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The Lure of the Image: Epistemic Fantasies of the Moving Camera, Morgan Daniel


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Автор: Morgan Daniel
Название:  The Lure of the Image: Epistemic Fantasies of the Moving Camera
ISBN: 9780520344273
Издательство: Wiley
Классификация:


ISBN-10: 0520344278
Обложка/Формат: Paperback
Страницы: 292
Вес: 0.45 кг.
Дата издания: 02.07.2021
Язык: English
Иллюстрации: 24 b-w photographs
Размер: 229 x 150 x 20
Читательская аудитория: General (us: trade)
Подзаголовок: Epistemic fantasies of the moving camera
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: The Lure of the Image shows how camera movement, long a neglected topic of study, poses challenges for key assumptions underlying debates within cinema and media studies. Taking up the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera--and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick, and in contemporary digital technologies, The Lure of the Image both exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, an account that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style.


From Photography to fMRI: Epistemic Functions of Images in Medical Research on Hysteria

Автор: Paula Muhr
Название: From Photography to fMRI: Epistemic Functions of Images in Medical Research on Hysteria
ISBN: 3837661768 ISBN-13(EAN): 9783837661767
Издательство: Gazelle Book Services
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Цена: 15871.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Hysteria, a mysterious disease known since antiquity, is said to have ceased to exist. Challenging this commonly held view, this is the first cross-disciplinary study to examine the current functional neuroimaging research into hysteria and compare it to the 19th-century image-based research into the same disorder. Paula Muhrs central argument is that, both in the 19th-century and current neurobiological research on hysteria, images have enabled researchers to generate new medical insights. Through detailed case studies, Muhr traces how different images, from photography to functional brain scans, have reshaped the historically situated medical understanding of this disorder that defies the mind-body dualism.

Epistemic Angst: Radical Skepticism and the Groundlessness of Our Believing

Автор: , Pritchard Duncan
Название: Epistemic Angst: Radical Skepticism and the Groundlessness of Our Believing
ISBN: 0691183430 ISBN-13(EAN): 9780691183435
Издательство: Wiley
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Цена: 4435.00 р.
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Описание:

Epistemic Angst offers a completely new solution to the ancient philosophical problem of radical skepticism--the challenge of explaining how it is possible to have knowledge of a world external to us.

Duncan Pritchard argues that the key to resolving this puzzle is to realize that it is composed of two logically distinct problems, each requiring its own solution. He then puts forward solutions to both problems. To that end, he offers a new reading of Wittgenstein's account of the structure of rational evaluation and demonstrates how this provides an elegant solution to one aspect of the skeptical problem. Pritchard also revisits the epistemological disjunctivist proposal that he developed in previous work and shows how it can effectively handle the other aspect of the problem. Finally, he argues that these two antiskeptical positions, while superficially in tension with each other, are not only compatible but also mutually supporting.

The result is a comprehensive and distinctive resolution to the problem of radical skepticism, one that challenges many assumptions in contemporary epistemology.

Nature as Event: The Lure of the Possible

Автор: Debaise Didier
Название: Nature as Event: The Lure of the Possible
ISBN: 0822369486 ISBN-13(EAN): 9780822369486
Издательство: Mare Nostrum (Eurospan)
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Цена: 3003.00 р.
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Описание:

We have entered a new era of nature. What remains of the frontiers of modern thought that divided the living from the inert, subjectivity from objectivity, the apparent from the real, value from fact, and the human from the nonhuman? Can the great oppositions that presided over the modern invention of nature still claim any cogency? In Nature as Event, Didier Debaise shows how new narratives and cosmologies are necessary to rearticulate that which until now had been separated. Following William James and Alfred North Whitehead, Debaise presents a pluralistic approach to nature. What would happen if we attributed subjectivity and potential to all beings, human and nonhuman? Why should we not consider aesthetics and affect as the fabric that binds all existence? And what if the senses of importance and value were no longer understood to be exclusively limited to the human?
The Lure of the Image: Epistemic Fantasies of the Moving Camera

Автор: Morgan Daniel
Название: The Lure of the Image: Epistemic Fantasies of the Moving Camera
ISBN: 0520344251 ISBN-13(EAN): 9780520344259
Издательство: Wiley
Рейтинг:
Цена: 12672.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: The Lure of the Image shows how camera movement, long a neglected topic of study, poses challenges for key assumptions underlying debates within cinema and media studies. Taking up the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera--and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick, and in contemporary digital technologies, The Lure of the Image both exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, an account that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style.


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