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Killing the Perfectionist Within: A Self-Help Guide for Women Suffering from Perfectionism, Anxiety, and Chronic Fatigue Syndrome, Newman Honor Jane


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Цена: 1654.00р.
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При оформлении заказа до: 2025-07-23
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Автор: Newman Honor Jane
Название:  Killing the Perfectionist Within: A Self-Help Guide for Women Suffering from Perfectionism, Anxiety, and Chronic Fatigue Syndrome
ISBN: 9781452529523
Издательство: Balboa Press Australia
Классификация:

ISBN-10: 1452529523
Обложка/Формат: Paperback
Страницы: 130
Вес: 0.15 кг.
Дата издания: 14.07.2015
Язык: English
Иллюстрации: Illustrations, black and white
Размер: 203 x 127 x 8
Читательская аудитория: General (us: trade)
Подзаголовок: A self-help guide for women suffering from perfectionism, anxiety, and chronic fatigue syndrome
Рейтинг:
Поставляется из: США


Benjamin`s Library

Автор: Newman Jane O.
Название: Benjamin`s Library
ISBN: 0801476593 ISBN-13(EAN): 9780801476594
Издательство: Wiley EDC
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Цена: 5491.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

In Benjamin’s Library, Jane O. Newman offers, for the first time in any language, a reading of Walter Benjamin’s notoriously opaque work, Origin of the German Tragic Drama that systematically attends to its place in discussions of the Baroque in Benjamin’s day. Taking into account the literary and cultural contexts of Benjamin’s work, Newman recovers Benjamin’s relationship to the ideologically loaded readings of the literature and political theory of the seventeenth-century Baroque that abounded in Germany during the political and economic crises of the Weimar years.

To date, the significance of the Baroque for Origin of the German Tragic Drama has been glossed over by students of Benjamin, most of whom have neither read it in this context nor engaged with the often incongruous debates about the period that filled both academic and popular texts in the years leading up to and following World War I. Armed with extraordinary historical, bibliographical, philological, and orthographic research, Newman shows the extent to which Benjamin participated in these debates by reconstructing the literal and figurative history of sixteenth- and seventeenth-century books that Benjamin analyzes and the literary, art historical and art theoretical, and political theological discussions of the Baroque with which he was familiar. In so doing, she challenges the exceptionalist, even hagiographic, approaches that have become common in Benjamin studies. The result is a deeply learned book that will infuse much-needed life into the study of one of the most influential thinkers of the twentieth century.


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