesthetic values. Insofar as naturalism is compelled to go beyond evolutionary biology, it does not fare as well as theism in terms of explanatory power.
Автор: Christopher Yates Название: The Poetic Imagination in Heidegger and Schelling ISBN: 147422296X ISBN-13(EAN): 9781474222969 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: By investigating the importance of the imagination in the thought of Schelling and Heidegger, Yate`s study argues that Heidegger`s later, more poetic, philosophy cannot be understood properly without appreciating Schelling`s central importance for him.
Описание: An authoritative study of Casey`s major themes and ideas, exploring and confirming his contribution to contemporary philosophy. Structured into four major parts, the volume reflects key concerns of Casey`s writings: phenomenological and psychoanalytic foundations; the philosophy of place; painting and scapes, and edges, glances, and voices.
Автор: Anne Sheppard Название: The Poetics of Phantasia: Imagination in Ancient Aesthetics ISBN: 1474257593 ISBN-13(EAN): 9781474257596 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
With a thorough examination of ancient views of literary and artistic realism, allegory and symbolism, The Poetics of Phantasia brings together a study of the ways in which the concept of imagination (phantasia in Greek) was used in ancient aesthetics and literary theory. The Greeks and Romans tended to think of the production of works of art in terms of imitation, either of the world around us or of a transcendent ideal world, rather than in terms of originality and creativity. Study of the way phantasia is used in ancient writing about literature and art reveals important features of the ancient approach to the arts and in doing so will also shed light on modern concepts of imagination and the literary and artistic differences between realism and allegory. Covering a range of literary and philosophical material from the beginnings of Greek literature down to the Neoplatonist philosophers of late antiquity, The Poetics of Phantasia discusses three discrete senses of imagination in ancient thought. Firstly, phantasia as visualization is explored: when a writer 'brings before his eyes' what he is describing and enables his audience or reader to visualise it likewise. The second theory of phantasia is that which is capable not only of conveying images from sense-perception but also of receiving images from intellectual and supra-intellectual faculties in the soul, and thus helping people grasp mathematical, metaphysical or even mystical concepts. Finally, phantasia is seen as a creative power which can conjure up an image that points beyond itself and to express ideas outside our everyday experience.
Автор: Michael L. Thompson Название: Imagination in Kant`s Critical Philosophy ISBN: 3110481650 ISBN-13(EAN): 9783110481655 Издательство: Walter de Gruyter Рейтинг: Цена: 3710.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Kant's critical philosophy is rife with conflicting and aporetic doctrines. Amongst several difficult doctrines, one of the most salient and obscure discussions surrounds Kant's view of the imagination, Einbildungskraft. One finds Kant's initial discussion of the imagination in the section entitled the Transcendental Deduction in his Critique of Pure Reason; by Kant's own admission, the section that cost him the most labor. Instrumental in these most critical passagesis Kant's discussion of the imagination, but, due to revisions and emendations and a seeming change in doctrine from the 1st to the 3rd Critique, Kant's considered view of the imagination remains unclear. Many scholars eschew the discussion altogether, considering it arcana of an obsolete faculty pyschology. Even prominent Kant scholars have typically overlooked or marginalized pivotal sections in Kant's works in order to avoid dealing with this issue. Recently, however, a new interest in the imagination has resurfaced. This volume is a collection of essays that addresses the many uses of imagination throughout Kant's entire critical corpus, and intends to gain a better understanding of this lacuna.
Автор: Anne Sheppard Название: The Poetics of Phantasia: Imagination in Ancient Aesthetics ISBN: 1472507657 ISBN-13(EAN): 9781472507655 Издательство: Bloomsbury Academic Рейтинг: Цена: 20592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
With a thorough examination of ancient views of literary and artistic realism, allegory and symbolism, The Poetics of Phantasia brings together a study of the ways in which the concept of imagination (phantasia in Greek) was used in ancient aesthetics and literary theory. The Greeks and Romans tended to think of the production of works of art in terms of imitation, either of the world around us or of a transcendent ideal world, rather than in terms of originality and creativity. Study of the way phantasia is used in ancient writing about literature and art reveals important features of the ancient approach to the arts and in doing so will also shed light on modern concepts of imagination and the literary and artistic differences between realism and allegory. Covering a range of literary and philosophical material from the beginnings of Greek literature down to the Neoplatonist philosophers of late antiquity, The Poetics of Phantasia discusses three discrete senses of imagination in ancient thought. Firstly, phantasia as visualization is explored: when a writer 'brings before his eyes' what he is describing and enables his audience or reader to visualise it likewise. The second theory of phantasia is that which is capable not only of conveying images from sense-perception but also of receiving images from intellectual and supra-intellectual faculties in the soul, and thus helping people grasp mathematical, metaphysical or even mystical concepts. Finally, phantasia is seen as a creative power which can conjure up an image that points beyond itself and to express ideas outside our everyday experience.
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