Автор: Debord, Guy Название: Society of the spectacle ISBN: 0946061122 ISBN-13(EAN): 9780946061129 Издательство: Неизвестно Рейтинг: Цена: 1699.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Craig Larman again delivers a clear path for students to learn object-oriented analysis and design through his clear and precise writing style. Larman teaches newcomers to OOA/D learn how to "think in objects" by presenting three iterations of a single, cohesive case study, incrementally introducing the requirements and OOA/D activities, principles, and patterns that are most critical to success.
Описание: Spectacle is usually considered a superficial form of politics, which tries to distract and deceive a passive audience. It is difficult to see how this type of politics could be reconciled with the democratic requirement of active and informed agency. Rethinking the Spectacle re-examines the tension between spectacle and political agency using the ideas and practices of Guy Debord and the Situationist International as a point of departure. Drawing on radical democratic theory and examining case studies such as the 2011 Occupy movement, Devin Penner concludes that spectacle can and should be used to mobilize the public for egalitarian purposes.
Описание: Guy Debord, the Situationist International, and the Revolutionary Spirit presents a history of the two avant-garde groups that French filmmaker and subversive strategist Guy Debord founded and led: the Lettrist International (1952–1957) and the Situationist International (1957–1972). Debord is popularly known for his classic book The Society of the Spectacle (1967), but his masterwork is the Situationist International (SI), which he fashioned into an international revolutionary avant-garde group that orchestrated student protests at the University of Strasbourg in 1966, contributed to student unrest at the University of Nanterre in 1967–1968, and played an important role in the occupations movement that brought French society to a standstill in May of 1968. The book begins with a brief history of the Lettrist International that explores the group’s conceptualization and practice of the critical anti-art practice of detournement, as well as the subversive spatial practices of the derive, psychogeography, and unitary urbanism. These practices, which became central to the Situationist International, anticipated many contemporary cultural practices, including culture jamming, critical media literacy, and critical public pedagogy. This book follows up the edited book Detournement as Pedagogical Praxis (Sense Publishers, 2014), and together they offer readers, particularly those in the field of Education, an introduction to the history, concepts, and critical practices of a group whose revolutionary spirit permeates contemporary culture, as can be seen in the political actions of Pussy Riot in Russia, the “yellow vest” protesters in France, the #BlackLivesMatter movement, and the striking teachers and student protesters on campuses throughout the U.S.
Автор: Chako Sharon Debord Название: Who`s Mike?: An Encounter on the Mountain ISBN: 0692806938 ISBN-13(EAN): 9780692806937 Издательство: Неизвестно Цена: 1378.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Going beyond superficial explanations, The Dream Interpretation Dictionary, brings a deep and rich understanding of the meaning behind your dreams.
Описание: Guy Debord, the Situationist International, and the Revolutionary Spirit presents a history of the two avant-garde groups that French filmmaker and subversive strategist Guy Debord founded and led: the Lettrist International (1952–1957) and the Situationist International (1957–1972). Debord is popularly known for his classic book The Society of the Spectacle (1967), but his masterwork is the Situationist International (SI), which he fashioned into an international revolutionary avant-garde group that orchestrated student protests at the University of Strasbourg in 1966, contributed to student unrest at the University of Nanterre in 1967–1968, and played an important role in the occupations movement that brought French society to a standstill in May of 1968. The book begins with a brief history of the Lettrist International that explores the group’s conceptualization and practice of the critical anti-art practice of detournement, as well as the subversive spatial practices of the derive, psychogeography, and unitary urbanism. These practices, which became central to the Situationist International, anticipated many contemporary cultural practices, including culture jamming, critical media literacy, and critical public pedagogy. This book follows up the edited book Detournement as Pedagogical Praxis (Sense Publishers, 2014), and together they offer readers, particularly those in the field of Education, an introduction to the history, concepts, and critical practices of a group whose revolutionary spirit permeates contemporary culture, as can be seen in the political actions of Pussy Riot in Russia, the “yellow vest” protesters in France, the #BlackLivesMatter movement, and the striking teachers and student protesters on campuses throughout the U.S.
Автор: Debord Guy Название: Socidad del Espectaculo ISBN: 8496875660 ISBN-13(EAN): 9788496875661 Издательство: Неизвестно Рейтинг: Цена: 3104.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "Todo lo que una vez fue vivido directamente se ha convertido en una mera representaci n." "La sociedad del espect culo" proporciona una reinterpretaci n del marxismo, sobre todo del concepto de fetiche de la mercanc a aplicado a las condiciones del capitalismo contempor neo. Guy Debord argumenta que la historia de la vida social se puede entender como la declinaci n del ser en tener, y del tener en simplemente parecer. Esta condici n en la cual la realidad se ha substituido por su imagen representa el momento hist rico contempor neo, cuando la mercanc a completa su colonizaci n de la vida social: las relaciones entre mercanc as han suplantado las relaciones entre las personas y, en estas, la identificaci n pasiva con el espect culo suplanta la actividad genuina. El espect culo no es una colecci n de im genes, escribe Debord, en cambio, es una relaci n social entre la gente que es mediada por im genes.
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