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A Huge Revolution of Theatrical Commerce: Walter Mocchi and the Italian Musical Theatre Business in South America, Matteo Paoletti


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Автор: Matteo Paoletti
Название:  A Huge Revolution of Theatrical Commerce: Walter Mocchi and the Italian Musical Theatre Business in South America
ISBN: 9781108790482
Издательство: Cambridge Academ
Классификация:


ISBN-10: 1108790488
Обложка/Формат: Paperback
Страницы: 75
Вес: 0.14 кг.
Дата издания: 2020-08-13
Серия: Elements in musical theatre
Язык: English
Иллюстрации: Worked examples or exercises
Размер: 22.86 x 15.24 x 0.46 cm
Читательская аудитория: Professional and scholarly
Основная тема: Theatre studies,Theatre management,Dance & other performing arts,Popular culture, MUSIC / General
Подзаголовок: Walter mocchi and the italian musical theatre business in south america
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: In the early twentieth century, South America became the most important market for European opera and musical theatre and this Element explores Walter Mocchi`s transoceanic role in this revolution. He staged world premieres of works by Italian superstars in Argentina, offering an early example of what Stephen Greenblatt calls `cultural mobility`.


The Theatrical Manager in Britain and America: Player of a Perilous Game

Автор: Donohue Jr Joseph W.
Название: The Theatrical Manager in Britain and America: Player of a Perilous Game
ISBN: 0691620210 ISBN-13(EAN): 9780691620213
Издательство: Wiley
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Цена: 5544.00 р.
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Описание: From Philip Henslowe to David Merrick, the producer or theatre manager has generally been seen as a combination of Shylock and Simon Legree, usurer and slavedriver, wholly concerned with profit and loss, indifferent to art and artists. Yet no single person has greater responsibility in what George Henry Lewes called the "perilous game" of play prod

Theatrical manager in britain and america

Название: Theatrical manager in britain and america
ISBN: 0691647038 ISBN-13(EAN): 9780691647036
Издательство: Wiley
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Цена: 13939.00 р.
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Описание:

From Philip Henslowe to David Merrick, the producer or theatre manager has generally been seen as a combination of Shylock and Simon Legree, usurer and slavedriver, wholly concerned with profit and loss, indifferent to art and artists. Yet no single person has greater responsibility in what George Henry Lewes called the "perilous game" of play production. The essays in this volume examine five English and American theatrical managers, from the Elizabethan period to the twentieth century: Philip Henslowe, Tate Wilkinson, Stephen Price, Edwin Booth, and Charles Wyndham. The contributors, who evaluate the relationship of each manager to the drama of his time, include Bernard Beckerman, Charles Beecher Hogan, Benard Hewitt, Charles Shattuck, and George Rowell. Joseph Donohue's essay, "The Theatrical Manager and the Uses of Theatrical Research," introduces the volume.

Originally published in 1971.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


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