Автор: Ward, Lee Название: Recovering classical liberal political economy ISBN: 1399500600 ISBN-13(EAN): 9781399500609 Издательство: Bloomsbury Academic Рейтинг: Цена: 3958.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This bookre-examines the philosophical roots of classical liberal political economy, as well as addressing the relationship between the empire and liberalism. It proposes an interpretive model based upon the interconnection between distinct theories of natural rights and the harmony of interests. It takes a fresh look at classical liberalism by exploring economic arguments in thinkers like Thomas Hobbes, Thomas Paine, John Trenchard and Thomas Gordon, who are not typically viewed as economic thinkers, and by highlighting the importance of Bernard Mandeville and Adam Smith in the development of interest-based liberalism. It also re-examines lesser-known economic tracts by thinkers such as John Locke, David Hume and John Stuart Mill in light of their more well-known political writings. With classical liberal assumptions still prominent in contemporary debates about economic justice, it is vital for every democratic citizen to understand the complex origins and development of the ideas that did so much to shape our world today.
Автор: Damschroder Название: Harmony in Haydn and Mozart ISBN: 1107419840 ISBN-13(EAN): 9781107419841 Издательство: Cambridge Academ Рейтинг: Цена: 6653.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Thoughtful musicians seeking ways to deepen their understanding of how tonal music works will be drawn to this study focused on Haydn and Mozart, two masters from the Viennese Classical period. Schenkerian tools and an innovative approach to harmony are synthesised in penetrating analyses, and alternative analytical approaches are critiqued.
Описание: This book argues that the need for music, and the ability to produce and enjoy it, is an essential element in human nature. This book analyses the stylistic changes in music from the emergence of `tonality` in the late seventeenth century until the Second World War.
Автор: Harmony Jai Rourke, Jaime Harmon Rourke Название: Harmony and Her Best Friend REX ISBN: 1737531801 ISBN-13(EAN): 9781737531807 Издательство: Gazelle Book Services Рейтинг: Цена: 6004.00 р. Наличие на складе: Поставка под заказ.
Описание: Mirror man, mirror man Persuthen If you dont love me, who then? Mirror man, mirror man Persuthen Prove your love for me before the night ends. Turn off the lights and with this simple chant in the mirror, the Persuthen will come for you. It will come to prove its love for you and it wont stop until it does.The chant and the mirror will bring you darkness, itll bring your fate, it will bring the Persuthen... Marvin Barchester, a new age detective, and Adaline Rivertone, a rebellious young lady, along with others, find that the simple chant is real. And not only does the mirror man come, but it deviously shows up as someone
Автор: Vic Hobson Название: Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony ISBN: 1496819772 ISBN-13(EAN): 9781496819772 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Throughout his life, Louis Armstrong tried to explain how singing with a barbershop quartet on the streets of New Orleans was foundational to his musicianship. Until now, there has been no in-depth inquiry into what he meant when he said, ""I figure singing and playing is the same,"" or, ""Singing was more into my blood than the trumpet."" Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played, author Vic Hobson discusses elements of music theory with a style accessible even to readers with little or no musical background. Jazz is a music that is often performed by people with limited formal musical education. Armstrong did not analyze what he played in theoretical terms. Instead, he thought about it in terms of the voices in a barbershop quartet. Understanding how Armstrong, and other pioneer jazz musicians of his generation, learned to play jazz and how he used his background of singing in a quartet to develop the jazz solo has fundamental implications for the teaching of jazz history and performance today. This assertive book provides an approachable foundation for current musicians to unlock the magic and understand jazz the Louis Armstrong way.
Автор: Tao Julia, Cheung Anthony B. L., Painter Martin Название: Governance for Harmony in Asia and Beyond ISBN: 1138991988 ISBN-13(EAN): 9781138991989 Издательство: Taylor&Francis Рейтинг: Цена: 7042.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the context of increasingly multi-religious, multi-racial and multi-ethnic modern societies, the achievement of harmony is emerging as a major challenge. This book examines the idea of harmony, and its place in politics and governance, both in theory and practice, in Asia, the West and elsewhere.
This book is the first full portrait of a single assembly center--located at the Western Washington fairgrounds at Puyallup, outside Seattle--that held Japanese Americans for four months prior to their transfer to a relocation center during World War II. Gathering archival evidence and eyewitness accounts, Louis Fiset reconstructs the events leading up to the incarceration as they unfolded on a local level: arrests of Issei leaders, Nikkei response to the war dynamics, debates within the white community, and the forced evacuation of the Nikkei community from Bainbridge Island. The book explores the daily lives of the more than seven thousand inmates at "Camp Harmony," detailing how they worked, played, ate, and occasionally fought with each other and with their captors. Fiset also examines the inmates' community life, health care, and religious activities. He includes details on how army surveyors selected the center's site, oversaw its construction, and managed the transfer of inmates to the more permanent Minidoka Relocation Center in Idaho.
Автор: Helm E. Eugene Название: Melody, Harmony, Tonality: An Introduction ISBN: 1442235284 ISBN-13(EAN): 9781442235281 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 9504.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Critical Pedagogy, Physical Education and Urban Schooling is a critical ethnography of health, physical education and the schooling experiences of urban youth. This book thus explores the complex potential for health and physical education as key sites of learning for marginalized urban youth, examining these disciplines as subjects that are both politically fraught and also spaces of hope.
Автор: Damschroder David Название: Harmony in Mendelssohn and Schumann ISBN: 1108406246 ISBN-13(EAN): 9781108406246 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Presents a radical reformulation of harmonic theory and analysis, using sound files as well as notated music examples. Early chapters guide readers in developing a new and practical perspective on harmony, and later chapters explore particular nineteenth-century compositions in comparison with other analysts` work.
Описание: Focusing on the role of harmony in Chinese international relations (IR) theory, this book seeks to illuminate Chinese understandings of world politics and foreign policy.
Описание: Following the creation of the United States, profound disagreements remained over how to secure the survival of the republic and unite its diverse population. In this pathbreaking account, Billy Coleman uses the history of American music to illuminate the relationship between elite power and the people from the early national period to the Civil War. Based on deep archival research in sources such as music periodicals, songbooks, and manuals for musical instruction, Coleman argues that a particular ideal of musical power provided conservative elites with an attractive road map for producing the harmonious union they desired. He reassesses the logic behind the decision to compose popular patriotic anthems like ""The Star-Spangled Banner,"" reconsiders the purpose of early American campaign songs, and brings to life a host of often forgotten but fascinating musical organizations and individuals. The result is not only a striking interpretation of music in American political life but also a fresh understanding of conflicts that continue to animate American democracy.
Описание: The book Jazzmen (1939) claimed New Orleans as the birthplace of jazz and introduced the legend of Buddy Bolden as the First Man of Jazz. Much of the information that the book relied on came from a highly controversial source: Bunk Johnson. He claimed to have played with Bolden and that together they had pioneered jazz. Johnson made many recordings talking about and playing the music of the Bolden era. These recordings have been treated with skepticism because of doubts about Johnson's credibility. Using oral histories, the Jazzmen interview notes, and unpublished archive material, this book confirms that Bunk Johnson did play with Bolden. This confirmation, in turn, has profound implications for Johnson's recorded legacy in describing the music of the early years of New Orleans jazz. New Orleans jazz was different from ragtime in a number of ways. It was a music that was collectively improvised, and it carried a new tonality--the tonality of the blues. How early jazz musicians improvised together and how the blues became a part of jazz has until now been a mystery. Part of the reason New Orleans jazz developed as it did is that all the prominent jazz pioneers, including Buddy Bolden, Bunk Johnson, Louis Armstrong, Sidney Bechet, Johnny Dodds, and Kid Ory, sang in barbershop (or barroom) quartets. This book describes in both historical and musical terms how the practices of quartet singing were converted to the instruments of a jazz band, and how this, in turn, produced collectively improvised, blues-inflected jazz, that unique sound of New Orleans.
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