Kinder Marsha, McPherson Tara Transmedia Frictions: The Digital, the Arts, and the Humanities 9780520383029

Варианты приобретения

Цена: 6653.00р.
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Англия: Есть Склад Америка: Есть
При оформлении заказа до: 2025-08-04
Ориентировочная дата поставки: Август-начало Сентября

Добавить в корзину

в Мои желания

Автор: Kinder Marsha, McPherson Tara
Название: Transmedia Frictions: The Digital, the Arts, and the Humanities
ISBN: 9780520383029
Издательство: Wiley
Классификация:

Общие вопросы искусства

Исследования средств массовой информации

ISBN-10: 0520383028
Обложка/Формат: Paperback
Страницы: 416
Вес: 1.04 кг.
Дата издания: 02.03.2021
Язык: English
Иллюстрации: 26 b-w images
Размер: 254 x 178 x 30
Читательская аудитория: Postgraduate, research & scholarly
Подзаголовок: The digital, the arts, and the humanities
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание: Editors Marsha Kinder and Tara McPherson present an authoritative collection of essays on the continuing debates over medium specificity and the politics of the digital arts. Comparing the term transmedia with transnational, they show that the movement beyond specific media or nations does not invalidate those entities but makes us look more closely at the cultural specificity of each combination. In two parts, the book stages debates across essays, creating dialogues that give different narrative accounts of what is historically and ideologically at stake in medium specificity and digital politics. Each part includes a substantive introduction by one of the editors.

Part 1 examines precursors, contemporary theorists, and artists who are protagonists in this discursive drama, focusing on how the transmedia frictions and continuities between old and new forms can be read most productively: N. Katherine Hayles and Lev Manovich redefine medium specificity, Edward Branigan and Yuri Tsivian explore nondigital precursors, Steve Anderson and Stephen Mamber assess contemporary archival histories, and Grahame Weinbren and Caroline Bassett defend the open-ended mobility of newly emergent media.

In part 2, trios of essays address various ideologies of the digital: John Hess and Patricia R. Zimmerman, Herman Gray, and David Wade Crane redraw contours of race, space, and the margins; Eric Gordon, Cristina Venegas, and John T. Caldwell unearth database cities, portable homelands, and virtual fieldwork; and Mark B.N. Hansen, Holly Willis, and Rafael Lozano-Hemmer and Guillermo Gуmez-Peсa examine interactive bodies transformed by shock, gender, and color.

An invaluable reference work in the field of visual media studies, Transmedia Frictions provides sound historical perspective on the social and political aspects of the interactive digital arts, demonstrating that they are never neutral or innocent.

Transmedia Frictions: The Digital, the Arts, and the Humanities, Kinder Marsha, McPherson Tara