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Music for a King: George Herbert`s Style and the Metrical Psalms, Freer Coburn


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Автор: Freer Coburn
Название:  Music for a King: George Herbert`s Style and the Metrical Psalms
ISBN: 9781421436913
Издательство: Johns Hopkins University Press
Классификация:

ISBN-10: 1421436914
Обложка/Формат: Paperback
Страницы: 274
Вес: 0.41 кг.
Дата издания: 01.03.2020
Язык: English
Иллюстрации: No
Размер: 229 x 152 x 16
Читательская аудитория: General (us: trade)
Подзаголовок: George herbert`s style and the metrical psalms
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Поставляется из: США
Описание:

Originally published in 1972. Music for a King tries to study the affinities in form and matter between the versified translation of the Psalms and George Herberts lyrics. Coburn Freer reads Herberts poetry by way of the metrical psalms that precede it, proposing a reading that could be applied to more poems than are discussed here. Rather than multiply examples needlessly, this book stresses a few central poems as models or representatives. This reading of Herbert recognizes the historical dimension of his poems, but the author does not make that dimension the only significant one in the determination of poetic meaning or value.




Автор: Hilary Freer (Editor)
Название: NCFRPReport 6 (Revised), Impacts of Public Policy on the Freight Transporation System
ISBN: 0309213355 ISBN-13(EAN): 9780309213356
Издательство: Неизвестно
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Цена: 7315.00 р.
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Under Contract: The Invisible Workers of America`s Global War

Автор: Coburn Noah
Название: Under Contract: The Invisible Workers of America`s Global War
ISBN: 1503605361 ISBN-13(EAN): 9781503605367
Издательство: Mare Nostrum (Eurospan)
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Цена: 4013.00 р.
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Описание:

War is one of the most lucrative job markets for an increasingly global workforce. Most of the work on American bases, everything from manning guard towers to cleaning the latrines, to more technical engineering and accounting jobs, has been outsourced to private firms who then contract out individual jobs, often to the lowest bidder. Go to an "American" base in Afghanistan or Iraq, and you will find workers from places like Sri Lanka, Bangladesh, the Philippines, Turkey, Bosnia, and Nepal: so-called "third-country nationals." Tens of thousands of these workers are now fixtures on American bases. And yet, in the plethora of records kept by the U.S. government, they are unseen and uncounted--their stories untold. Despite the risk, they will keep coming to bases for work and the promise of better wages.

Trekking across seven countries, Noah Coburn traces this unseen workforce, following the workers' often zigzagging journey to war. He confronts the varied conditions third-country nationals encounter, ranging from near slavery to more mundane forms of exploitation. Visiting a British Imperial training camp in Nepal, U.S. bases in Afghanistan, a caf in Tbilisi, offices in Ankara, and human traffickers in Delhi, Coburn seeks out a better understanding of the people who make up this unseen workforce, sharing powerful stories of hope and struggle.

Part memoir, part travelogue, and part retelling of the war in Afghanistan through the eyes of workers, Coburn unspools a complex global web of how modern wars are fought and supported. Under Contract narrates war stories unlike any other. Coburn's experience forces readers to reckon with the moral questions of a hidden global war-force and the costs being shouldered by foreign nationals in our name.

Bazaar Politics: Power and Pottery in an Afghan Market Town

Автор: Coburn Noah
Название: Bazaar Politics: Power and Pottery in an Afghan Market Town
ISBN: 0804776717 ISBN-13(EAN): 9780804776714
Издательство: Wiley EDC
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Цена: 15616.00 р.
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Описание:

After the fall of the Taliban, instability reigned across Afghanistan. However, in the small town of Istalif, located a little over an hour north of Kabul and not far from Bagram on the Shomali Plain, local politics remained relatively violence-free. Bazaar Politics examines this seemingly paradoxical situation, exploring how the town's local politics maintained peace despite a long, violent history in a country dealing with a growing insurgency.

At the heart of this story are the Istalifi potters, skilled craftsmen trained over generations. With workshops organized around extended families and competition between workshops strong, kinship relations become political and subtle negotiations over power and authority underscore most interactions. Starting from this microcosm, Noah Coburn then investigates power and relationships at various levels, from the potters' families; to the local officials, religious figures, and former warlords; and ultimately to the international community and NGO workers.

Offering the first long-term on-the-ground study since the arrival of allied forces in 2001, Noah Coburn introduces readers to daily life in Afghanistan through portraits of local residents and stories of his own experiences. He reveals the ways in which the international community has misunderstood the forces driving local conflict and the insurgency, misunderstandings that have ultimately contributed to the political unrest rather than resolved it. Though on first blush the potters of Istalif may seem far removed from international affairs, it is only through understanding politics, power, and culture on the local level that we can then shed new light on Afghanistan's difficult search for peace.

Poetics of jacobean drama

Автор: Freer, Coburn
Название: Poetics of jacobean drama
ISBN: 1421434296 ISBN-13(EAN): 9781421434292
Издательство: Неизвестно
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Originally published in 1982. The Poetics of Jacobean Drama argues for a rediscovered approach to the study of Renaissance drama. Coburn Freer observes that most modern criticism of this drama treats the plays as if they were written in prose, thus overlooking whole areas of dramatic meaning that were understood in the past. Such an understanding, he asserts, was common among writers, actors, audiences, and readers of the Elizabethan and Jacobean eras, and a knowledge of it is essential to a full appreciation of the characterization and dramatic structures in these plays. Freer explores the evolution of the modern reluctance to approach Renaissance drama as one would dramatic poetry--from the standpoint of a listener. Blank verse, the author shows, provided Jacobean dramatists with a poetic form against which they could work the pressures of experience within their characters. The writers' ability to work with and against this form provided infinite resources for delineating character and creating significant coherences in the structure of a play. The book also offers insights into what the Renaissance writer, actor, and playgoer would have regarded as the domain of poetry in drama. Topics discussed include the conditions of stage performance and the style of acting, Elizabethan education, the rise of printed texts and collected editions, and the comments of Elizabethan audiences and readers. Freer's commentary and theoretical explanations suggest both why and how we should pay closer attention to the poetry of Renaissance drama.

-- "Times Higher Education Supplement"

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