Postcolonial hangups in southeast asian cinema, Sim, Gerald
Автор: Matthew Hunt Название: Thai Cinema Uncensored ISBN: 6162151697 ISBN-13(EAN): 9786162151699 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4013.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In this first full-length study on the topic, Matthew Hunt—with access to rare and controversial films—provides a history of film censorship in Thailand. Hunt outlines its beginnings in the country, when films were censored by the police for political and ideological reasons, rather than on the basis of taste and decency, to the present when issues such as politics, religion, and sex are the main reasons films are banned. He also examines how Thai filmmakers approach culturally sensitive subjects and how their films have been censored as a result. Hunt presents interviews with ten leading directors, including conversations with Thai New Wave veterans Apichatpong Weerasethakul and Pen-ek Ratanaruang. In these interviews, the directors discuss their most controversial films, which range from mainstream studio movies to independent arthouse releases, and explain their responses to censorship.
Описание: This book provides a framework to rethink postcoloniality and urbanism from African perspectives. Bringing together multidisciplinary perspectives on African crises through postmillennial films the book addresses the need to situate global south cultural studies within the region.
Автор: Mazierska Ewa Название: Postcolonial Approaches to Eastern European Cinema ISBN: 1780763018 ISBN-13(EAN): 9781780763019 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: All countries and nations are deeply affected by their neighbours and every national cinema reflects this relationship. This book explores how postcolonial approaches can `frame` the neighbours of people living in Eastern Europe. It explores a range of films in relation to territory, from the steppes of the East to reunified Berlin.
This volume investigates literary and cinematographic narratives from Cape Verde, Guinea-Bissau and Sao Tome and Principe, analysing the different ways in which social and cultural experience is represented in postcolonial contexts. It continues and completes the exploration of the postcolonial imaginary and identity of Portuguese-speaking Africa presented in the earlier volume Narrating the Postcolonial Nation: Mapping Angola and Mozambique (2014).
Memory, history, migration and diaspora are core notions in the recreation and reconceptualization of the nation and its identities in Capeverdian, Guinean and Saotomean literary and cinematographic culture. Acknowledging that the idea of the postcolonial nation intersects with other social, political, cultural and historical categories, this book scrutinizes written and visual representations of the nation from a wide range of inter- and transdisciplinary perspectives, including literary and film studies, gender studies, sociology, and post-colonial and cultural studies. It makes a valuable contribution to current debates on postcolonialism, nation and identity in these former Portuguese colonies.
Описание: When Philippe-Richard Marius arrived in Port-au-Prince to begin fieldwork for this monograph, to him and to legions of people worldwide, Haiti was axiomatically the first Black Republic. Descendants of Africans did in fact create the Haitian nation-state on January 1, 1804, as the outcome of a slave uprising that defeated white supremacy in the French colony of Saint-Domingue. Haiti’s Founding Founders, as colonial natives, were nonetheless to varying degrees Latinized subjects of the Atlantic. They envisioned freedom differently than the African-born former slaves, who sought to replicate African nonstate societies. Haiti’s Founders indeed first defeated native Africans’ armies before they defeated the French. Not surprisingly, problematic vestiges of colonialism carried over to the independent nation. Marius recasts the world-historical significance of the Saint-Domingue Revolution to investigate the twinned significance of color/race and class in the reproduction of privilege and inequality in contemporary Haiti. Through his ethnography, class emerges as the principal site of social organization among Haitians, notwithstanding the country’s global prominence as a "Black Republic." It is class, and not color or race, that primarily produces distinctive Haitian socioeconomic formations. Marius interrogates Haitian Black nationalism without diminishing the colossal achievement of the enslaved people of Saint-Domingue in destroying slavery in the colony, then the Napoleonic army sent to restore it. Providing clarity on the uses of race, color, and nation in sociopolitical and economic organization in Haiti and other postcolonial bourgeois societies, Marius produces a provocative characterization of the Haitian nation-state that rejects the Black Republic paradigm.
Описание: When Philippe-Richard Marius arrived in Port-au-Prince to begin fieldwork for this monograph, to him and to legions of people worldwide, Haiti was axiomatically the first Black Republic. Descendants of Africans did in fact create the Haitian nation-state on January 1, 1804, as the outcome of a slave uprising that defeated white supremacy in the French colony of Saint-Domingue. Haiti’s Founding Founders, as colonial natives, were nonetheless to varying degrees Latinized subjects of the Atlantic. They envisioned freedom differently than the African-born former slaves, who sought to replicate African nonstate societies. Haiti’s Founders indeed first defeated native Africans’ armies before they defeated the French. Not surprisingly, problematic vestiges of colonialism carried over to the independent nation. Marius recasts the world-historical significance of the Saint-Domingue Revolution to investigate the twinned significance of color/race and class in the reproduction of privilege and inequality in contemporary Haiti. Through his ethnography, class emerges as the principal site of social organization among Haitians, notwithstanding the country’s global prominence as a "Black Republic." It is class, and not color or race, that primarily produces distinctive Haitian socioeconomic formations. Marius interrogates Haitian Black nationalism without diminishing the colossal achievement of the enslaved people of Saint-Domingue in destroying slavery in the colony, then the Napoleonic army sent to restore it. Providing clarity on the uses of race, color, and nation in sociopolitical and economic organization in Haiti and other postcolonial bourgeois societies, Marius produces a provocative characterization of the Haitian nation-state that rejects the Black Republic paradigm.
Автор: Shields Tanya L. Название: The Legacy of Eric Williams: Into the Postcolonial Moment ISBN: 1628462426 ISBN-13(EAN): 9781628462425 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 7524.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Legacy of Eric Williams provides an indispensable and significant understanding of Eric Williams's contributions to the now independent nation of Trinidad and Tobago and his impact on the broader international understanding of the Caribbean. This book stands out because of its simultaneous investigation into Eric Williams as a scholar/intellectual, a political leader, and, most importantly, a key postcolonial figure. Most previous studies have treated these as separate arenas.The essays here confront the relevance of postcolonialism in understanding Williams's role both in post-independence Trinidad and Tobago and in newer understandings of Caribbean globalization. The volume divides into three broad sections--""Becoming Eric Williams,"" ""Political Williams,"" and ""Textual Williams."" ""Becoming Eric Williams"" provides background on Williams and the Caribbean's ontological quest, addressing what it means to be West Indian and Caribbean. ""Political Williams"" engages with his policies and their consequences, describing the impact of Williams's political policies on several areas: integration, color stratification, and labor and public sector reform. Williams's far-reaching political influence in these aspects cements his legacy as one of the main public intellectuals responsible for creating the modern Caribbean. ""Textual Williams"" examines his scholarly contributions from a more traditional academic perspective. These sections allow for a comprehensive understanding of Williams as a man, a scholar, and a politician.
Описание: This collection examines Southeast Asia`s cinematic development throughout the latter part of the 20th century, before the post-2000 revival and the advent of digital filmmaking.
Автор: Rekdal Paisley Название: Broken Country ISBN: 0820351172 ISBN-13(EAN): 9780820351179 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3326.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Uses a violent incident that took place in Salt Lake City, Utah, in 2012 as a springboard for examining the long-term cultural and psychological effects of the Vietnam War. Paisley Rekdal draws on a range of material and fashions it into a compelling account of the dislocations suffered by the Vietnamese and by American-born veterans.
Описание: Breaking with nationalist and colonial historiographies, which have largely locked Vietnam into Indochinese or nation-state straightjackets, Goscha takes Thailand as his point of departure for exploring how the Vietnamese revolution was intimately linked to Asia between 1885 and 1954.
The Black Flags raided their way from southern China into northern Vietnam, competing during the second half of the nineteenth century against other armed migrants and uplands communities for the control of commerce, specifically opium, and natural resources, such as copper. At the edges of three empires (the Qing empire in China, the Vietnamese empire governed by the Nguyen dynasty, and, eventually, French Colonial Vietnam), the Black Flags and their rivals sustained networks of power and dominance through the framework of political regimes. This lively history demonstrates the plasticity of borderlines, the limits of imposed boundaries, and the flexible division between apolitical banditry and political rebellion in the borderlands of China and Vietnam.
Imperial Bandits contributes to the ongoing reassessment of borderland areas as frontiers for state expansion, showing that, as a setting for many forms of human activity, borderlands continue to exist well after the establishment of formal boundaries.
Описание: Drawing from both European and African cultural theorists, including Gilles Deleuze and Wole Soyinka, Vlad Dima invites us to consider what happens to postcolonial African film if we no longer privilege the idea of time. How else might we understand the cinematic image, and how would its meanings change?
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