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Hilma AF Klint: Spiritistic Drawings 1896-1905


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Автор: Af Klint Hilma   (Хильма аф Клинт)
Название:  Hilma AF Klint: Spiritistic Drawings 1896-1905
Перевод названия: Хильма аф Клинт: Спиритистические рисунки 1896-1905 гг.
ISBN: 9789189069237
Издательство: Thames & Hudson
Классификация:
ISBN-10: 9189069234
Обложка/Формат: Hardcover
Страницы: 220
Вес: 2.72 кг.
Дата издания: 20.10.2020
Язык: English
Иллюстрации: 350 illustrations, unspecified
Размер: 252 x 318 x 42
Читательская аудитория: General (us: trade)
Подзаголовок: Catalogue raisonne volume i
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Поставляется из: Европейский союз
Описание:

How af Klints early drawings rose from spiritual practices conducted with friends: the first volume in a beautiful new catalogue raisonn

The drawings in this first volume of a new catalogue raisonn represent an intense ten-year period of Hilma af Klints (1862-1944) life that would lay the foundation for her later achievements. In 1896, af Klint and four other women formed The Five, a group steeped in the spiritualist beliefs permeating Europe at that time, including theosophy, Rosicrucianism and other strains of liberal religious thought. From 1896 to 1907, The Five engaged in a daily systematic method of spiritual experimentation. During s ances, Hilma af Klint drew automatic spiritual sketches based on the messages that the medium (not always the same member) communicated from the spirits the group summoned. The elaborate system of symbols, geometry and biological imagery that characterize her work all find their origin during this period.




Hilma AF Klint

Автор: Af Klint Hilma
Название: Hilma AF Klint
ISBN: 0892075430 ISBN-13(EAN): 9780892075430
Издательство: Неизвестно
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Hilma af Klint's daring abstractions exert a mystical magnetism

When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than 1,000 paintings and works on paper that she had kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint's radically abstract painting practice--one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Her boldly colorful works, many of them large-scale, reflect an ambitious, spiritually informed attempt to chart an invisible, totalizing world order through a synthesis of natural and geometric forms, textual elements and esoteric symbolism.

Accompanying the first major survey exhibition of the artist's work in the United States, Hilma af Klint: Paintings for the Future represents her groundbreaking painting series while expanding recent scholarship to present the fullest picture yet of her life and art. Essays explore the social, intellectual and artistic context of af Klint's 1906 break with figuration and her subsequent development, placing her in the context of Swedish modernism and folk art traditions, contemporary scientific discoveries, and spiritualist and occult movements. A roundtable discussion among contemporary artists, scholars and curators considers af Klint's sources and relevance to art in the 21st century. The volume also delves into her unrealized plans for a spiral-shaped temple in which to display her art--a wish that finds a fortuitous answer in the Guggenheim Museum's rotunda, the site of the exhibition.

Hilma af Klint (1862-1944) is now regarded as a pioneer of abstract art. Though her paintings were not seen publicly until 1987, her work from the early 20th century predates the first purely abstract paintings by Kandinsky, Mondrian and Malevich.

Hilma AF Klint: Late Watercolours 1922-1941: Catalogue Raisonnй Volume VI

Название: Hilma AF Klint: Late Watercolours 1922-1941: Catalogue Raisonnй Volume VI
ISBN: 9189069277 ISBN-13(EAN): 9789189069275
Издательство: Thames & Hudson
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Описание:

Gathering af Klint's 1920s works made after her mother's death and her abandonment of geometric abstraction

In the 1920s, Hilma af Klint (1862-1944) spent extended periods in Dornach, Switzerland, where Rudolf Steiner had established an international center for the anthroposophical movement, the Goetheanum. At the Goetheanum, af Klint took part in the center's rich cultural life. Among other things, she studied Johann Wolfgang von Goethe's theory of color. In 1922, at the age of 60, she completely abandoned her geometrical way of working for the "wet-on-wet" watercolor method inspired by anthroposophy, and developed by Steiner and his circle. An example of this is her series On the Viewing of Flowers and Trees from 1922. Most of the series presented in this, the sixth volume of Hilma af Klint's catalogue raisonnй, have no titles.


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