In recent decades, the rise in cross-border law violations has harmed numerous victims around the globe. The damages are often dispersed and low-level. As a result, the private enforcement gap has deepened and collective redress represents an interesting procedural instrument that is able to provide effective access to justice.
This book analyses thoroughly the dominant collective redress models adopted in the EU. Data from 13 Member States has been catalogued and categorised. The research mainly focuses on the consumer law field but frequent references to financial and data protection-related cases are made. The dominant collective redress models are then studied from a private international law perspective. In particular, the book highlights the current mismatch between collective redress on the one hand, and rules on international jurisdiction on the other. Additionally, it notes that barriers to cross-border litigation remain significant for victims and their representatives. The unprecedented empirical study included in this book confirms that statement. Observing that EU measures have not satisfactorily lowered those barriers, the author proposes the creation of a new head of jurisdiction for cases of international collective redress.
This book will be of interest to private international law scholars, researchers, students, legal practitioners, judges and policy-makers. It is a reference point for those with an interest in cross-border collective redress in particular, and private international law in general.
Автор: Nasu, Masako Название: From individual to collective ISBN: 303432121X ISBN-13(EAN): 9783034321211 Издательство: Peter Lang Рейтинг: Цена: 12015.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book argues that a profound shift can be found in the works of Virginia Woolf, from an early «pursuit of the individual» to a late «pursuit of the collective». Evidence for this shift is found both in the narrative modes she employed and the methods by which thought is represented in the works themselves, and in ideas and ruminations found in Woolf’s diaries and essays. The stylistic analysis covers works from The Voyage Out (1915) to the posthumously published Between the Acts (1941), and shows how several of the shorter pieces can be considered to be experiments with techniques that were fully employed in Woolf’s longer, major fictions. This shift arises from changes in Woolf’s concept of the conscious and unconscious over time, and the argument shows how she took deliberate steps to reflect these changes in her fiction. This framework provides key insights for new interpretations of her works.
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