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Автор: Tolkien J.R.R. Название: Hobys, Po an Fordh Dy Ha Tre Arta ISBN: 1782010890 ISBN-13(EAN): 9781782010890 Издательство: Неизвестно Цена: 5324.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: An fantasy meurgerys-ma a vydn plesya redyoryon a bub oos. Yma an lyver ow terivas an story a hobys gelwys Bylbo Baggyn, neb yw scubys in kerdh war viaj heb y wetyas gans Gandalf pystrior ha company a dredhek corr. Whedhel yw an Hobys a aventurs pygus gwres gans bagas a gorras usy ow whelas owr in dadn with a dhragon. Coweth oll a'y anvoth gansans i'n whelas peryllys-ma Bylbo Baggyn, hobys heb uhelwhans ha res dhe gonfort, a vydn sowthanas pubonen ha'y honen kefres der y injyn ha'y skentoleth avell lader nos. In mesk y aventurs y hyller bos reknys metyansow gans trollow, buckyas, corras, elvow ha kefnys cowrek, kescows gans Smawg, an dhragon, ha presens anvodhek in Batel an Pymp Ost. Bylbo Baggyn re gemeras y le in mesk an persons dyvarow a lien an flehes. An Hobys a veu screfys gans an Pendescador Tolkien rag y flehes y honen, ha kettel veu dyllys, an grytycoryon a'n recevas gans gormola vras. Yma an lyver dhe gafos lebmyn in Kernowek, in trailyans bryntyn dhyworth an Pendescador Nicholas Williams. Y fedh gwelys i'n lyver-ma oll an delinyansow ha mappys a wrug an auctour y honen. --- This beloved fantasy classic for readers of all ages is about a hobbit called Bilbo Baggins who is whisked off on an unexpected journey by Gandalf the wizard and a company of thirteen dwarves. The Hobbit is a tale of high adventure, undertaken by a company of dwarves in search of dragon-guarded gold. A reluctant partner in this perilous quest is Bilbo Baggins, a comfort-loving unambitious hobbit, who surprises even himself by his resourcefulness and skill as a burglar. Encounters with trolls, goblins, dwarves, elves and giant spiders, conversations with the dragon, Smaug, and a rather unwilling presence at the Battle of Five Armies are just some of the adventures that befall Bilbo. Bilbo Baggins has taken his place among the ranks of the immortals of children's fiction. Written by Professor Tolkien for his own children, The Hobbit met with instant critical acclaim when published. Now the book is available for the first time in Cornish, in a superb translation by Professor Nicholas Williams. The book includes all the drawings and maps by the author.
Explores how writers, filmmakers and artists have attempted to reckon with the legacy of a devastating war The Iran-Iraq War was the longest conventional war of the 20th century. The memory of it may have faded in the wake of more recent wars in the region, but the harrowing facts remain: over one million soldiers and civilians dead, millions more permanently displaced and disabled, and an entire generation marked by prosthetic implants and teenage martyrdom. These same facts have been instrumentalized by agendas both foreign and domestic, but also aestheticized, defamiliarized, readdressed and reconciled by artists, writers, and filmmakers across an array of identities: linguistic (Arabic, Persian, Kurdish), religious (Shiite, Sunni, atheist), and political (Iranian, Iraqi, internationalist). Official discourses have unsurprisingly tried to dominate the process of production and distribution of war narratives. In doing so, they have ignored and silenced other voices. Centering on novels, films, memoirs, and poster art that gave aesthetic expression to the Iran-Iraq War, the essays gathered in this volume present multiple perspectives on the war’s most complex and underrepresented narratives. These scholars do not naively claim to represent an authenticity lacking in official discourses of the war, but rather, they call into question the notion of authenticity itself. Finding, deciding upon, and creating a language that can convey any sort of truth at all—collective, national, or private—is the major preoccupation of the texts and critiques in this diverse collection.
Explores how writers, filmmakers and artists have attempted to reckon with the legacy of a devastating war The Iran-Iraq War was the longest conventional war of the 20th century. The memory of it may have faded in the wake of more recent wars in the region, but the harrowing facts remain: over one million soldiers and civilians dead, millions more permanently displaced and disabled, and an entire generation marked by prosthetic implants and teenage martyrdom. These same facts have been instrumentalized by agendas both foreign and domestic, but also aestheticized, defamiliarized, readdressed and reconciled by artists, writers, and filmmakers across an array of identities: linguistic (Arabic, Persian, Kurdish), religious (Shiite, Sunni, atheist), and political (Iranian, Iraqi, internationalist). Official discourses have unsurprisingly tried to dominate the process of production and distribution of war narratives. In doing so, they have ignored and silenced other voices. Centering on novels, films, memoirs, and poster art that gave aesthetic expression to the Iran-Iraq War, the essays gathered in this volume present multiple perspectives on the war’s most complex and underrepresented narratives. These scholars do not naively claim to represent an authenticity lacking in official discourses of the war, but rather, they call into question the notion of authenticity itself. Finding, deciding upon, and creating a language that can convey any sort of truth at all—collective, national, or private—is the major preoccupation of the texts and critiques in this diverse collection.
