Mopl national theatre connections 2, Adebayo, Mojisola Bush, Chris Carr, Alison Donnelly, John Franzmann, Vivienne Naylor, Hattie Muir, Andrew Poet, Frances Semerciyan, Silva Thompson, Ch

National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year.

This anthology brings together 9 new plays by some of the UKs most prolific and current writers and artists alongside notes on each of the texts exploring performance for schools and youth groups.

Wind / Rush Generation(s) by Mojisola Adebayo

This is a play about the British Isles, its past and its present. Set in a senior common room, in a prominent university, a group of 1st year undergraduates are troubled, not by the weight of their workload, but by a noisy ghost. So they do what any group self-respecting and intelligent university students would do in such a situation - they get out the Ouija Board to confront their spiritual irritant and lay them to rest - only to be confronted by the full weight of Britains colonial past - in all its gory glory. Fusing naturalism, with physical theatre, spoken-word, absurdism, poetry and direct address - this is event-theatre that whips along with the grace, pace and hypnotic magnetism of a hurricane.

Tuesday by Alison Carr

Tuesday is light, playful and nuanced in tone. And a little bit sci-fi. The play centres on an ordinary Tuesday that suddenly turns very weird indeed when a tear rips across the sky over the school yard. The play touches on themes of friendship, sibling love, family, identity, grief, bullying, loneliness and responsibility. And in the process we might just learn something about ourselves as well as some astronomical theories of the multiverse

A series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly

This satirical play is heightened in its naturalism, in its seriousness, in its parody and piercing in its interrogation of how our attempts to define ourselves in public are shaped by the fear of saying the wrong thing. Presented quite literally as a series of public apologies this play is spacious, flexible and welcoming of inventive and imaginative interpretation as each iteration spirals inevitably to its absurdist core. This is a play on words, on convention, on manners, on institutions, on order, online and on point.

THE IT by Vivienne Franzmann

THE IT is a play about a teenage girl who has something growing inside her. She doesnt know what it is, but she knows its not a baby. It expands in her body. It starts in her stomach, but quickly outgrows that, until eventually ittakes over the entirety of her insides. It has claws. She feels them.

Presented in the style of a direct to camera documentary, this is a darkly comic state of the nation play exploring adolescent mental health and the rage within, written very specifically for today.

The Marxist in Heaven by Hattie Naylor

The Marxist in Heaven is a play that does exactly what its title page says its going to do. The eponymous protagonist wakes up in paradise and once they get over the shock of this fundamental contradiction of everything they believe in.....they get straight back to work....and continue their lifelong struggle for equality and fairness for all....even in death. Funny, playful, provocative, pertinent and jam-packed with discourse, disputes, deities and disco dancing by the bucketful, this upbeat buoyant allegory shines its holy light on globalization and asks the salient questions - who are we and what are we doing to ourselves?.....and what conditioner do you use on your hair?