Описание: How can you achieve victory in war if you don`t know your objectives or what victory means? Donald Stoker reveals the flaws in US policy and strategy from the Korean War to the present and lays the foundations for a better approach to the wars of tomorrow.
Napoli/New York/Hollywood is an absorbing investigation of the significant impact that Italian immigrant actors, musicians, and directors—and the southern Italian stage traditions they embodied—have had on the history of Hollywood cinema and American media, from 1895 to the present day. In a unique exploration of the transnational communication between American and Italian film industries, media or performing arts as practiced in Naples, New York, San Francisco, and Los Angeles, this groundbreaking book looks at the historical context and institutional film history from the illuminating perspective of the performers themselves—the workers who lend their bodies and their performance culture to screen representations. In doing so, the author brings to light the cultural work of families and generations of artists that have contributed not only to American film culture, but also to the cultural construction and evolution of “Italian-ness” over the past century. Napoli/New York/Hollywood offers a major contribution to our understanding of the role of southern Italian culture in American cinema, from the silent era to contemporary film. Using a provocative interdisciplinary approach, the author associates southern Italian culture with modernity and the immigrants’ preservation of cultural traditions with innovations in the mode of production and in the use of media technologies (theatrical venues, music records, radio, ethnic films). Each chapter synthesizes a wealth of previously under-studied material and displays the author’s exceptional ability to cover transnational cinematic issues within an historical context. For example, her analysis of the period from the end of World War I until the beginning of sound in film production in the end of the 1920s, delivers a meaningful revision of the relationship between Fascism and American cinema, and Italian emigration. Napoli/New York/Hollywood examines the careers of those Italian performers who were Italian not only because of their origins but because their theatrical culture was Italian, a culture that embraced high and low, tragedy and comedy, music, dance and even acrobatics, naturalism, and improvisation. Their previously unexplored story—that of the Italian diaspora’s influence on American cinema—is here meticulously reconstructed through rich primary sources, deep archival research, extensive film analysis, and an enlightening series of interviews with heirs to these traditions, including Francis Coppola and his sister Talia Shire, John Turturro, Nancy Savoca, James Gandolfini, David Chase, Joe Dante, and Annabella Sciorra.
Runner Up Winner of the Edinburgh Gadda Prize - Established Scholars, Cultural Studies Category Winner of the American Association for Italian Studies Book Prize (20th & 21st Centuries) Honorable Mention for the Howard R. Marraro Prize By linking Italy’s long history of emigration to all continents in the world, contemporary transnational migrations directed toward it, as well as the country’s colonial legacies, Fiore’s book poses Italy as a unique laboratory to rethink national belonging at large in our era of massive demographic mobility. Through an interdisciplinary cultural approach, the book finds traces of globalization in a past that may hold interesting lessons about inclusiveness for the present. Fiore rethinks Italy’s formation and development on a transnational map through cultural analysis of travel, living, and work spaces as depicted in literary, filmic, and musical texts. By demonstrating how immigration in Italy today is preoccupied by its past emigration and colonialism, the book stresses commonalities and dispels preoccupations.
Описание: When the United States entered World War II, Italian nationals living in this country were declared enemy aliens and faced with legal restrictions. Several thousand aliens and a few U.S. citizens were arrested and underwent flawed hearings, and hundreds were interned. Shedding new light on an injustice often overshadowed by the mass confinement of Japanese Americans, Mary Elizabeth Basile Chopas traces how government and military leaders constructed wartime policies affecting Italian residents. Based on new archival research into the alien enemy hearings, this in-depth legal analysis illuminates a process not widely understood. From presumptive guilt in the arrest and internment based on membership in social and political organizations, to hurdles in attaining American citizenship, Chopas uncovers many layers of repression not heretofore revealed in scholarship about the World War II home front.In telling the stories of former internees and persons excluded from military zones as they attempted to resume their lives after the war, Chopas demonstrates the lasting social and cultural effects of government policies on the Italian American community, and addresses the modern problem of identifying threats in a largely loyal and peaceful population.
Автор: Cooper Stephen, Donato Clorinda Название: John Fante`s Ask the Dust: A Joining of Voices and Views ISBN: 0823287866 ISBN-13(EAN): 9780823287864 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 17556.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This volume assembles for the first time a staggering multiplicity of reflections and readings of John Fante's 1939 classic, Ask the Dust, a true testament to the work's present and future impact. Charting the trajectory of one Arturo Bandini over the multiethnic terrain of Los Angeles, ambition and bravado soar, crash, and burn in Fante's signature novel in ways that resonate profoundly some eighty years after Stackpole Press's first edition entered the world. As our attention is increasingly drawn to the West Coast as the bellwether of new beginnings and bold starts, Arturo Bandini's ranting and roving through a dry, dusty L.A. kicks up a windswept nostalgia whose grit settles in the soul and stays. Bandini's testy love for the Mexican Camilla Lopez, whose own tough and tender persona runs counterpoint to his own, is explored for all of its gendered, ethnic, sociological, and economic potential in the essays and documents that make up this volume. The contributors to this work--writers, critics, fans, scholars, screenwriters, and directors--analyze the provocative set of diaspora tensions in Fante's masterpiece that distinguish it from those recounting earlier, East Coast migrations and minglings. A must-read for aficionados of L.A. fiction and new migration literature, John Fante's 'Ask the Dust': A Joining of Voices and Views, is destined for landmark status as the first volume of Fante studies to reveal the novel's evolving intertextualities and intersectionalities. Fans, scholars, and critics alike will delight in the diversity of praise and opinions that Fante's masterpiece has sparked in a global readership whose enthusiasm knows no bounds. While Arturo Bandini may be celebrating his eightieth birthday in print, there is no doubt that this collection of essays launches Fante's hero into his next eighty years, and beyond.
Winner, Immigration and Ethnic History Society First Book Award Whom We Shall Welcome examines World War II immigration of Italians to the United States, an under-studied period in Italian immigration history. Danielle Battisti looks at efforts by Italian American organizations to foster Italian immigration along with the lobbying efforts of Italian Americans to change the quota laws. While Italian Americans (and other white ethnics) had attained virtual political and social equality with many other groups of older-stock Americans by the end of the war, Italians continued to be classified as undesirable immigrants. Her work is an important contribution toward understanding the construction of Italian American racial/ethnic identity in this period, the role of ethnic groups in U.S. foreign policy in the Cold War era, and the history of the liberal immigration reform movement that led to the 1965 Immigration Act. Whom We Shall Welcome makes significant contributions to histories of migration and ethnicity, post-World War II liberalism, and immigration policy.
Winner: Vasiliki Karagiannaki Prize for the Best Edited Volume in Modern Greek Studies Promotes the understanding of Italian Americans and Greek Americans through the study of their interactions and juxtapositions. Redirecting Ethnic Singularity: Italian Americans and Greek Americans in Conversation contributes to U.S. ethnic and immigration studies by bringing into conversation scholars working in the fields of Italian American and Greek American studies in the United States, Europe, and Australia. The work moves beyond the “single group” approach—an approach that privileges the study of ethnic singularity––to explore instead two ethnic groups in relation to each other in the broader context of the United States. The chapters bring into focus transcultural interfaces and inquire comparatively about similarities and differences in cultural representations associated with these two groups. This co-edited volume contributes to the fields of transcultural and comparative studies. The book is multi-disciplinary. It features scholarship from the perspectives of architecture, ethnomusicology, education, history, cultural and literary studies, and film studies, as well as whiteness studies. It examines the production of ethnicity in the context of American political culture as well as that of popular culture, including visual representations (documentary, film, TV series) and “low brow” crime fiction. It includes analysis of literature. It involves comparative work on religious architecture, transoceanic circulation of racialized categories, translocal interconnections in the formation of pan-Mediterranean identities, and the making of the immigrant past in documentaries from Italian and Greek filmmakers. This volume is the first of its kind in initiating a multidisciplinary transcultural and comparative study across European Americans.
Автор: Adams, Gretchen A. Название: Specter of salem ISBN: 0226005437 ISBN-13(EAN): 9780226005430 Издательство: Wiley Рейтинг: Цена: 3802.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Reveals the many ways that the Salem witch trials loomed over the American collective memory from the Revolution to the Civil War and beyond. Shedding new light on the many, varied American invocations of Salem, the author ultimately illuminates the function of collective memories in the life of a nation.
Автор: Lawrence R. Samuel Название: Remembering America: How We Have Told Our Past ISBN: 0803254334 ISBN-13(EAN): 9780803254336 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3756.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: American history is ubiquitous, underscoring everything from food to travel to architecture and design. It is also emotionally charged, frequently crossing paths with political and legal issues. In Remembering America, Lawrence R. Samuel examines the place that American history has occupied within education and popular culture and how it has continually shaped and reflected our cultural values and national identity. The story of American history, Samuel explains, is not a straight line but rather one filled with twists and turns and ups and downs, its narrative path as winding as that of the United States as a whole. Organized around six distinct eras of American history ranging from the 1920s to the present, Samuel shows that our understanding of American history has often generated struggle and contention as ideologically opposed groups battled over ownership of the past. As women and minorities gained greater power and a louder voice in the national conversation, our perspectives on American history became significantly more multicultural, bringing race, gender, and class issues to the forefront. These new interpretations of our history helped to reshape our identity on both a national and an individual level. Samuel argues that the fight for ownership of our past, combined with how those owners have imparted history to our youth, crucially affects who we are. Our interpretation and expression of our country's past reflects how that self-identity has changed over the last one hundred years and created a strong sense of our collective history-one of the few things Americans all have in common. Lawrence R. Samuel is the author of several books, including Shrink: A Cultural History of Psychoanalysis in America (Nebraska, 2013) and The American Dream: A Cultural History.
Автор: Lamay Licursi, Kimberly J. Название: Remembering world war i in america ISBN: 0803290853 ISBN-13(EAN): 9780803290853 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6897.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Poised to become a significant player in the new world order, the United States truly came of age during and after World War I. Yet many Americans think of the Great War simply as a precursor to World War II. Americans, including veterans, hastened to put experiences and memories of the war years behind them, reflecting a general apathy about the war that had developed during the 1920s and 1930s and never abated.
In Remembering World War I in America Kimberly J. Lamay Licursi explores the American public’s collective memory and common perception of World War I by analyzing the extent to which it was expressed through the production of cultural artifacts related to the war. Through the analysis of four vectors of memory—war histories, memoirs, fiction, and film—Lamay Licursi shows that no consistent image or message about the war ever arose that resonated with a significant segment of the American population. Not many war histories materialized, war memoirs did not capture the public’s attention, and war novels and films presented a fictional war that either bore little resemblance to the doughboys’ experience or offered discordant views about what the war meant. In the end Americans emerged from the interwar years with limited pockets of public memory about the war that never found compromise in a dominant myth.
Автор: Kimberly J. Lamay Licursi Название: Remembering World War I in America ISBN: 1496234677 ISBN-13(EAN): 9781496234674 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3762.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Poised to become a significant player in the new world order, the United States truly came of age during and after World War I. Yet many Americans think of the Great War simply as a precursor to World War II. Americans, including veterans, hastened to put experiences and memories of the war years behind them, reflecting a general apathy about the war that had developed during the 1920s and 1930s and never abated.
In Remembering World War I in America Kimberly J. Lamay Licursi explores the American public’s collective memory and common perception of World War I by analyzing the extent to which it was expressed through the production of cultural artifacts related to the war. Through the analysis of four vectors of memory—war histories, memoirs, fiction, and film—Lamay Licursi shows that no consistent image or message about the war ever arose that resonated with a significant segment of the American population. Not many war histories materialized, war memoirs did not capture the public’s attention, and war novels and films presented a fictional war that either bore little resemblance to the doughboys’ experience or offered discordant views about what the war meant. In the end Americans emerged from the interwar years with limited pockets of public memory about the war that never found compromise in a dominant myth.
Описание: From 1973 to 1990 in Chile, approximately 370,000 young men—mostly from impoverished backgrounds—were conscripted to serve as soldiers in Augusto Pinochet's violent regime. Some were brutal enforcers, but many themselves endured physical and psychological abuse, survival and torture training, arbitrary punishments, political persecution, and forced labor. Leith Passmore examines the emergence, in the early twenty-first century, of a movement of ex-conscripts seeking reparations. The former soldiers challenged the politics of memory that had shaped Chile's truth and reconciliation efforts, demanding recognition of their own broken families, ill health and incapacity to work, and damaged sense of self.Relying on unpublished material, testimony, interviews, and field notes, Passmore locates these individuals' narratives of victimhood at the intersection of long-term histories of patriotism, masculinity, and cyclical poverty. These accounts reveal in detail how Pinochet's war against his own citizens—as well as the ""almost-wars"" with neighboring Peru, Bolivia, and Argentina—were also waged inside Chile's army barracks.
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