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Midnight Vista, Rahal Eliot


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Автор: Rahal Eliot
Название:  Midnight Vista
ISBN: 9781949028386
Издательство: Diamond Books
Классификация:



ISBN-10: 1949028380
Обложка/Формат: Paperback
Страницы: 120
Вес: 0.23 кг.
Дата издания: 14.04.2020
Язык: English
Размер: 168 x 259 x 8
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Поставляется из: США
Описание: Oliver Flores and his stepfather, Nomar Perez, were turning right onto Midnight Vista Road when they were both abducted by aliens.

To Olivers mother, they were both just missing. To the police, they were declared legally dead. And to everyone else growing up in Albuquerque, Oliver Flores was the Milk Carton Kid. His life was the cautionary tale of an eight-year-old who was kidnapped and killed by his stepdad while out for some ice cream.

But now -- years later -- a fully grown adult Oliver walks back into town. He has been returned...and he remembers everything.

Based on a very personal, true story from writer Eliot Rahal (HOT LUNCH SPECIAL), with out-of-this-world art from Clara Meath, MIDNIGHT VISTA will make you believe in little grey men.



A Common Tragedy: The Life We Fail to Live

Автор: Rahal Kenneth
Название: A Common Tragedy: The Life We Fail to Live
ISBN: 0692763562 ISBN-13(EAN): 9780692763568
Издательство: Неизвестно
Цена: 1371.00 р.
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Bernard Shaw in Brazil: The Reception of Theatrical Productions, 1927–2013

Автор: Rosalie Rahal Haddad
Название: Bernard Shaw in Brazil: The Reception of Theatrical Productions, 1927–2013
ISBN: 3034319290 ISBN-13(EAN): 9783034319294
Издательство: Peter Lang
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Цена: 11608.00 р.
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Описание: In 1927, the first production of Pygmalion was staged in Brazil. At the time, over 65 per cent of the adult Brazilian population was illiterate, which makes it all the more surprising that directors and producers dared to stage such a controversial playwright – a writer who had often been rejected by the more sophisticated theatregoer in England.
This book analyses the reception of almost a century of Brazilian productions of Pygmalion, My Fair Lady, Arms and the Man, Candida and Mrs Warren’s Profession, setting that analysis in the context of the political, economic and cultural climate at the time of each production. What emerges is a faithful portrait of a country where theatre and theatre criticism are precariously established, and the theatregoer with no knowledge of English cannot be certain that the translation or adaptation they are watching bears anything more than a passing resemblance to the original. Nonetheless, Brazil has also witnessed a number of fine productions, presented by highly skilled actors and directors and reviewed by well-informed and articulate critics.
As well as supplying fascinating detail on the wide range of Shaw productions staged in Brazil over the last ninety years, this volume also generates valuable insights into the complexities of twentieth-century Brazilian society.


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