Автор: Howard Brenton, David Hare Название: Pravda ISBN: 147257477X ISBN-13(EAN): 9781472574770 Издательство: Bloomsbury Academic Рейтинг: Цена: 1741.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The press and politicians. A delicate relationship. Too close, and danger ensues. Too far apart, and democracy itself cannot function. Pravda (which means "truth") is a satire written at the height of Thatcherism when huge political changes were afoot. The play essentially studies, through black humour and close scrutiny, the tabloid ethic and the media industry as a get-rich-quick-fix. In the programme for the original 1985 production of Pravda, Brenton wrote: "Pravda means 'the truth'. English newspapers aren't propaganda sheets. The question is, why do so many of them choose to behave as if they are?" The character of Lambert Le Roux is a South African newspaper tycoon and the owner of several companies, striding his way through the regional papers en route to Fleet Street. Turning broadsheets tabloid, dumbing down the message, and stretching the truth, Le Roux takes no prisoners as he manipulates politicians and creates a media monopoly out of a once-respected industry. Le Roux is bent on dominating England's press as he has elsewhere in the world. As we see Le Roux accomplish his aims, we see also how the press is not the organ of truth we like to think it is. The dissemination of the truth is no longer its primary goal under the 'Lambert Le Rouxs' of our world. What is important now is what sells. The play is an epic satire on the media in the Thatcher era; a morality tale about how Andrew, a young liberal journalist, finally succumbs to Le Roux, who makes him editor of a tabloid; and – allegedly – the play is a direct representation of Rupert Murdoch who, even in 1985, was a major force in media ownership. Howard Brenton's and David Hare's first collaboration since Brassneck in 1973, Pravda was premiered at the National Theatre in May 1985, starring Anthony Hopkins and directed by David Hare, and was awarded the London Standard Best Play Award, the City Limits Best Play Award, and the Plays and Players Best Play Award. This Modern Classics edition features an introduction by Philip Roberts, Emeritus Professor of Drama and Theatre Studies at the University of Leeds, and a foreword by Jonathan Church.
New technologies, whether text message or telegraph, inevitably raise questions about emotion. New forms of communication bring with them both fear and hope, on one hand allowing us deeper emotional connections and the ability to forge global communities, while on the other prompting anxieties about isolation and over-stimulation. Feeling Mediated investigates the larger context of such concerns, considering both how media technologies intersect with our emotional lives and how our ideas about these intersections influence how we think about and experience emotion and technology themselves. Drawing on extensive archival research, Brenton J. Malin explores the historical roots of much of our recent understanding of mediated feelings, showing how earlier ideas about the telegraph, phonograph, radio, motion pictures, and other once-new technologies continue to inform our contemporary thinking. With insightful analysis, Feeling Mediated explores a series of fascinating arguments about technology and emotion that became especially heated during the early 20th century. These debates, which carried forward and transformed earlier discussions of technology and emotion, culminated in a set of ideas that became institutionalized in the structures of American media production, advertising, social research, and policy, leaving a lasting impact on our everyday lives.
The Jewish Question is foundational to the demographic transformation of the West, the revolution in its sexual and ethical mores, and to the trajectory of Western politics, art and culture. Battle Lines is a compendium of Brenton Sanderson's best writing on the topic of Jewish influence on Western societies and culture. Originally featured on The Occidental Observer, these incisive and intellectually-stimulating essays (all revised and updated) range across the cultural landscape of the West, examining Jewish influence on politics, economics, music, art, literature, sexuality and popular culture. Battle Lines includes a Foreword by Dr. Kevin MacDonald, author of The Culture of Critique and editor of The Occidental Observer and The Occidental Quarterly.
Автор: Brenton Betts Robert Название: Sunni-Shi`a Divide ISBN: 1612345220 ISBN-13(EAN): 9781612345222 Издательство: Неизвестно Рейтинг: Цена: 3793.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Until the attacks of September 11, 2001, few Americans knew anything about Islam, let alone about the distinctions between Sunni and Shi`a, the Sufi and Wahhabi, the origins of the Holy Qur`an and Shari`a law, and the respect that all Muslims, even secular ones, harbor for the prophet Muhammad, his family, and Islamic traditions.
Автор: Howard Brenton Название: Magnificence ISBN: 1350029114 ISBN-13(EAN): 9781350029118 Издательство: Bloomsbury Academic Рейтинг: Цена: 1899.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: I loathe us, I loathe our stupid puerile view of the world ... That we have only to do it, that we have only to go puff, and the monster buildings will go splat ...
London, the early 70s. Poverty, homelessness, rising inequality, unemployment, industrial disputes. Five young activists squat a disused building and try to make a stand against it all.
Fired up by left-wing idealism, but short on pragmatism, they discover that the revolution may be a long time coming and when the protest leads to tragedy, some of them are driven to more violent methods. Meanwhile, two Tory MPs meet for a quiet chat to pass over the reins of power.
Both epic and intimate, Howard Brenton's 1973 play Magnificence takes us from the grubby barracks of the revolutionary struggle to the heart of centre-right Tory politicking, creating a panoramic vision of Britain at a pivotal moment in history. Many of its themes remain burning issues today - police brutality, drug abuse, the deceptions of professional politicians, the social housing crisis and whether violence can ever be justified for political ends.
Magnificence originally premiered at the Royal Court Theatre, London, in June 1973, directed by Max Stafford-Clark and with a cast that included Pete Postlethwaite, Kenneth Cranham, Michael Kitchen and Robert Eddison. This edition was published to coincide with the first professional London revival in over 40 years at the Finborough Theatre in October 2016.
Автор: Faber Brenton Название: Discourse, Technology and Change ISBN: 144110593X ISBN-13(EAN): 9781441105936 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Discourse, Technology and Change presents a detailed analysis of discourses that initiate, enable, and stabilise social change in organizational contexts. The book examines the function of written discourse within this setting to examine the dynamic relationships between writing, technology, and socio-cultural change. Focusing on everyday texts used to create technical and social change, the book offers a detailed study of the intersections of discourse, technology and persuasion illustrated through an empirical case study of technological change in an academic institution. The book seriously engages the claim that texts dually construct and reflect social networks and social action. Working at both the micro and macro textual level, the book examines the functions of change discourse, providing a framework for understanding how change is constituted within social networks. This cutting-edge monograph will be of interest to academics researching discourse analysis and applied linguistics.
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