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Mozart`s Don Giovanni, Schneider, Magnus Tessing


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Автор: Schneider, Magnus Tessing
Название:  Mozart`s Don Giovanni
ISBN: 9780367243203
Издательство: Taylor&Francis
Классификация:




ISBN-10: 0367243202
Обложка/Формат: Hardback
Страницы: 312
Вес: 0.45 кг.
Дата издания: 30.12.2019
Серия: Ashgate Interdisciplinary Studies in Opera
Язык: English
Иллюстрации: 16 halftones, black and white; 16 illustrations, black and white
Размер: 234 x 156 x 16
Читательская аудитория: Postgraduate, research & scholarly
Основная тема: Opera & Operetta
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: The Original Portrayal of Mozart`s Don Giovanni offers an original reading of Mozart`s and Da Ponte`s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766-1825).


From Idomeneo to Die Zauberflote: A Conductors Commentary on the Operas of Wolfgang Amadeus Mozart

Автор: Myer Fredman
Название: From Idomeneo to Die Zauberflote: A Conductors Commentary on the Operas of Wolfgang Amadeus Mozart
ISBN: 1903900123 ISBN-13(EAN): 9781903900123
Издательство: Gazelle Book Services
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Цена: 5899.00 р.
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Описание: This is the first book by an experienced conductor to explore the orchestras contribution to Mozarts greatest operatic works: Idomeneo, Die Entfuhrung aus dem Serail, Die Schauspieldirektor, Le nozze di Figaro, Don Giovanni, Cosi fan tutte, La clemenza di Tito, and Die Zauberflote. It is written for the concert and opera going public who are interested in enlarging their knowledge and appreciation of these masterpieces, but also contains many practical suggestions for aspiring conductors.

Ornamentation and Improvisation in Mozart

Автор: Neumann Frederick
Название: Ornamentation and Improvisation in Mozart
ISBN: 0691655421 ISBN-13(EAN): 9780691655420
Издательство: Wiley
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Цена: 8237.00 р.
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Описание:

This book is a sequel to Frederick Neumann's Ornamentation in Baroque and Post-Baroque Music, With Special Emphasis on J.S. Bach (Princeton, 1978). In the present volume, the first work on this subject for Mozart's music, the author continues his important contributions to the search for historically correct performance practices, and to the liberation of the performer from improperly conceived and overly restrictive interpretation of musical scores. The first part of this book attempts to free ornamentation in Mozart from rigorism that has resulted from confusing the pure abstraction of ornament tables with concrete musical situations. The second part deals with pitches that were not written in the score yet often intended to be added when Mozart left "white spots" in his notation. These additions range from single notes to lengthy cadenzas. The problem addressed is the question of where such additions are possible or necessary and how they might best be designed.
Professor Neumann draws on an immense knowledge of the literature written during Mozart's time and on his own comprehension of the subtleties of Mozart's music and musical styles. Refusing to interpret the sources dogmatically, he frees performers of Mozart from the rigid princples too often imposed by modern scholars.
Frederick Neumann is Professor of Music Emeritus at the University of Richmond.

Originally published in 1986.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Life of Mozart

Автор: Jahn
Название: Life of Mozart
ISBN: 1108064841 ISBN-13(EAN): 9781108064842
Издательство: Cambridge Academ
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Цена: 6018.00 р.
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Описание: German philologist and archaeologist Otto Jahn (1813-69) first published his landmark scholarly biography of Wolfgang Amadeus Mozart (1756-91) in four volumes between 1856 and 1859. This three-volume English translation by Pauline D. Townsend, first published in 1882, is based on the 1867 second edition of the German original.

Mozart in Context

Автор: Keefe Simon P.
Название: Mozart in Context
ISBN: 131663244X ISBN-13(EAN): 9781316632444
Издательство: Cambridge Academ
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Цена: 4277.00 р.
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Описание: This comprehensive and accessible book focuses on the professional, cultural and historical environments in which Mozart operated, and how they influenced his output. The concise, topic-based essays will appeal to students, researchers and music lovers wishing to deepen their understanding of this outstanding composer and his world.

Interpreting musical gestures, topics, and tropes

Автор: Hatten, Robert S.
Название: Interpreting musical gestures, topics, and tropes
ISBN: 025334459X ISBN-13(EAN): 9780253344595
Издательство: Wiley EDC
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Цена: 8065.00 р.
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Описание: "Robert Hatten's new book is a worthy successor to his Musical Meaning in Beethoven, which established him as a front-rank scholar . . . in questions of musical meaning. . . . [B]oth how he approaches musical works and what he says about them are timely and to the point. Musical scholars in both musicology and theory will find much of value here, and will find their notions of musical meaning challenged and expanded." —Patrick McCreless
This book continues to develop the semiotic theory of musical meaning presented in Robert S. Hatten's first book, Musical Meaning in Beethoven (IUP, 1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies. By focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert, Hatten demonstrates the power and elegance of synthetic structures and emergent meanings within a changing Viennese Classical style.
Musical Meaning and Interpretation—Robert S. Hatten, editor

Which Craft?: W.A. Mozart and THE MAGIC FLUTE

Автор: Besack Michael
Название: Which Craft?: W.A. Mozart and THE MAGIC FLUTE
ISBN: 1587900130 ISBN-13(EAN): 9781587900136
Издательство: Неизвестно
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Цена: 5511.00 р.
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The Cambridge Companion to Mozart

Автор: Cross Jonathan, Keefe Simon P., Simon P. Keefe
Название: The Cambridge Companion to Mozart
ISBN: 0521001927 ISBN-13(EAN): 9780521001922
Издательство: Cambridge Academ
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Цена: 5544.00 р.
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Описание: Bringing the most recent scholarship into the public arena, this volume bridges the gap between scholarly and popular images of Mozart. It provides comprehensive coverage of all his important works, the reception of his music since his death, the contexts which inform his work and his significance as a performer.

Staging Scenes from the Operas of Mozart: A Guide for Teachers and Singers

Автор: Ferrara William
Название: Staging Scenes from the Operas of Mozart: A Guide for Teachers and Singers
ISBN: 0810888424 ISBN-13(EAN): 9780810888425
Издательство: Rowman & Littlefield Publishers
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Цена: 25978.00 р.
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Описание: In Staging Scenes from the Operas of Mozart: A Guide for Teachers and Singers, opera director William Ferrara offers the perfect resource for the dramatic preparation of opera scenes for directors and student performers. Topics include study and research, rehearsal planning, blocking, characterization, and costuming for four of Mozart's most popular operas. He surveys basic concepts of opera acting and directing and provides a step-by-step guide to the rehearsal process. While much has appeared on the history and musical performance practice of the operas of Mozart, no guide to the directing and acting of his operas--with simple, concise staging instructions and practical information concerning casting, props, and costumes--has yet seen publication. Featuring over one hundred illustrations, including costume designs by Martha Ferrara, the author breaks new ground for student performers and directors alike, as he walks readers through the process of staging scenes from Mozart's operas. The first part of the guide, which focuses on study and preparation, comprisess five chapters: ideas for organizing the opera class, a description of the job of the director, a step-by-step review of the rehearsal process, a set of five exercises for researching and analyzing the scenes, and a vocabulary for actors and directors. The next four sections of the book consist of detailed staging guides for a selection of scenes from Mozart's most frequently performed operas: Le Nozze di Figaro, Don Giovanni, Cos fan tutte, and Die Zauberfl te. The introduction to each scene includes a brief discussion of the story and characters, suggestions for costuming, and minimal set and props. The heart of this guide is the text and translation of each scene, embedded with line-by-line acting notes, and blocking directions and diagrams. These are for use by the actors during speaking and blocking rehearsals and are especially valuable when rehearsing recitatives. Intended for college and university voice teachers seeking guidance for developing a scenes program or opera workshop class, this is also the perfect workbook for students studying opera stage direction, as well as graduate and undergraduate students performing opera scenes by Mozart.

Instrumental Music in an Age of Sociability

Автор: Sutcliffe W Dean
Название: Instrumental Music in an Age of Sociability
ISBN: 110701381X ISBN-13(EAN): 9781107013810
Издательство: Cambridge Academ
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Цена: 24869.00 р.
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Описание: For those who want an overdue fresh perspective on a much loved, yet in some ways misunderstood, musical repertoire, this book surveys a much wider panorama of compositional activity than is normally offered, combining the familiar territory of Vienna with many other centres and musical figures.

Ornamentation and Improvisation in Mozart

Автор: Neumann Frederick
Название: Ornamentation and Improvisation in Mozart
ISBN: 0691656843 ISBN-13(EAN): 9780691656847
Издательство: Wiley
Рейтинг:
Цена: 22493.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

This book is a sequel to Frederick Neumann's Ornamentation in Baroque and Post-Baroque Music, With Special Emphasis on J.S. Bach (Princeton, 1978). In the present volume, the first work on this subject for Mozart's music, the author continues his important contributions to the search for historically correct performance practices, and to the liberation of the performer from improperly conceived and overly restrictive interpretation of musical scores. The first part of this book attempts to free ornamentation in Mozart from rigorism that has resulted from confusing the pure abstraction of ornament tables with concrete musical situations. The second part deals with pitches that were not written in the score yet often intended to be added when Mozart left white spots in his notation. These additions range from single notes to lengthy cadenzas. The problem addressed is the question of where such additions are possible or necessary and how they might best be designed.
Professor Neumann draws on an immense knowledge of the literature written during Mozart's time and on his own comprehension of the subtleties of Mozart's music and musical styles. Refusing to interpret the sources dogmatically, he frees performers of Mozart from the rigid princples too often imposed by modern scholars.
Frederick Neumann is Professor of Music Emeritus at the University of Richmond.

Originally published in 1986.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Mozart and the Mediation of Childhood

Автор: Mueller Adeline
Название: Mozart and the Mediation of Childhood
ISBN: 022662966X ISBN-13(EAN): 9780226629667
Издательство: Wiley
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Цена: 7603.00 р.
Наличие на складе: Поставка под заказ.

Описание:

The story of Wolfgang Amadeus Mozart's precocity is so familiar as to be taken for granted. In scholarship and popular culture, Mozart the Wunderkind is often seen as belonging to a category of childhood all by himself. But treating the young composer as an anomaly risks minimizing his impact. In this book, Adeline Mueller examines how Mozart shaped the social and cultural reevaluation of childhood during the Austrian Enlightenment. Whether in a juvenile sonata printed with his age on the title page, a concerto for a father and daughter, a lullaby, a musical dice game, or a mass for the consecration of an orphanage church, Mozart's music and persona transformed attitudes toward children's agency, intellectual capacity, relationships with family and friends, political and economic value, work, school, and leisure time.

Thousands of children across the Habsburg Monarchy were affected by the Salzburg prodigy and the idea he embodied: that childhood itself could be packaged, consumed, deployed, "performed"--in short, mediated--through music. This book builds upon a new understanding of the history of childhood as dynamic and reciprocal, rather than a mere projection or fantasy--as something mediated not just through texts, images, and objects but also through actions. Drawing on a range of evidence, from children's periodicals to Habsburg court edicts and spurious Mozart prints, Mueller shows that while we need the history of childhood to help us understand Mozart, we also need Mozart to help us understand the history of childhood.

Foreign Opera at the London Playhouses: From Mozart to Bellini

Автор: Christina Fuhrmann
Название: Foreign Opera at the London Playhouses: From Mozart to Bellini
ISBN: 1108722113 ISBN-13(EAN): 9781108722117
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses. This is the first comprehensive study of these adaptations. Christina Fuhrmann reveals how integral these operas are to our understanding of early nineteenth-century theatre, opera and canon formation.


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