Revival of religious practices of all sorts in China, after decades of systematic government suppression, is a topic of considerable interest to scholars in disciplines ranging from religious studies to anthropology to political science. This book examines contemporary religious practices among the Premi people of the Sichuan-Yunnan-Tibet area, a group of about 60,000 who speak a language belonging to the Qiang branch of Tibeto-Burman. Koen Wellens's ethnographic research in two Premi communities on opposite sides of the border, and his analysis of available historical documents, find multiple advocates and rationales for the revival of both formal Tibetan Buddhism and the indigenous Premi practices centered on ritual specialists called anji.
Wellens argues that the variety in the shape the revitalization process takes--as it affects Premi on the Sichuan side of the border and their counterparts on the Yunnan side--can only be understood in a local cultural context. This full-length study of the Premi, the first in a language other than Chinese, makes a valuable contribution to our ethnographic knowledge of Southwest China, as well as to our understanding of contemporary Chinese religious and cultural politics.
Exploring notions of activism and space as narrated by Karen displaced persons and refugees in the Thai-Burma borderlands, this book looks beyond refugees as passive victims or a 'humanitarian case'. Instead, the book examines the active engagement the Karen have with their persecution and displacement and their subsequent emplacement in the borderlands. A key focus of the book is to look at this engagement in terms of spaces of solidarity - constructed through patterns of activism, paths of connectivity and processes of cultural recovery. The book also studies the spatial configuration of borderlands, examining the impact of cross-border activities and their inter-related nature.
Описание: Few genres were as popular and as enduring in twentieth-century Mexico as Westerns. Christopher Conway`s lavishly illustrated Heroes of the Borderlands tells the story of the Mexican Western for the first time, exploring how Mexican authors and artists reimagined US film and comic book Westerns to address Mexican politics and culture.
Winner, The Early American Literature Book Prize Ethnology and Empire tells stories about words and ideas, and ideas about words that developed in concert with shifting conceptions about Native peoples and western spaces in the nineteenth-century United States. Contextualizing the emergence of Native American linguistics as both a professionalized research discipline and as popular literary concern of American culture prior to the U.S.-Mexico War, Robert Lawrence Gunn reveals the manner in which relays between the developing research practices of ethnology, works of fiction, autobiography, travel narratives, Native oratory, and sign languages gave imaginative shape to imperial activity in the western borderlands.
In literary and performative settings that range from the U.S./Mexico borderlands to the Great Lakes region of Tecumseh’s Pan-Indian Confederacy and the hallowed halls of learned societies in New York and Philadelphia, Ethnology and Empire models an interdisciplinary approach to networks of peoples, spaces, and communication practices that transformed the boundaries of U.S. empire through a transnational and scientific archive. Emphasizing the culturally transformative impacts western expansionism and Indian Removal, Ethnology and Empire reimagines U.S. literary and cultural production for future conceptions of hemispheric American literatures.
Автор: Bringa Название: Eurasian Borderlands ISBN: 1137583088 ISBN-13(EAN): 9781137583086 Издательство: Springer Рейтинг: Цена: 13974.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines changing and emerging state and state-like borders in the post-Soviet space in the decades following state collapse. This book argues border-making is not only about states’ physical marking of territory and claims to sovereignty but also about people’s spatial practices over time. In order to illustrate how borders come about and are maintained, this book looks at border communities at internal, open administrative borders and borders in the making, as well as physically demarcated international state borders. This book also pays attention to both the spatial and temporal aspects of borders and the interplay between boundaries and borders over time and thus identifies some of the processes at play as space is territorialized in Eurasia in the aftermath of state collapse.
Winner, The Early American Literature Book Prize Ethnology and Empire tells stories about words and ideas, and ideas about words that developed in concert with shifting conceptions about Native peoples and western spaces in the nineteenth-century United States. Contextualizing the emergence of Native American linguistics as both a professionalized research discipline and as popular literary concern of American culture prior to the U.S.-Mexico War, Robert Lawrence Gunn reveals the manner in which relays between the developing research practices of ethnology, works of fiction, autobiography, travel narratives, Native oratory, and sign languages gave imaginative shape to imperial activity in the western borderlands.
In literary and performative settings that range from the U.S./Mexico borderlands to the Great Lakes region of Tecumseh’s Pan-Indian Confederacy and the hallowed halls of learned societies in New York and Philadelphia, Ethnology and Empire models an interdisciplinary approach to networks of peoples, spaces, and communication practices that transformed the boundaries of U.S. empire through a transnational and scientific archive. Emphasizing the culturally transformative impacts western expansionism and Indian Removal, Ethnology and Empire reimagines U.S. literary and cultural production for future conceptions of hemispheric American literatures.
Описание: Over the years, migration from Mexico to the United States has moved beyond the borderlands to diverse communities across the country, with the most striking transformations in American suburbs and small towns. This title explores the challenges encountered by Mexican families as they endeavor to find their place in the US.
Описание: Using extradition as a critical lens, "Spaces of Law in American Foreign Relations" examines the rich embeddedness of questions of sovereignty, territoriality, legal spatiality, and citizenship and shows that U.S. hegemonic power was constructed in significant part in the spaces of law, not simply through war or trade.
Описание: Using extradition as a critical lens, "Spaces of Law in American Foreign Relations" examines the rich embeddedness of questions of sovereignty, territoriality, legal spatiality, and citizenship and shows that U.S. hegemonic power was constructed in significant part in the spaces of law, not simply through war or trade.
Автор: Bramwell, Richard, Qc (university Of Cambridge, Uk) Название: Uk hip-hop, grime and the city ISBN: 1138319171 ISBN-13(EAN): 9781138319172 Издательство: Taylor&Francis Рейтинг: Цена: 7042.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book fills a large hole in the literature, looking at UK hip-hop culture and the social and economic relations that have produced it. The author demonstrates how working class youths aesthetically represent their conditions of urban dwelling, and how they adapt this culture to contribute to inter-racial collaboration.
Автор: Dereje Feyissa, Markus Vigil Hoehne Название: Borders and Borderlands as Resources in the Horn of Africa ISBN: 1847011330 ISBN-13(EAN): 9781847011336 Издательство: Boydell & Brewer Рейтинг: Цена: 3958.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Borders offer opportunities as well as restrictions, and in the Horn of Africa they are used as economic, political, identity and status resources by borderland peoples.
Описание: A reclamation and interpretation of a once-dismissed aspect of American film history Early hip hop film musicals have either been expunged from cinema history or excoriated in brief passages by critics and other writers. Hip Hop on Film reclaims and reexamines productions such as Breakin' (1984), Beat Street (1984), and Krush Groove (1985) in order to illuminate Hollywood's fascinating efforts to incorporate this nascent urban culture into conventional narrative forms. Such films presented musical conventions against the backdrop of graffiti-splattered trains and abandoned tenements in urban communities of color, setting the stage for radical social and political transformations. Hip hop musicals are also part of the broader history of teen cinema, and films such as Charlie Ahearn's Wild Style (1983) are here examined alongside other contemporary youth-oriented productions. As suburban teen films banished parents and children to the margins of narrative action, hip hop musicals, by contrast, presented inclusive and unconventional filial groupings that included all members of the neighborhood. These alternative social configurations directly referenced specific urban social problems, which affected the stability of inner city families following diminished governmental assistance in communities of color during the 1980s. Breakdancing, a central element of hip hop musicals, is also reconsidered. It gained widespread acclaim at the same time that these films entered the theaters, but the nation's newly discovered dance form was embattled--caught between a multitude of institutional entities such as the ballet academy, advertising culture, and dance publications that vied to control its meaning, particularly in relation to delineations of gender. As street-trained breakers were enticed to join the world of professional ballet, this newly forged relationship was recast by dance promoters as a way to invigorate and "remasculinize" European dance, while young women simultaneously critiqued conventional masculinities through an appropriation of breakdance. These multiple and volatile histories influenced the first wave of hip hop films, and even structured the sleeper hit Flashdance. This forgotten, ignored, and maligned cinema is not only an important aspect of hip hop history, but is also central to the histories of teen film, the postclassical musical, and even institutional dance. Kimberley Monteyne places these films within the wider context of their cultural antecedents and reconsiders the genre's influence. Kimberley Monteyne, Vancouver, British Columbia, Canada, is currently teaching at the University of British Columbia and has also taught at New York University and the Chelsea College of Art (UK). Her work has appeared in Youth Culture in Global Cinema.
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