Theory for theatre studies: memory, Gluhovic, Milija (university Of Warwick, Uk)
Автор: Gluhovic, Milija (university Of Warwick, Uk) Название: Theory for theatre studies: memory ISBN: 1474246656 ISBN-13(EAN): 9781474246651 Издательство: Bloomsbury Academic Рейтинг: Цена: 9504.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Why has memory become such an important political tool in response to the challenges of modernity? How can performance be used to probe and recuperate aspects of the past, and what are the ethical and political questions that arise when it does so? And how should the discipline of theatre studies define and deploy the term 'memory' theoretically and in practice?
Theory for Theatre Studies: Memory provides a comprehensive introduction to the intersections between contemporary theatre and performance, the field of memory studies and the politics of memory across the globe. Beginning by offering a fresh critical snapshot of the major theoretical foundations for the study of memory today, the author presents vivid theatrical examples drawn from a wide variety of cultural contexts and compellingly illustrates the centrality of memory for the theatre as well as the vital role of theatre in transmitting individual and collective memories.
Featuring in-depth case studies of a range of performance works - including Lola Arias's Minefield, Yael Ronen's Common Ground and Robert Lepage's The Seven Streams of the River Ota - it explores how theatre artists have grappled with issues of memory and the tensions between memory and history. A final section examines the problematics of memory in a global context by exploring the subject of migration/immigration.
Memory is supported by further online resources including section overviews and discussion questions.
Online resources to accompany this book are available at: https: //www.bloomsbury.com/theory-for-theatre-studies-memory-9781474246651
Описание: This textbook is endorsed by OCR and supports the specification for AS and A-Level Classical Civilisation (first teaching September 2017). It covers Components 21 and 22 from the 'Culture and the Arts' Component Group: Greek Theatre by James Renshaw and Laura Swift Imperial Image by Robert Hancock-Jones Why was tragedy and comedy so central to Athenian life? How did drama challenge Athenians to reflect on their way of living? How did the emperor Augustus present himself as the restorer of Rome’s greatness? To what extent did he provide an example to later political figures as a promoter of his regime? This book guides AS and A-Level students to a greater understanding of these issues. The Greek Theatre chapter explores the festival context in which tragedies and comedies were performed, and then analyses three plays: Oedipus the King by Sophocles, Bacchae by Euripides and Frogs by Aristophanes. The Imperial Image chapter analyses the self-presentation of Rome’s most dynamic emperor, who claimed to have found Rome ‘a city of bricks, but left it a city of marble’. The ideal preparation for the final examinations, all content is presented by experts and experienced teachers in a clear and accessible narrative. Ancient literary and visual sources are described and analysed, with supporting images. Helpful student features include study questions, quotations from contemporary scholars, further reading, and boxes focusing in on key people, events and terms. Practice questions and exam guidance prepare students for assessment. A Companion Website is available at www.bloomsbury.com/class-civ-as-a-level.
Автор: Aleks Sierz Название: The Theatre of Martin Crimp: Second Edition ISBN: 1408185849 ISBN-13(EAN): 9781408185841 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
First published in 2006, Alek's Sierz's The Theatre of Martin Crimp provided a groundbreaking study of one of British theatre's leading contemporary playwrights. Combining Sierz's lucid prose and sharp analysis together with interviews with Martin Crimp and a host of directors and actors who have produced the work, it offered a richly rewarding and engaging assessment of this acutely satirical playwright. The second edition additionally explores the work produced between 2006 and 2013, both the major new plays and the translations and other work.
The second edition considers The City, the 2008 companion play to The Country, Play House from 2012 and the new work for the Royal Court in late 2012. The two works that have brought Crimp considerable international acclaim in recent years, the updated rewrite of The Misanthrope which in 2009 played for several months in the West End starring Keira Knightley, and Crimp's translation of Botho Strauss's Big and Small (Barbican, 2012), together with Crimp's other work in translation are all covered. The Theatre of Martin Crimp remains the fullest, most readable account of Crimps's work for the stage.
Описание: In this timely study, Puga compares contemporary Southern Cone playwrights and their aesthetic strategies for subverting ideologies of dictatorship; in the process, she traces the shaping of a resistant identity in memory, its direct expression in testimony, and its indirect elaboration in two different kinds of allegory.
What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange--subject and witness, spectator and performer, consumer and commodified--provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history.
What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange--subject and witness, spectator and performer, consumer and commodified--provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history.
Автор: Rachel Tracie Название: Christina Reid`s Theatre of Memory and Identity ISBN: 3319978756 ISBN-13(EAN): 9783319978758 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is a study of the plays, performances and writings of Christina Reid. It explores Reid’s work through her own words, both in interviews and writings; through theoretical engagements in other disciplines, such as psychology and geography; and through responses to her plays in production. It is a compilation of sorts, gathering together interviews, critical material, unpublished works and theatrical reviews to reflect the breadth and depth of Reid’s contribution to the theatrical culture of Northern Ireland, during the Troubles and beyond.
Автор: Banham Martin Название: African Theatre 13: Ngugi Wa Thiong`o and Wole Soyinka ISBN: 1847010989 ISBN-13(EAN): 9781847010988 Издательство: Boydell & Brewer Рейтинг: Цена: 3166.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Directors and collaborators assess and comment on the production of plays by West Africa`s Nobel Laureate Wole Soyinka and East Africa`s most influential author Ngugi wa Thiong`o.
Название: The Theatre of Christopher Durang (Miriam Chirico) ISBN: 1474288928 ISBN-13(EAN): 9781474288927 Издательство: Bloomsbury Academic Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Theatre of Christopher Durang considers the works of one of the foremost comedic writers for the American stage. From Durang’s early success with the controversial Sister Mary Ignatius Explains It All for You (1974) to his recent Tony Award-winning play, Vanya and Sonia and Masha and Spike (2012), he has been an original theatrical voice in American theatre. Edith Oliver, long-time theatre critic for The New Yorker, described Durang as “one of the funniest men in the world.” Durang challenges traditional dramatic idioms with his irreverent comedies that are as shocking as they are prescient and compassionate. This volume provides the first comprehensive examination of Durang’s works and incorporates comedic theory to examine how laughter in performance subverts social conventions and hierarchies. Through a clear, detailed discussion of the plays, Miriam Chirico considers Durang’s use of black comedy, satire, and parody to explode such topics as: western literature, religion, dysfunctional families, and American social malaise. Robert Combs and Jay Malarcher provide additional critical perspectives about Durang’s works, detailing his use of alienation techniques and locating his place within the American parodic tradition. The book also includes a warm introduction by Durang’s former student, Pulitzer Prize-winner, David Lindsay-Abaire. The Theatre of Christopher Durang, in demonstrating how Durang has shaped contemporary theatrical possibilities, offers a valuable guide for students of American drama and comedy.
Описание: The first study of popular eighteenth-century English theatre to engage with voices of radical dissent that argued for religious toleration, attacked imperial invasion and forced conversion of indigenous peoples and challenged social hierarchy. This book tells the story of freemasons who served as theatrical `shock troops of the Enlightenment`.
With over 80 scholarly articles, reviews, and critical interventions from the last 50 years, Bertolt Brecht: Critical and Primary Sources set covers the key periods of Brecht's life, from his time in Augsburg (1898-1918) through the Weimer Republic (1918-1933), exile (1933-1948) and the German Democratic Republic (1949-1956). It also explores his theories, fundamentally his belief in the theatre's ability to represent and change the world, core practices and relationships.
Alongside primary sources that include writings by Brecht published in English for the first time, such as his short but important reflection in 'originality' in theatre production, key featured scholars include Fredric Jameson and his essay 'Episch, or, the Third Person', and pieces on Brecht's collaborative working methods by Claus and Wera K chenmeister, and the director Egon Monk. Volume 1 covers Brecht's life and work, including essays on his famous Mother Courage and Her Children, production reviews, poetry, novels and short stories, with some thoughts on his journals. Volume 2 covers theory, containing essays and primary writings on Brechtian terminology, and some of the more enigmatic terms like 'Epic theatre', 'Verfremdung', 'Gestus' and 'Fabel', features a survey of important theoretical works, a section on Brecht on non-theatre media, his relationship to other major thinkers, ideas and sources and the reception of his ideas. Volume 3 covers practice, including Brecht's practice as documenter and director, beginning with his disastrous start in the Weimar Republic through to his later role as director as the Berliner Ensemble, his relationships with other practitioners and his own collaborators, reviews of important productions and global receptions. Each volume includes a contextualizing introduction surveying the topics covered and the development of scholarship on Brecht.
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