Copyright, Creativity, Big Media and Cultural Value, Bowrey, Kathy
Автор: Barnett Richard Bright Sheena Calvert Na Название: The Art of Science: The Interwoven History of Two Disciplines ISBN: 1787394565 ISBN-13(EAN): 9781787394568 Издательство: Carlton Books Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Art of Science explores the work of forty artists and artist-scientists whose work has furthered and made visible the relationship between these fields.
Автор: Gillian Davies Название: Copyright Law for Writers, Editors and Publishers ISBN: 1408128144 ISBN-13(EAN): 9781408128145 Издательство: A & C Black Рейтинг: Цена: 2969.00 р. Наличие на складе: Есть (1 шт.) Описание: An introductory text on copyright law for editors, authors and publishers working with text and pictures, including guidance on economic rights for freelance writers, and how to manage content posted online.
Автор: Chen Ge Название: Cambridge Intellectual Property and Information Law ISBN: 1316615219 ISBN-13(EAN): 9781316615218 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines the topic of copyright and freedom of expression as an interdisciplinary issue. The book is not only targeted at copyright lawyers but it will also be of interest to those in the fields of human rights, global trade, economic history, political science, and modern China in general.
Автор: Warner, Julian Название: Copyright and Creativity in the Information Age ISBN: 0367902850 ISBN-13(EAN): 9780367902858 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Supreme Court of the United States in Feist v. Rural (1991) required that databases must have a minimal degree of creativity for copyright. The book gives an account of that decision`s conceptual structure, focusing on its full delineation of the opposite to creativity.
Автор: Slauter Will Название: Who Owns the News?: A History of Copyright ISBN: 1503607712 ISBN-13(EAN): 9781503607712 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4013.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
You can't copyright facts, but is news a category unto itself? Without legal protection for the "ownership" of news, what incentive does a news organization have to invest in producing quality journalism that serves the public good? This book explores the intertwined histories of journalism and copyright law in the United States and Great Britain, revealing how shifts in technology, government policy, and publishing strategy have shaped the media landscape.
Publishers have long sought to treat news as exclusive to protect their investments against copying or "free riding." But over the centuries arguments about the vital role of newspapers and the need for information to circulate have made it difficult to defend property rights in news. Beginning with the earliest printed news publications and ending with the Internet, Will Slauter traces these countervailing trends, offering a fresh perspective on debates about copyright and efforts to control the flow of news.
Название: Copyright and the Value of Performance, 1770–1911 ISBN: 1108425887 ISBN-13(EAN): 9781108425889 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Copyright for performances of theater and music was invented in the nineteenth century. Courtroom battles over new laws helped define the value of dramatic and musical performances both economically and artistically. Scholars of theater and performance, music, and law will learn how copyright changes the artistic forms it seeks to control.
Автор: Viktor Dorfler; Marc Stierand Название: Handbook of research methods on creativity / ISBN: 1786439646 ISBN-13(EAN): 9781786439642 Издательство: Wiley Рейтинг: Цена: 26928.00 р. Наличие на складе: Поставка под заказ.
Описание: This begins with an introduction to economic systems and economic goals, and then addresses major macroeconomic issues including GDP, economic growth, business cycles, inflation, unemployment, fiscal policy, national debt, money, the Federal Reserve System, monetary policy and financial crises. This resource concludes with a discussion of the different schools of thought and debates in this field.
Автор: Richardson Sarah S., Stevens Hallam Название: Postgenomics: Perspectives on Biology After the Genome ISBN: 0822359227 ISBN-13(EAN): 9780822359227 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 17550.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Ten years after the Human Genome Project’s completion the life sciences stand in a moment of uncertainty, transition, and contestation. The postgenomic era has seen rapid shifts in research methodology, funding, scientific labor, and disciplinary structures. Postgenomics is transforming our understanding of disease and health, our environment, and the categories of race, class, and gender. At the same time, the gene retains its centrality and power in biological and popular discourse. The contributors to Postgenomics analyze these ruptures and continuities and place them in historical, social, and political context. Postgenomics, they argue, forces a rethinking of the genome itself, and opens new territory for conversations between the social sciences, humanities, and life sciences.
Contributors. Russ Altman, Rachel A. Ankeny, Catherine Bliss, John Dupré, Michael Fortun, Evelyn Fox Keller, Sabina Leonelli, Adrian Mackenzie, Margot Moinester, Aaron Panofsky, Sarah S. Richardson, Sara Shostak, Hallam Stevens
Описание: The form of graffiti writing on trains and walls is not accidental. Nor is its absence on cars and houses. Employing a particular style of letters, choosing which walls and trains to write on, copying another writer, altering or destroying another writer's work: these acts are regulated within the graffiti subculture. Copyright Beyond Law presents findings from empirical research undertaken into the graffiti subculture in London to show that graffiti writers informally regulate their creativity through a system of norms that are remarkably similar to copyright. The 'graffiti rules' and their copyright law parallels include: the requirement of writing letters (subject matter) and appropriate placement (public policy and morality exceptions for copyright subsistence and the enforcement of copyright), originality and the prohibition of copying (originality and infringement by reproduction), and the prohibition of damage to another writer's works (the moral right of integrity). The intersection between the 'graffiti rules' and copyright law sheds light on the creation of subculture-specific commons and the limits of copyright law in incentivizing and regulating the production and location of creativity. *** "COPYRIGHT BEYOND LAW will provide helpful comparative perspective for those U.S. scholars of copyright and subcultural creativity who may find themselves with a myopically domestic focus: Iljadica's work provides much-needed comparative analysis with important implications for assessing the proper role and need for moral rights." --The IP Law Book Review, Vol. 8, No. 1, November 2017, pp.8-19 Subject: Copyright Law, Data Protection, Socio-Legal Studies, Trademark Law]
Описание: The form of graffiti writing on trains and walls is not accidental. Nor is its absence on cars and houses. Employing a particular style of letters, choosing which walls and trains to write on, copying another writer, altering or destroying another writer’s work: these acts are regulated within the graffiti subculture. Copyright Beyond Law presents findings from empirical research undertaken into the graffiti subculture to show that graffiti writers informally regulate their creativity through a system of norms that are remarkably similar to copyright. The ‘graffiti rules’ and their copyright law parallels include: the requirement of writing letters (subject matter) and appropriate placement (public policy and morality exceptions for copyright subsistence and the enforcement of copyright), originality and the prohibition of copying (originality and infringement by reproduction), and the prohibition of damage to another writer’s works (the moral right of integrity). The intersection between the ‘graffiti rules’ and copyright law sheds light on the creation of subculture-specific commons and the limits of copyright law in incentivising and regulating the production and location of creativity.
