Автор: Morrey, Douglas Название: Jean-luc godard ISBN: 0719067596 ISBN-13(EAN): 9780719067594 Издательство: NBN International Рейтинг: Цена: 2364.00 р. 3377.00-30% Наличие на складе: Есть (1 шт.) Описание: This volume offers a new interpretation of the whole of Godard`s career in cinema. Drawing examples from all periods of Godard`s filmmaking, it examines the parallels between the director`s innovative approach to film form and wider developments in French culture and thought since 1950. -- .
Описание: Jean-Luc Godard and Anne-Marie Mieville are among the most important postwar filmmakers; they have worked across forms, across media, and across countries. This book examines the way they expanded the possibilities of cinema by using cutting-edge video equipment in a constant search for a new kind of filmmaking.
Автор: Brody Richard Название: Everything Is Cinema: The Working Life of Jean-Luc Godard ISBN: 0805080155 ISBN-13(EAN): 9780805080155 Издательство: Holtzbrink(MPS)/MPS Рейтинг: Цена: 2391.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age ("The New York Times")
When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a if not the key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable.
In "Everything Is Cinema," critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers.
"Everything Is Cinema" confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere."
Автор: Morrey Douglas, Stojanova Christina, Cote Nicole Название: The Legacies of Jean-Luc Godard ISBN: 1554589207 ISBN-13(EAN): 9781554589203 Издательство: Gazelle Book Services Рейтинг: Цена: 8580.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The artistic impact of Jean-Luc Godard, whose career in cinema has spanned over fifty years and yielded a hundred or more discrete works in different media cannot be overestimated. This book maps the range and diversity of Godard`s impact across these different fields, and contains reassessments of key films.
Автор: Godard, Jean-Luc (Author), Kendall, Stuart (Transl Название: Phrases: Six Films ISBN: 1940625173 ISBN-13(EAN): 9781940625171 Издательство: Неизвестно Рейтинг: Цена: 3885.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Fox Albertine Название: Godard and Sound ISBN: 1784538426 ISBN-13(EAN): 9781784538422 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: For the first time, this book brings together Jean-Luc Godard`s later multimedia works with an analysis of their complex soundscapes.
Автор: Witt Michael Название: Jean-Luc Godard, Cinema Historian ISBN: 0253007283 ISBN-13(EAN): 9780253007285 Издательство: Wiley EDC Рейтинг: Цена: 5146.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cin?ma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard's landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.
Автор: Robinson, Jeremy Mark Название: Jean-luc godard ISBN: 1861712278 ISBN-13(EAN): 9781861712271 Издательство: Неизвестно Рейтинг: Цена: 8642.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: JEAN-LUC GODARD
There's no one else quite like Jean-Luc Godard. You could take a few frames from one of his films and know they were by the maestro and nobody else. Where the flood of movies globally now runs into many thousands, Godard's works stand out as original, acerbic, romantic, ironic, humorous and explorative.
EXTRACT FROM CHAPTER 2: "GODARD BIOGRAPHY"
With Bout du Souffle, Godard produced one of the first, great French New Wave movies, starring Jean-Paul Belmondo and Jean Seberg, and written by, among others, Fran ois Truffaut. Bout du Souffle, with its cool Parisian milieu, its filmic and film noir allusions, handheld camera, direct sound, startling editing and stylish, self-conscious performances from Belmondo and Seberg, established Godard as one of the major voices of postwar cinema, a reputation which Godard built on in subsequent early films such as Le Petit Soldat (1960), Une Femme Est Une Femme (1961), Vivre Sa Vie (1962), Le M pris (1963), Bande Part (1964), and Une Femme Mari e (1964).
In these films of the early to mid-1960s, Godard established a radical, polemical series of films as film-essays which confronted issues such as late consumer capitalism, prostitution, labour, politics, ideology, gender, marriage, music, popular culture, Hollywood and not forgetting cinema itself.
In the mid-1960s, Godard's films became increasingly political - the sci-fi film Alphaville (1965), Pierrot le Fou (1965), Made in U.S.A (1966), Masculine/ F minin (1966), 2 ou 3 Choses Que Je Sais (1966) - until, by 1967-68, the Marxist and Maoist influences permeated Godard's films: Weekend (1967), La Chinoise (1967), La Gai Savoir (1968), and One Plus One (Sympathy For the Devil, 1968). His concern was 'not to make political films, but to make films politically' (my emphasis).
In the 1970s, Godard moved into video and television territory, and worked with Anne-Marie Mi ville on many projects: Ici Et Ailleurs (1974), Num ro Deux (1975), Comment a Va (1976), Six Fois Deux/ Sur Et Sous La Communication (1976), and France/ Tour/ D tour/ Deux/ Enfants (1977-78).
In the late 1970s, Godard made a 'return' to feature filmmaking, with the 'sublime trilogy', Sauve Qui Peut (a.k.a. Every Man For Himself and Slow Motion, 1979), Passion (1982), and Pr nom: Carmen (1983).
Easily his most controversial film, Je Vous Salue Marie (Hail Mary), appeared in 1985; it was followed by D tective (1985), made to help finance the completion of Hail Mary, King Lear (1987), which starred Peter Sellars, Burgess Meredith, Molly Ringwald, Norman Mailer and Woody Allen, Nouvelle Vague (1990), H las Pour Moi (1993), For Ever Mozart (1997), loge de l'Amour (In Praise of Love, 2000) and Notre Musique (2005).
Fully illustrated. Bibliography and notes.
Автор: Godard, Jean-luc Ishaghpour, Youssef Название: Cinema ISBN: 1845201973 ISBN-13(EAN): 9781845201975 Издательство: Bloomsbury Рейтинг: Цена: 2243.00 р. Наличие на складе: Поставка под заказ.
Описание: Focuses on a century of film. This book argues that - after the century of Chaplin and Pol Pot, Monroe and Hitler, Stalin and Mae West, Mao and the Marx Brothers - film and history are inextricably intertwined. It presents the author`s thoughts on film theory, cinematic technique, film histories, as well as the video revolution.
Trans/acting Culture, Writing, and Memory is a collection of essays written in honour of Barbara Godard, one of the most original and wide-ranging literary critics, theorists, teachers, translators, and public intellectuals Canada has ever produced. The contributors, both established and emerging scholars, extend Godard's work through engagements with her published texts in the spirit of creative interchange and intergenerational relay of ideas. Their essays resonate with Godard's innovative scholarship situated at the intersection of such fields as literary studies, cultural studies, translation studies, feminist theory, arts criticism, social activism, institutional analysis, and public memory. In pursuit of unexpected linkages and connections, the essays venture beyond generic and disciplinary borders, zeroing in on Godard's transdisciplinary practice that has been extremely influential in the way that it framed questions and modeled interventions for the study of Canadian, Qu b cois, and Acadian literatures and cultures. The authors work with the archives ranging from Canadian government policies and documents, to publications concerning white supremacist organizations in Southern Ontario, online materials from a Toronto-based transgender arts festival, a photographic mural installation commemorating the Montreal Massacre, and the works of such writers and artists as Marie Clements, Nicole Brossard, France Daigle, Nancy Huston, Yvette Nolan, Gail Scott, Denise Desautels, Louise Warren, Rebecca Belmore, Vera Frenkel, Robert Lepage, and Janet Cardiff.
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