Описание: A landmark anthology of the masterpieces of Greek drama, featuring all-new, highly accessible translations of some of the world s most beloved plays, including "Agamemnon, Prometheus Bound, Bacchae, Electra, Medea, Antigone, "and" Oedipus the King""
Автор: Aeschylus Название: Prometheus Bound and Other Plays ISBN: 0140441123 ISBN-13(EAN): 9780140441123 Издательство: Random House - Penguin Рейтинг: Цена: 1319.00 р. Наличие на складе: Заказано в издательстве.
Описание: Aeschylus (525-456 BC) brought a new grandeur and epic sweep to the drama of classical Athens, raising it to the status of high art. This translation is accompanied by an introduction, with individual discussions of the plays, and their sources in history and mythology.
Автор: Aeschylus Название: Agamemnon: A New English Version in Syllabic Verse ISBN: 0972799354 ISBN-13(EAN): 9780972799355 Издательство: Неизвестно Цена: 2476.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Aeschylus` "Persions" is the first surviving Greek drama. This book provides aims to provide both a more satisfactory reading of the "Persians" and a richer picture of fifth-century history - the history both of events and ideology.
Автор: , Aeschylus Название: Four Plays of Aeschylus ISBN: 1523337699 ISBN-13(EAN): 9781523337699 Издательство: Неизвестно Цена: 1888.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Situated within contemporary posthumanism, this volume offers theoretical and practical approaches to materiality in Greek tragedy. Established and emerging scholars explore how works of the three major Greek tragedians problematize objects and affect, providing fresh readings of some of the masterpieces of Aeschylus, Sophocles, and Euripides. The so-called new materialisms have complemented the study of objects as signifiers or symbols with an interest in their agency and vitality, their sensuous force and psychosomatic impact—and conversely their resistance and irreducible aloofness. At the same time, emotion has been recast as material “affect,” an intense flow of energies between bodies, animate and inanimate. Powerfully contributing to the current critical debate on materiality, the essays collected here destabilize established interpretations, suggesting alternative approaches and pointing toward a newly robust sense of the physicality of Greek tragedy.
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