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Groove theory, Bolden, Tony


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Автор: Bolden, Tony
Название:  Groove theory
ISBN: 9781496830609
Издательство: Mare Nostrum (Eurospan)
Классификация:



ISBN-10: 1496830601
Обложка/Формат: Paperback
Страницы: 256
Вес: 0.41 кг.
Дата издания: 30.11.2020
Серия: American made music series
Язык: English
Иллюстрации: 9 black & white illustrations
Размер: 22.91 x 15.19 x 1.60 cm
Ключевые слова: Blues,Ethnic studies,Music reviews & criticism,Soul & R 'n' B, MUSIC / Genres & Styles / Blues,MUSIC / Genres & Styles / Soul & R 'n B,MUSIC / History & Criticism,SOCIAL SCIENCE / Ethnic Studies / African American Studies
Подзаголовок: The blues foundation of funk
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Поставляется из: Англии
Описание: Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history.
Дополнительное описание: Popular music|Ethnic studies|Music reviews and criticism



100 Funk Grooves for Electric Bass: Learn 100 Bass Guitar Riffs & Licks in the Style of the Funk Legends

Автор: Hawkins Dan, Alexander Joseph
Название: 100 Funk Grooves for Electric Bass: Learn 100 Bass Guitar Riffs & Licks in the Style of the Funk Legends
ISBN: 1789332176 ISBN-13(EAN): 9781789332179
Издательство: Неизвестно
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Цена: 3677.00 р.
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Описание: 100 Funk Grooves for Electric Bass is your complete guide to mastering the essential skills of funk bass groove. From old school to new, Funk has never gone away, because it`s all about the groove. Here, Dan Hawkins teaches what you can learn from the funk bass players who laid down the story of funk on thousands of deep cuts.

Metro Music: Celebrating a Century of the Trinity River Groove

Автор: Fowler Gene, Williams William
Название: Metro Music: Celebrating a Century of the Trinity River Groove
ISBN: 0875657710 ISBN-13(EAN): 9780875657714
Издательство: Mare Nostrum (Eurospan)
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Цена: 6376.00 р.
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Описание: Explores the musical history of Dallas, Fort Worth, and the surrounding area from the nineteenth century to the 1960s, and the continuing echoes of that transformative decade. With nearly five hundred images, the book moves through a host of genres and eras.

Groove Theory: The Blues Foundation of Funk

Автор: Tony Bolden
Название: Groove Theory: The Blues Foundation of Funk
ISBN: 1496830520 ISBN-13(EAN): 9781496830524
Издательство: Mare Nostrum (Eurospan)
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Цена: 13794.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history.


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