A Family Feud Texas Style: A Private Detective Murder Mystery, Swarts Kent
Автор: Swarts, Lian Название: Draconus flame: the monster within ISBN: 1398498742 ISBN-13(EAN): 9781398498747 Издательство: Неизвестно Рейтинг: Цена: 2200.00 р. Наличие на складе: Нет в наличии.
Описание: The Filofax Personal Saffiano organiser in pear combines a sophisticated classic leather-look cover in a bright on trend colour with a simple personal organiser construction and clean lines. The cover is made from PU with a classic cross-grain effect, whilst the interior is a combination of the external PU and colour-matched polyester. The closure is a concealed popper. The Filofax Personal Saffiano organiser in pear comes complete with a selection of refills and a week to view diary. The inside left cover of the organiser features 3 card pockets and 1 larger pocket. The inside right cover has a notepad pocket and a colour matched elastic pen loop. The organiser has a ring mechanism with 6 rings of 23mm to fit paper size 95mm x 171mm.
Описание: Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien’s work available in English, making this book an important contribution to historical and art-historical scholarship.
Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien’s groundbreaking male iconography in Zionist art, but is the first to examine Lilien’s complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien’s female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siecle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius.
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